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There is much emphasis in the church today'by laity and clergy'on being respectable, nice and presentable. Yes where in scripture did Jesus say that we should make being well-dressed and well-behaved priorities? Is the church guilty of reducing Christianity to mere social etiquette? The Jesus of scripture rejected these priorities with word and deed. This book goes back to the original passages in the Gospels that reveal not a cautious, image-conscious Jesus, but a provaocative, politically incorrect cage-rattler for whom appearance and reputation meant nothing. It examines the original Gospel passages that are regularly avoided or sanitized by pastors, teachers and writers exploring those times when Jesus said no and when he disturbed the peace. There are profound implications in understanding that the Jesus of the Bible is no passive pushover, but a vigorous truth warrior who slays falsehoods with a sharp, double-edged sword. Jesus Unplugged is provocative and accurate.
Famous co-stars such as Katharine Hepburn and Cary Grant to Tom Hanks and Meg Ryan, have made screwball and romantic comedies a big seller at the box office. These seemingly timeless genres are as popular today as ever! This book takes a closer look at the precise meanings of the terms screwball and romantic. Film fans and scholars alike tend to lump film with laughter and love under a screwball/romantic umbrella and use the terms screwball and romantic interchangeably. In reality, there is a distinction; the screwball variety places its emphasis on "funny," while the more traditional romantic comedy accents "love." Covering over 60 titles each of romantic and screwball comedy dating from the 1930s to the present, this research tool not only demonstrates how screwball and romantic comedy are two distinct genres, but also highlights pivotal social and artistic changes which impacted both genres. Includes 24 black and white movie stills, countless quotations from selected films, an annotated bibliography, and a two-part filmography. Not only an informative resource for film students and scholars, but also an interesting read for film buffs.
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During the Progressive Era, reform candidates in New York, Cleveland, and Chicago challenged the status quo--with strikingly different results: brief triumph in New York, sustained success in Cleveland, and utter failure in Chicago. Kenneth Finegold seeks to explain this phenomenon by analyzing the support for reform in these cities, especially the role of an emerging class of urban policy professionals in each campaign. His work offers a new way of looking at urban reform opposition to machine politics. Drawing on original research and quantitative analysis of electoral data, Finegold identifies three distinct patterns of support for reform candidates: traditional reformers drew support fro...