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The Rose Garden
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Jeering Dreamers
The re-emergence in recent years of Villiers de l'Isle-Adam as a key figure in fin de siècle literature can be attributed in large part to the intense interest his prescient l'Eve future (1886) has generated among scholars. In effect, the novel confronts with breathtaking focus central taboos and ambivalences about the decadent period. It posits an inescapable, mechanistic linkage between desire and technology; it suggests the constructed nature of gender; it casts woman down so as to exalt her, even as it intimates the arbitrariness and fragility of the empowerment prerogatives implicit in such an operation. It is this mine for the study of fin de siècle mentalities that the present volume explores. Begun at the 1992 NCFS colloquium at Binghamton University as a collective project of the Friends of Villiers, Jeering Dreamers brings together 13 essays by Villiers scholars from both sides of the Atlantic. Their work promises, in the words of the eminent Villièrien Alan Raitt, to 'Éclairer l'Eve future d'un jour nouveau-ou, plus exactement, de plusieurs jours nouveaux.
Impossibility Fiction
Impossibility fiction is an 'intergenre' that has recently been the resort of many writers searching for new ways of understanding and expressing the real world of the imagination, making use of fantasy, alternative history and science fiction. Coping with ideas that are both impossible and realistically constructed is the ultimate contemporary challenge of our technology. The chapters of this book move towards establishing appropriate readings that allow contemporary readers to negotiate unreality, a skill that the end of the millennium is making inevitably necessary. Such strategies have long been the preserve of literary and cultural study, and here a number of well-regarded scholars and ...
The Waxing of the Middle Ages
Johan Huizinga’s much-loved and much-contested Autumn of the Middle Ages, first published in 1919, encouraged an image of the Late French Middle Ages as a flamboyant but empty period of decline and nostalgia. Many studies, particularly literary studies, have challenged Huizinga’s perceptions of individual works or genres. Still, the vision of the Late French and Burgundian Middle Ages as a sad transitional phase between the High Middle Ages and the Renaissance persists. Yet, a series of exceptionally significant cultural developments mark the period. The Waxing of the Middle Ages sets out to provide a rich, complex, and diverse study of these developments and to reassert that late medieval France is crucial in its own right. The collection argues for an approach that views the late medieval period not as an afterthought, or a blind spot, but as a period that is key in understanding the fluidity of time, traditions, culture, and history. Each essay explores some “cultural form,” to borrow Huizinga’s expression, to expose the false divide that has dominated modern scholarship.
French XX Bibliography
Provides the listing of books, articles, and book reviews concerned with French literature since 1885. This is a reference source in the study of modern French literature and culture. It contains nearly 8,800 entries.
The Plot Machine
This book presents a new and exciting theory of the modern French novel by developing the notion of the narrative as a "textual machine". Many turn-of-the-century French novels thematically identified their means of narration through the various machines that they depicted. The narrative devices that were particularly important in this self-reflection included: the temporal order of the plot, the question of a narrative's beginning and end, the hierarchy of narrative voices, and the techniques of the point of view. The question of mechanization became central on all these fronts. Has the novel become automated or machine-like? At the same time, the machine metaphors in the novels of Alfred J...
Waking the Face That No One Is
Poetry and music have seldom been more closely associated than at the end of the nineteenth century, and the texts in which Baudelaire and Wagner, Mallarmé and Scriabin, Maeterlinck and Debussy evoked the reader’s and the listener’s states of mind are unusually rich in suggestion. Can poetry combine, as music seems to do, the transcendent satisfaction of an all-inclusive viewpoint with the excitement and uncertainty of an unfolding narrative? Can it partake of music’s power in order to give a face to the idea, and substitute, without disappointing, a definite variation for the ineffable theme? Symbolist writers intent on achieving musical effects in words looked for ways to overcome t...
Novel Stages
The essays in Novel Stages examine the myriad intersections between drama and the novel in nineteenth-century France, a period when the two genres were in constant engagement with one another. The collection is unified by common intellectual concerns: the inscription of theatrical esthetics within the novel; the common practice among nineteenth-century novelists of adapting their works for the stage; and the novel's engagement with popular forms of theater. The essays provide insight into a specific aspect of the relationship between the theater and the novel in the nineteenth century. Their distinct perspectives form an overview of the literary landscape of nineteenth-century France, and demonstrate many ways in which all major nineteenth-century French novelists, including Hugo, Flaubert, Sand, and Zola, participated in the theatrical culture of their century.
English Parish Drama
This collection of essays presents the multiplicity of dramatic and paradramatic activity that flourished in medieval and early modern England at the parish level. The evidence here adduced is largely from churchwardens' accounts and from the records of the ecclesiastical courts. The book contains ten articles that consider the various money making ventures undertaken by English parishes for the support of the church. The authors study subjects ranging from paradramatic activities such as rushbearing, dancing and bull and bear baiting through more hybrid and problematical events such as the king games and Robin Hood gatherings and plays, to what can be considered 'true' drama with sets, prop...
