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Theatre and Metatheatre
The aim of this book is to explore the definition(s) of ‘theatre’ and ‘metatheatre’ that scholars use when studying the ancient Greek world. Although in modern languages their meaning is mostly straightforward, both concepts become problematical when applied to ancient reality. In fact, ‘theatre’ as well as ‘metatheatre’ are used in many different, sometimes even contradictory, ways by modern scholars. Through a series of papers examining questions related to ancient Greek theatre and dramatic performances of various genres the use of those two terms is problematized and put into question. Must ancient Greek theatre be reduced to what was performed in proper theatre-buildings...
Martin Bucer Briefwechsel/Correspondance: Band IX (September 1532 - Juni 1533)
Wegen des großen Anteils an Einzelkorrespondenten in Bucers Briefwechsel von September 1532 bis Juni 1533 versammelt dieser Band eine Vielzahl von Anliegen. Bucer soll etwa bei Stellenbesetzungen vermitteln, für säumige Schuldner eintreten, seine exegetischen Werke zusenden, einen Trostbrief schreiben, zur Visitation kommen, mittellosen Autoren zum Druck ihrer Bücher verhelfen oder schlicht Fürbitte einlegen. Trotz dieser vielfältigen Inanspruchnahmen verliert Bucer die Hauptthemen der vorausgehenden Korrespondenz nicht aus den Augen: die Auseinandersetzung mit den Dissenters und die Vermittlung im Abendmahlsstreit. Nachdem sein Werben um eine Verständigung mit Luther bei den Schweizern Irritationen hervorgerufen hat, bereist Bucer von Anfang April bis Mitte/Ende Mai 1533 die Schweiz, um im persönlichen Gespräch mit den Baslern, Zürichern und Bernern die Wogen zu glätten. Wenn er sie auch nicht davon überzeugen kann, dass sie in der Sache mit Luther übereinstimmen, so gelingt es Bucer doch, ein Einvernehmen der Schweizer mit seiner Position herzustellen.
The Play of Language in Ancient Greek Comedy
Ancient Greek comedy relied primarily on its text and words for the fulfilment of its humorous effects and aesthetic goals. In the wake of a rich tradition of previous scholarship, this volume explores a variety of linguistic materials and stylistic artifices exploited by the Greek comic poets, from vocabulary and figures of speech (metaphors, similes, rhyme) to types of joke, obscenity, and the mechanisms of parody. Most of the chapters focus on Aristophanes and Old Comedy, which offers the richest arsenal of such techniques, but the less ploughed fields of Middle and New Comedy are also explored. Emphasis is placed on practical criticism and textual readings, on the examination of particul...
The Oxford Classical Dictionary
The revised third edition of the 'Oxford Classical Dictionary' is the ultimate reference on the classical world containing over 6,200 entries. The 2003 revision includes minor corrections and updates and all Latin and Greek words in the text are now translated into English.
Philippians
Paul‘s letter to the Philippians offers treasures to the reader--and historical and theological puzzles as well. Paul A. Holloway treats the letter as a literary unity and a letter of consolation, according to Greek and Roman understandings of that genre, written probably in Rome and thus the latest of Paul‘s letters to come down to us. Adapting the methodology of what he calls a new history of religions perspective, Holloway attends carefully to the religious topoi of Philippians, especially the metamorphic myth in chapter 2, and draws significant conclusions about Paul‘s personalism and "mysticism." With succinct and judicious treatments of pertinent exegetical and theological issues throughout, Holloway draws richly on Jewish, Greek, and Roman comparative material to present a complex understanding of the apostle as a Hellenized and Romanized Jew.
FrC 14 Theopompos
Theopompos was one of the leading comic playwrights of late fifth- and early fourth-century Athens, competing actively with the great Aristophanes and winning several victories. This volume presents the first complete translation and commentary on his surviving fragments. He participated in important trends during the transition from Old to Middle Comedy, including tragic and epic parody and an interest in the figure of the hetaira; among other gems, his fragments include the oldest extant reference to the philosopher Plato.
FrC 21 Timokles
From some points of view, Timocles departs from the norm of his time, and in particular from near-contemporary comedians such as Alexis, Eubulus and Antiphanes, and appears to be the most 'Aristophanic' poet of the fourth century. More specifically, in a period when political satire seems to have lost its vigor, he employs acerbic attacks against major and minor Athenian politicians. The fact that at least sixteen of the forty-two surviving fragments of his poetry contain explicit or implicit references to politicians can hardly be attributed to chance. Timocles' inventiveness and versatility are also demonstrated, inter alia, in his combination of different motifs, his association of mythical figures with contemporary personalities and his employment of a figurative language. The present volume follows the principles and structure of the commentaries of the KomFrag project. It includes an introduction on Timocles and a detailed examination and commentary of the testimonies and the surviving fragments.
Eupolis frr. 326-497
English summary: The series 'Fragmenta Comica' will provide a complete commentary on the fragments of Greek comedy. The aim of the commentary is twofold: on the one hand, it is meant to make accessible these mostly rather challenging texts from a number of different perspectives. On the other hand, it should help in the reconstruction the plays where this is possible, as well as in achieving a literary-historical classification of the authors. The fragments and testimonia will be translated. The results obtained in the commentary will be integrated into general surveys published in the Studia Comica series: on comedy and comedy techniques such as parody and satire as well as on its political...
FrC 16.3 Ephippos
Ephippus is an outstanding playwright of Greek Middle Comedy. He won a single Lenaean victory ca. 378-376 BC and continued being productive until the late 340s. His twenty-eight surviving fragments reveal a wide thematic range: myth burlesque (with a special fondness for Heracles), political allegory, sympotic themes, personal mockery, satire of philosophy (Plato), hetairai. His corpus features seven hapax terms, as well as the highest percentage of anapaestic dimeter lines of all poets of Middle Comedy.
