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In this highly symbolic and satirical novel, E. L. Doctorow addresses the insurmountable societal constrictions that entrapped lower class American citizens at the turn of the 20th century.
All too often an incident or accident, such as the eruption in Crown Heights with its legacy of bitterness and recrimination, thrusts Black-Jewish relations into the news. A volley of discussion follows, but little in the way of progress or enlightenment results--and this is how things will remain until we radically revise the way we think about the complex interactions between African Americans and Jews. A Right to Sing the Blues offers just such a revision. Black-Jewish relations, Jeffrey Melnick argues, has mostly been a way for American Jews to talk about their ambivalent racial status, a narrative collectively constructed at critical moments, when particular conflicts demand an explanat...
Media and Society is a lively, illustrated introduction to the role that mass media--and the messages and texts they carry--play in our lives and our society. Arthur Asa Berger explores the time we spend with media, media aesthetics, ethics, audiences, media effects, technologies, violence and sexuality in media, and ownership. Media and Society helps us understand the relationship between consumers and media--the books, television, radio, magazines, web sites, video games, newspapers, movies, and other mass media we encounter every day. --Publisher.
The intention of this second volume of ASNEL Papers is to counter orthodox post-colonial emphases on alterity, subversion, and counter-discourse with another set of concepts: fusion, syncretism, hybridity, creolisation, cross-fertilisation, cross-cultural identity, diaspora. Topics covered include: gender and identity; syncretic aesthetics in Nigerian and South African performing arts; hyphenated identities in diasporic fiction; reversals of colonial mimicry in Ugandan fiction; cultural reflexivity in the Victorian juvenile novel; the persistence of colonial traits in Zimbabwean war fiction; syncretic strategies of resistance in African prison memoirs; indigene life-histories and intercultur...
T. V. Reed urges an affiliation between literary theory and political action—and between political action and literary theory. What can the "new literary theory" learn from "new social movements," and what can social activists learn from poststructuralism, new historicism, feminist theory, and neomarxism? In striking interpretations of texts in four different genres—James Agee and Walker Evans’s Let Us Now Praise Famous Men, Ralph Ellison's Invisible Man, Norman Mailer's Armies of the Night, and the ecofeminist Women's Pentagon Actions of the early 1980s—Reed shows how reading literary texts for their political strategies and reading political movements as texts can help us overcome ...
It seems to be a tenet of the human condition to perceive “others” as “different” and potentially hostile. In nearly all societies stereotypes are developed to stigmatize suspected enemies within and without. The American case is particularly interesting in this respect because American society consists of nothing but “others”; to be open to “others” and welcome those who are “different” is one of the basic tenets of the country. However, this principle often conflicts with the need to integrate all these “strangers” into a homogeneous, governable society, which causes the formation of hostile stereotypes of certain ethnic groups that do not “fit in.” The authors in this volume look at the development of these “enemy images,” which form a fairly consistent pattern, from the period of the American Revolution to the post–World War II era. In doing so, they focus on the question of to what extent these enemy images influence the formulation and outcome of foreign, domestic, and immigration policies.
Felipe Smith tracks the emergence of particular gender images--such as white witch, black madonna, mammy, and white lady--and their impact on early African American literature. Smith gives us a remarkable synthesis of historical readings combined with a highly original contribution to the comprehension of racial thought and literary writing.
Contributors here explore the nation's pluralistic framework as a historical creation, looking at group relations in the United States and how they have been conceptualized in the past. This volume attempts to bridge the gaps that have developed between various pluralist, multiculturalists, ethnic, academics, and other groups.
Contains essays which explore the interrelationships among African American music, literature, and popular culture. This book first lays out the case for the blues as constituting a body of literature, and then offers a tour of the movement through classic jazz, bop, and the explosions of the free jazz era, followed by a section on R & B and Soul.