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Professor States provides nothing less than a new theory of the drama based upon the principles of irony and dialectic. Very close in approach to the Continental structuralists, he treats irony, not as a literary device or as an attitude in the mind of the playgoer, but as a means of confronting reality—a way of testing and resolving conflicting ideas. Pointing out the limitations of conventional categories such as comedy, tragedy, and tragicomedy, he views drama instead as a vehicle for perceiving and ordering the possibilities of human experience. After setting forth his thesis boldly and persuasively, Professor States explores other mod es such as the epic and the lyric and shows how they interact with the dramatic principle. He manages to cover, in a minimum amount of space, the entire range of dramatic styles and periods, placing special emphasis on playwrights of universal appeal like Sophocles, Shakespeare, Chekhov, Ibsen, Shaw, and Beckett.
This is a book about the theater phenomenon. It is an extension of notes on the theater and theatergoing that have been accumulating for some time. It does not have an argument, or set out to prove a thesis, and it will not be one of those useful books one reads for the fruits of its research. Rather, it is a form of critical description that is phenomenological in the sense that it focuses on the activity of theater making itself out of its essential materials: speech, sound, movement, scenery, text, etc. Like most phenomenological description, it will succeed to the extent that it awakens the reader's memory of his own perceptual encounters with theater. If the book fails in this it will be about as interesting to read as an anthology of someone else's dreams. In any case, this book is less concerned with the scientific purity of my perspective and method than with retrieving something from the theater experience that seems to me worthy of our critical admiration.
Updated and enlarged, this groundbreaking collection surveys the major critical currents and approaches in drama, theater, and performance
This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others.
In this lively and provocative book, Bert O. States offers a new theory of the nature and function of dreaming, in the process challenging the Freudian theory of repression. The Rhetoric of Dreams asserts that the dream operates quite differently from the mechanism of repression as it is envisioned by most psychoanalysts. Far from censoring unacceptable thought, States says, the dream is one of the most direct of psychic functions, processing experience in patterns of association that contribute to our survival in waking reality. He thus regards the dream as a means by which the mind "thinks" images out of feelings and attitudes and then converts those images into other images along the path of the dream narrative.
The meaning of dreams and the relationship between dreaming and the telling of stories.
23 short length plays for a cast of one, two, or three. 5 minutes acting time for each character. Performance times vary from 8-15 minutes.
This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others.
From the Arctic to South Africa - one finds them everywhere: Ants. Making up nearly 15% of the entire terrestrial animal biomass, ants are impressive not only in quantitative terms, they also fascinate by their highly organized and complex social system. Their caste system, the division of labor, the origin of altruistic behavior and the complex forms of chemical communication makes them the most interesting group of social organisms and the main subject for sociobiologists. Not least is their ecological importance: Ants are the premier soil turners, channelers of energy and dominatrices of the insect fauna. TOC:The importance of ants.- Classification and origins.- The colony life cycle.- Al...
This book partakes of a long tradition of dream interpretation, but, at the same time, is unique in its cross-cultural and interdisciplinary methods and in its mix of theoretical and analytical approaches. It includes a great chronological and geographical range, from ancient Sumeria to eighteenth-century China; medieval Hispanic dream poetry to Italian Renaissance dream theory; Shakespeare to Nerval; and from Dostoevsky, through Emily Brontë, to Henry James. Rupprecht also incorporates various critical orientations including archetypal, comparative, feminist, historicist, linguistic, postmodern, psychoanalytic, religious, reader response, and self-psychology.