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Bernie Wrightson, comic book artist and illustrator extraordinaire has worked creating comic books, illustration, and conceptual design for film. His impressive list of work includes the co-creation of Swamp Thing, illustrating Mary Shelly's Frankenstein, and, of course, working on dozens of comic book titles. Wrightson's extensive design work for the Gang of Seven Animation Studio, while known, has never been documented until now with the creation of this new in-depth monograph that utilizes the archives of the studio. Marvel at concept drawings, model sheets, and hundreds of designs for projects including Biker Mice From Mars, The Juice, and Freak Show. All of the artwork in this book has been scanned directly from the original artwork so fans can savior Wrighton's genius up close and personal. Also included in this monograph is an introductory essay, an in-depth interview, and photographs taken during his tenure as an associate partner of the studio.
Deacon Joseph Blackfire, the man who has been busy converting Gotham City's homeless and destitute to his cause, is the leader of The Cult - a sinister organization hell-bent on power and control. This psychological mastermind wants Batman as his prize convert, and will stop at nothing to get him.
Horror legend Bernie Wrightson's Creepy and Eerie short stories, color illustrations, and frontispieces are finally collected in one deluxe collection! These classic tales from the 1970s and early 1980s include collaborations with fellow superstars and Warren Publishing alumni Bruce Jones, Carmine Infantino, Howard Chaykin, and others, as well as several adaptations and original stories written and drawn by Wrightson during one of the most fruitful periods of his career! The infamous "Jenifer" is included, as well as Wrightson's fullcolor "Muck Monster" and adaptations of Poe and Lovecraft classics.
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"Originally published as Dead, she said issues #1-3, The ghoul issues #1-3, Doc Macabre issues #1-3"--Copyright page.
In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
Presents reprinted issues of the horror comic magazine "Creepy."
Inspired by Mary Shelley's immortal gothic horror tale, Frankenstein Alive, Alive brings new life to the Promethean monster, courtesy of Steve Niles (30 Days of Night) and Bernie Wrightson (Frankenstein, Swamp Thing). Victor Frankenstein's cobbled together creature continues his adventures, embarking on a journey to discover his own humanity. This collection includes the four-issue series along with an extended gallery section of never-before-seen layouts and pencils by Wrightson, all scanned from the original art. Additional art is supplied in the final chapter by Kelley Jones (at Wrightson's request), who stepped in to complete the series upon the comic book legend's untimely passing.
Features the vengeful exploits of recurring characters Dr. Archaeus, Coffin, Exterminator One, the Spook, and others.