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The Lubetkin Legacy
'Lively . . . a joy to read' - The Times *Shortlisted for the Bollinger Everyman Wodehouse prize* The bestselling author of A Short History of Tractors in Ukrainian is back in this hilarious, farcical, tender novel of modern issues and manners. North London in the twenty-first century: a place where a son will swiftly adopt an old lady and take her home from hospital to impersonate his dear departed mother, rather than lose the council flat. A time of golden job opportunities, though you might have to dress up as a coffee bean or work as an intern at an undertaker or put up with champagne and posh French dinners while your boss hits on you. A place rich in language - whether it's Romanian, Ukrainian, Russian, Swahili or buxom housing officers talking managementese. A place where husbands go absent without leave and councillors sacrifice cherry orchards at the altar of new builds. 'Laugh-out loud' Daily Express 'Insightful, witty and engaging, painting a picture of modern Britain that will be at once recognizable and enlightening' Stylist 'Entertaining and timely' Evening Standard
Operatic Pasticcios in 18th-Century Europe
In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.
Operatic Pasticcios in 18th Century Europe
Known as "pasticcios," eighteenth-century operas that employed the substitution or compilation of arias fitting the singer's abilities have long been considered inferior patchwork. This volume collects essays that reconsider the pasticcio, contextualize it, look at its material aspects, and uncover its aesthetic principles.
Forbidden Music
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
Musicians' Mobilities and Music Migrations in Early Modern Europe
During the 17th and 18th century musicians' mobilities and migrations are essential for the European music history and the cultural exchange of music. Adopting viewpoints that reflect different methodological approaches and diversified research cultures, the book presents studies on central scopes, strategies and artistic outcomes of mobile and migratory musicians as well as on the transfer of music. By looking at elite and non-elite musicians and their everyday mobilities to major and minor centers of music production and practice, new biographical patterns and new stylistic paradigms in the European East, West and South emerge.
The Minister's Secret
July 16th, 1942 Andre Dumont is a collaborationist who has made a fortune buying art and valuables from Jews who sell their collections and heirlooms at ridiculously low prices in order to quickly obtain money as they attempt to escape from Europe. Dumont has befriended the Schwartzmanns so he can evaluate their art collection. He not only becomes a "friend of the family," but he becomes the lover of the Schwartzmanns' eldest daughter, Anna. Andre Dumont, using his influence and friends in the Nazi hierarchy in Paris, manages to get the Schwartzmann family listed for deportation. He wants to rid himself of any person who can claim the art he plans to have "confiscated" from the Schwartzmanns...
Juvenile Delinquency (Indians)
Hearings survey all aspects of North Dakota Indians' living conditions. Oct. 11 hearing was held in Fort Yates, N.Dak.; Oct. 12 hearing was held in New Town, N.Dak.; Oct. 13 hearing was held in Rolla, N.Dak.; and Oct. 14 hearing was held in Bismarck, N.Dak.
Great Plains Indians
David J. Wishart’s Great Plains Indians covers thirteen thousand years of fascinating, dynamic, and often tragic history. From a hunting and gathering lifestyle to first contact with Europeans to land dispossession to claims cases, and much more, Wishart takes a wide-angle look at one of the most significant groups of people in the country. Myriad internal and external forces have profoundly shaped Indian lives on the Great Plains. Those forces—the environment, religion, tradition, guns, disease, government policy—have written their way into this history. Wishart spans the vastness of Indian time on the Great Plains, bringing the reader up to date on reservation conditions and rebounding populations in a sea of rural population decline. Great Plains Indians is a compelling introduction to Indian life on the Great Plains from thirteen thousand years ago to the present.
Hegel's Theory of Madness
This book shows how an understanding of the nature and role of insanity in Hegel's writing provides intriguing new points of access to many of the central themes of his larger philosophic project. Berthold-Bond situates Hegel's theory of madness within the history of psychiatric practice during the great reform period at the turn of the eighteenth century, and shows how Hegel developed a middle path between the stridently opposed camps of "empirical" and "romantic" medicine, and of "somatic" and "psychical" practitioners. A key point of the book is to show that Hegel does not conceive of madness and health as strictly opposing states, but as kindred phenomena sharing many of the same underlying mental structures and strategies, so that the ontologies of insanity and rationality involve a mutually illuminating, mirroring relation. Hegel's theory is tested against the critiques of the institution of psychiatry and the very concept of madness by such influential twentieth-century authors as Michel Foucault and Thomas Szasz, and defended as offering a genuinely reconciling position in the contemporary debate between the "social labeling" and "medical" models of mental illness.
