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A Theater Without Theater
Featuring works by artists and theoreticians including: Carl Andre, Antonin Artaud. Hugo Ball. Samuel Beckett, George Brecht, Marcel Broodthaers, Daniel Buren, Tadeusz Cantor, James Coleman, oyvind Fahlstrom, Robert Filliou, Michael Fried, Ramon Gomez de la Serna, Dan Graham, Donald Judd, Mike Kelley, Marinetti, Vsevolod Meyerhold, Antoni Miralda, Robert Morris. Juan Munoz. Bruce Naumann. Tony Oursler. Michelangelo Pistoletto, Oskar Schlemmer. Isidoro Valcarcel Medina, Ben Vautier.
Leave Any Information at the Signal
An anthology of writings, interviews, and images by artist Ed Ruscha. Ed Ruscha is among the most innovative artists of the last forty years. He is also one of the first Americans to introduce a critique of popular culture and an examination of language into the visual arts. Although he first made his reputation as a painter, Ruscha is also celebrated for his drawings (made both with conventional materials and with food, blood, gunpowder, and shellac), prints, films, photographs, and books. He is often associated with Los Angeles as a Pop and Conceptualist hub, but tends to regard such labels with a satirical, if not jaundiced, eye. Indeed, his work is characterized by the tensions between h...
Jim Dine
This book is the catalog to Jim Dine's (born 1935) exhibition at the Centre Pompidou in Paris, covering four decades of his varied and prodigious output. Over the past years Dine has donated large personal selections of his art to museums across Europe and the US, including the British Museum, the Albertina in Vienna, the Museum of Fine Arts in Boston and the San Francisco Museum of Modern Art. One such gift to the Centre Pompidou, consisting of 24 paintings and sculptures from 1966 to the present, is the subject of this book. Featuring double-page reproductions of each work--covering Dine's major motifs including his hearts, bathrobes, birds, self-portraits and tools--as well his new 40-page interview with Centre Pompidou director Bernard Blistène (supplemented with archival photos), this book is the most detailed survey to date of one of the most important contemporary artists.
The Materiality of Text – Placement, Perception, and Presence of Inscribed Texts in Classical Antiquity
Written by an international cast of experts, The Materiality of Text showcases a wide range of innovative methodologies from ancient history, literary studies, epigraphy, and art history and provides a multi-disciplinary perspective on the physicality of writing in antiquity. The contributions focus on epigraphic texts in order to gauge questions of their placement, presence, and perception: starting with an analysis of the forms of writing and its perception as an act of physical and cultural intervention, the volume moves on to consider the texts’ ubiquity and strategic positioning within epigraphic, literary, and architectural spaces. The contributors rethink modern assumptions about the processes of writing and reading and establish novel ways of thinking about the physical forms of ancient texts.
On the Future of History
What does postmodernism mean for the future of history? Can one still write history in postmodernity? To answer questions such as these, Ernst Breisach provides the first comprehensive overview of postmodernism and its complex relationship to history and historiography. Placing postmodern theories in their intellectual and historical contexts, he shows how they are part of broad developments in Western culture. Breisach sees postmodernism as neither just a fad nor a universal remedy. In clear and concise language, he presents and critically evaluates the major views on history held by influential postmodernists, such as Derrida, Foucault, Lyotard, and the new narrativists. Along the way, he introduces to the reader major debates among historians over postmodern theories of evidence, objectivity, meaning and order, truth, and the usefulness of history. He also discusses new types of history that have emerged as a consequence of postmodernism, including cultural history, microhistory, and new historicism. For anyone concerned with the postmodern challenge to history, both advocates and critics alike, On the Future of History will be a welcome guide.
History of Photography
The fourth volume in a history of photography, this is a bibliography of books on the subject.
Ghostlier Demarcations
Why do modern poets quote from dictionaries in their poems? How has the tape recorder changed the poet's voice? What has shopping to do with Gertrude Stein's aesthetics? These and other questions form the core of Ghostlier Demarcations, a study of modern poetry as a material medium. One of today's most respected critics of twentieth-century poetry and poetics, Michael Davidson argues that literary materiality has been dominated by an ideology of modernism, based on the ideal of the autonomous work of art, which has hindered our ability to read poetry as a socially critical medium. By focusing on writing as a palimpsest involving numerous layers of materiality—from the holograph manuscript ...
THE ART OF PACKAGING
One of a few books about the art of packaging in Vietnam, its history, and transformations over time. What is its theoretical framework and implementation in practice? How are the design and the art of packaging in Vietnam impacted by Western thinking on industrial arts and what traditions it is still upholding? What are important developments of modern packaging art in Vietnam? How are the social and economical changes reflected in the packages of consumer goods in the country? And how the new look of these goods create a new consumerism culture in the ex-Stalinism nation? This book sums up what has happened with the aesthetic aspect of packaging in Vietnam, theoretically and practically, in the last half century and tries to answer parts of these questions.
Critical Aesthetics and Postmodernism
In this monograph Paul Crowther seeks to overcome some of the antagonistic positions taken in recent debates about postmodernism. He addresses such issues as the relation between art and politics, artistic creativity, and sublimity and the postmodern sensibility. His analysis of these themes centres on the interplay between what is constant and what is historically variable in human experience.
Social Works
‘a game-changer, a must-read for scholars, students and artists alike’ – Tom Finkelpearl At a time when art world critics and curators heavily debate the social, and when community organizers and civic activists are reconsidering the role of aesthetics in social reform, this book makes explicit some of the contradictions and competing stakes of contemporary experimental art-making. Social Works is an interdisciplinary approach to the forms, goals and histories of innovative social practice in both contemporary performance and visual art. Shannon Jackson uses a range of case studies and contemporary methodologies to mediate between the fields of visual and performance studies. The result is a brilliant analysis that not only incorporates current political and aesthetic discourses but also provides a practical understanding of social practice.
