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Forest Mensuration
The new, revised edition of the standard volume on forest measurement The updated edition of this long-standing classic, Forest Mensuration, Fourth Edition, provides new, complete coverage of current measurement practices and technological applications that expand the role of forest mensuration to include monitoring forest resources. This integrated approach takes into account all the resources of a forest, including such nontimber vegetation parameters as regeneration, lesser vegetation, woody detritus, and carbon. Providing solid working knowledge of all concepts and methods, along with guidance for further study, featured material includes: * Applications of personal computers, global positioning, and GIS * Key concepts of tree-stand parameters and principles of measurement * Fundamental concepts of sampling methods * English and metric units Forest Mensuration, Fourth Edition, is a valuable resource for students in forestry and forestry-related studies.
Forest Mensuration
Forest mensuration – the science of measurement applied to forest vegetation and forest products – holds value for basic ecology as well as sustainable forest management. As demands on the world’s forests have grown, scientists and professionals are increasingly called on to quantify forest composition, structure, and the goods and services forests provide. Grounded in geometry, sampling theory, and ecology as well as practical field experience, forest mensuration offers opportunities for creative problem solving and critical thinking. This fifth edition of the classic volume, Forest Mensuration, includes coverage of traditional and emerging topics, with attention to SI and Imperial un...
Planning a Forest Inventory
The forest inventory. Planning principes. Forest and other land-use classification. Inventory sampling design. Aerial photography in forest inventory. Mapas and mapping. Quantity relationships in forest inventory. Personnel and training. Logistical support. Field measurement procedures. Calculation and compilation.
Something Coming
This major contribution to the study of antebellum religious art offers a detailed case study of American postmillennialism and its many visual expressions. Treating paintings as "intersections of cultural expression," Gail E. Husch begins with a single painting to spin out an interpretation in many directions, from the specific aesthetic and social concerns of artist and patron to the wider political and cultural concerns of Americans in the mid-19th century. Arguing that "genuine apocalyptic faith" was fundamental to American Protestants, Husch shows how artists, patrons, and ordinary citizens actively engaged contemporary questions of peace and war, freedom and slavery, and the equality of human beings before God in their visual arts. Part of an emerging revaluation of the role of the religious in American art, Husch asks us to read ideas as they function in works, rather than see images merely as passive illustrations of ideas. Weaving images drawn from high and low culture, politics, and religion, she develops a complex cultural narrative of the times, thus showing the truth of one picture being worth a thousand words.
Annual Report
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General Register
Announcements for the following year included in some vols.
