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Statemaking and Territory in South Asia
“Statemaking and Territory in South Asia: Lessons from the Anglo–Gorkha War (1814–1816)” seeks to understand how European colonization transformed the organization of territory in South Asia through an examination of the territorial disputes that underlay the Anglo–Gorkha War of 1814–1816 and subsequent efforts of the colonial state to reorder its territories. The volume argues that these disputes arose out of older tribute, taxation and property relationships that left their territories perpetually intermixed and with ill-defined boundaries. It also seeks to describe the long-drawn-out process of territorial reordering undertaken by the British in the nineteenth and twentieth centuries that set the stage for the creation of a clearly defined geographical template for the modern state in South Asia.
Statemaking and Territory in South Asia
“Statemaking and Territory in South Asia: Lessons from the Anglo–Gorkha War (1814–1816)” seeks to understand how European colonization transformed the organization of territory in South Asia through an examination of the territorial disputes that underlay the Anglo–Gorkha War of 1814–1816 and subsequent efforts of the colonial state to reorder its territories. The volume argues that these disputes arose out of older tribute, taxation and property relationships that left their territories perpetually intermixed and with ill-defined boundaries. It also seeks to describe the long-drawn-out process of territorial reordering undertaken by the British in the nineteenth and twentieth centuries that set the stage for the creation of a clearly defined geographical template for the modern state in South Asia.
Studies in Italian Art
Andrew Ladis is Franklin Professor of Art History at the University of Georgia. Over the course of the last twenty years he has written extensively on Italian art. In addition to books on Taddeo Gaddi and on the Brancacci Chapel, he has made notable contributions to the study of early Italian painting and sculpture with essays on such figures as Giovanni Pisano, Giotto, Jacopo del Casentino, Ambrogio Lorenzetti, and Niccolo di Tommaso. But the range of his interests, made apparent by this collection, extends far beyond fourteenth-century Florence and Siena to encompass Tuscan painting of the fifteenth century, Renaissance maiolica, the writings of Giorgio Vasari, biography, and modern histor...
Linguistic Diasporas, Narrative and Performance
This book explores the present-day Irish Diaspora in Argentina, using oral narrative and a sociolinguistic theoretical framework to draw out the features that define contemporary Hiberno-Argentine identity. The author analyzes the spoken memories and discourses of Irish-Argentine descendants to trace the socio-political evolution of a bilingual, bicultural community from World War II to the present day. In so doing, O’Brien reveals a legacy of emigration that is without precedent in the global Irish Diaspora, and which is deeply relevant to today’s global Irish citizenry in its challenging of preconceived notions of what it is to be Irish in the New World. As well as contributing to understandings of an immigrant linguistic journey over three generations, the book also provides a vital ethnographic portrait of an Irish descendant community that is acutely aware of its vulnerability and invisibility in an increasingly pluralistic South American society. This book will appeal to an interdisciplinary audience including scholars of migration, oral history, folklore, bilingualism, memory, sociolinguistics, narrative performance and Irish Diaspora studies.
The Scarborough
The Scarborough takes place over three days in 1992: Good Friday, Holy Saturday, and Easter Sunday. It is the weekend 15-year-old Kristin French was abducted and murdered by Paul Bernardo and Karla Homolka. In poems both opulent and stricken, ravishing and unflinching, Michael Lista--who was nine, at the time--revisits those dates, haunted by the horrifying facts he now possesses. Inspired, in part, by Dante's Inferno, Virgil's tale of Orpheus' descent into the underworld for Eurydice, as well as the Bernardo trial itself--where the judge ruled that the gallery could hear the video tapes of the crimes, but not see them--Lista's poems adhere to a single rule: you cannot gaze at the beloved you seek to rescue. The Scarborough is a shiveringly bold book about Bernardo that doesn't show us Bernardo, a conceptual project that ignores its concept.
Supreme Court
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Cartophilia
The period between the French Revolution and the Second World War saw an unprecedented proliferation of mapmaking and map reading across modern European society. This book explores the age of cartophilia through the story of mapmaking in the disputed French-German borderland of Alsace-Lorraine. During the nineteenth and twentieth centuries, both French and Germans claimed Alsace-Lorraine as part of their national territories, fighting several bloody wars with each other that resulted in four changes to the borderland s nationality. In the process, the contested territory became a mapmaker s laboratory, a place subjected to multiple visual interpretations and competing topographies. And the mapmakers were not just professional border surveyors but rather people from all walks of life, including linguists, ethnographers, historians, priests, and schoolteachers. Empowered by their access to affordable new printing technologies and motivated by patriotic ideals, these popular mapmakers redefined the meaning and purpose of European borders during the age of nationalism."
