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The novels of Imperial Berlin, a rich repository of social discourse about the simultaneous experiences of nationhood and modernity in Imperial Germany, reveal distinct historical and cultural obstacles impeding authors' attempts to envision a humane, modern German identity.
The campaign in the United States during the 1940s and 1950s to rid comic books of their violent content, and often-times to obliterate the medium itself, had far-reaching and deeply felt reverberations. Spearheaded by moralists, educators, politicians, and psychiatrist Dr. Fredric Wertham, anti-comics crusades led to book burnings, town meetings, periodical discourses, and the draconian Comics Code, recognized as the most oppressive act of self-censorship in this country's history. At issue was the possible link between comic books and juvenile delinquency, although then-current concerns about communist infiltration, lowered educational levels, and moral decay also crept into the arguments.
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A new intellectual portrait of a prominent twentieth-century philosopher
This study examines the ironic influence of Friedrich Schlegel and Arthur Schopenhauer's ideas of music's primacy among the arts on three of the most important modern writers of German: Hermann Broch, Thomas Mann and Franz Kafka.
A major scholarly collection of international research on the reception of James Joyce in Europe
The question of whether Britain is "apart from or a part of Europe" (D. Abulafia) has gained significance in recent years. This book reassesses an underexplored field of early modern transnational history: the variety of ways in which connections between Britain and German-speaking Europe shaped developments. After a comprehensive introduction, this book is divided into three parts: cross-border transfers and appropriations of knowledge; coping with alterity in intergovernmental contacts; and ideologising the cultural nation. The topics range from the exchange of religious and political ideas over court life, diplomacy, and espionage to literary and philosophical debates. Particular attentio...
This bibliography was commissioned by the English Goethe Society as a contribution to the celebration in 1999 of the 250th anniversary of Goethes birth. It sets out to record translations of his works into English that have been published in the twentieth century, up to and including material published in that anniversary year. It aims to serve as wide a constituency as possible, be it as a simple reference tool for tracing a translation of a given work or as a documentary source for specialized studies of Goethe reception in the English-speaking world. The work records publications during the century, not merely translations that originated during this period. It includes numerous reprintin...
Comparative Criticism is an annual journal of comparative literature and cultural studies that has gained an international reputation since its inception in 1979. It contains major articles on literary theory and criticism; on a wide range of comparative topics; and on interdisciplinary debates. It includes translations of literary, scholarly and critical works; substantial reviews of important books in the field; and bibliographies on specialist themes for the year, on individual writers, and on comparative literary studies in Britain and Ireland.