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Mystery: Detecting Truth in the Darkness A good mystery brings the reader into the mind of the detective: searching for clues, questioning suspects, and coming to conclusions. We like to play along, hoping to crack the case before the ultimate reveal. In a way, it feels like our real lives as we try to piece together the parts of our existence and discover what they mean. That is why mysteries are the perfect playground for the cultural apologist who seeks to explain what the facts about our world actually mean. Contributors “The Gospel of Murder” by Annie Nardone on Human Darkness “Serial, Healing and the Silence of God: The Hunger for Order and Truth in a Postmodern Mystery” by Eri...
Pick up The New York Public Library Literature Companion to check the dates of Marcel Proust's Remembrance of Things Past or to find out how James Joyce's Ulysses changed U.S. obscenity laws, and you may find yourself hours later absorbed in the imaginary worlds of Camelot and The Matrix or sidetracked by the fascinating history of The New Yorker. Designed to satisfy the curious browser as well as the serious researcher, this exciting new resource offers the most up-to-date information on literature available in English from around the world, from the invention of writing to the age of the computer. Interwoven throughout the more than 2,500 succinct and insightful entries on Creators, Works ...
In Towards a Reformed Enlightenment: Salomon van Til (1643–1713) and the Cartesio-Cocceian Debates in the Early Modern Dutch Republic, Matthias Mangold offers the first in-depth investigation into the theological and philosophical convictions of an influential, yet hitherto much neglected, Dutch theologian working around the turn of the eighteenth century. With its strong contextual approach, this analysis of Van Til’s thought sheds new light on various intellectual dynamics at the time, most notably the long-standing conflict between the Voetian and Cocceian factions within the Dutch Reformed Church and the reception of Cartesian philosophy in the face of emerging Radical Enlightenment ideas.
Includes entries for maps and atlases.
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
Comprising some 4000 terms, defined and illustrated, "Gradus" calls upon the resources of linguistics, poetics, semiotics, socio-criticism, rhetoric, pragmatics, combining them in ways which enable readers quickly to comprehend the codes and conventions which together make up 'literarity.'
“I am no more lonely than the Mill Brook, or a weathercock, or the north star, or the south wind, or an April shower, or a January thaw, or the first spider in a new house,” wrote Henry David Thoreau in Walden. In creating this list, and many others that appear in his writings, Thoreau was working within a little-recognized yet ancient literary tradition: the practice of listing or cataloguing. This beautifully written book is the first to examine literary lists and the remarkably wide range of ways writers use them. Robert Belknap first examines lists through the centuries—from Sumerian account tablets and Homer’s catalogue of ships to Tom Sawyer’s earnings from his fence-painting scheme—then focuses on lists in the works of four American Renaissance authors: Emerson, Whitman, Melville, and Thoreau. Lists serve a variety of functions in Emerson’s essays, Whitman’s poems, Melville’s novels, and Thoreau’s memoirs, and Belknap discusses their surprising variety of pattern, intention, scope, art, and even philosophy. In addition to guiding the reader through the list’s many uses, this book explores the pleasures that lists offer.