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From the author of Crooked Letter, Crooked Letter - winner of the CWA Gold Dagger Award for Best Crime Novel of the Year April 1927. After months of rain, the Mississippi River has reached dangerous levels and the little town of Hobnob is at threat. Residents fear the levee will either explode under the pressure of the water or be blown by saboteurs from New Orleans, who wish to save their own city. But when an orphaned baby is found the lives of Ingersoll, a blues-playing prohibition agent, and Dixie Clay, a bootlegger who is guarding a terrible secret, collide. They can little imagine how events are about to change them - and the great South - forever. For in the dead of night, after thick, illusory fog, the levee will break . . .
"With its high spirits, its love of textures of different kinds of writing . . . [this] is an immensely lively performance." --Robert Hass
Beth Ann Fennelly is fearless in delineating the joys, absorptions, and—yes—jealousies of new motherhood. Having studied motherhood "as if for an exam," reality proved "wilder and deeper and funnier" than anything she'd anticipated.Tender Hooks is Fennelly's spirited exploration of parenting, with all its contradictions and complexities.
A new collection by a poet declared "one of the most exciting poets of her generation" (Harvard Review). With elegant wordplay and her usual subversive wit, Beth Ann Fennelly explores the "unmentionable"—not only what is considered too bold but also what can't be said because words are insufficient. In sections of short narratives, she questions our everyday human foibles. Three longer sequences display her admirable reach and fierce intelligence: One, "The Kudzu Chronicles," is a rollicking piece about the transplanted weed. Another, "Bertha Morisot: Retrospective," conjures up a complex life portrait of the French impressionist painter. The third presents fifteen dream songs that virtually out-Berryman Berryman.
23 strange-but-true stories of women flirting with perdition... In the steamy South, temptation is as wild and plentiful as kudzu. Whether the sin in question is skinny-dipping or becoming an unlikely porn star, running rum or renting out a room to a pair of exhibitionistic adulterers, in these true stories women defy tradition and forge their own paths through life—often learning unexpected lessons from the experience. As Dorothy Allison writes in her introduction, “The most dangerous stories are the true ones, the ones we hesitate to tell, the adventures laden with fear or shame or the relentless pull of regret. Some of those are about things that we are secretly deeply proud to have done.” A diverse array of contributors—mothers, daughters, sisters, best friends, fiancées, divorcees, professors, poets, lifeguards-in-training, lapsed Baptists, tipsy debutantes, middle-aged lesbians—lend their voices to this collection. Introspective and abashed, joyous and triumphant (but almost never apologetic), they remind us that sin, like beauty, is in the eye of the beholder.
Circling Faith is a collection of essays by southern women that encompasses spirituality and the experience of winding through the religiously charged environment of the American South. Mary Karr, in “Facing Altars,” describes how the consolation she found in poetry directed her to a similar solace in prayer. In “Chiaroscuro: Shimmer and Shadow,” Susan Cushman recounts how her dissatisfaction with a Presbyterian upbringing led her to hold her own worship services at home and eventually to join the Eastern Orthodox Church. “Magic” by Amy Blackmarr depicts a religious practice that occurs wholly outside of any formal setting—she recognizes places, such as a fishing shack in south...
Contemporary discussions on nonfiction are often riddled with questions about the boundaries between truth and memory, honesty and artifice, facts and lies. Just how much truth is in nonfiction? How much is a lie? Blurring the Boundaries sets out to answer such questions while simultaneously exploring the limits of the form. This collection features twenty genre-bending essays from today's most renowned teachers and writers--including original work from Michael Martone, Marcia Aldrich, Dinty W. Moore, Lia Purpura, and Robin Hemley, among others. These essays experiment with structure, style, and subject matter, and each is accompanied by the writer's personal reflection on the work itself, illuminating his or her struggles along the way. As these innovative writers stretch the limits of genre, they take us with them, offering readers a front-row seat to an ever-evolving form. Readers also receive a practical approach to craft thanks to the unique writing exercises provided by the writers themselves. Part groundbreaking nonfiction collection, part writing reference, Blurring the Boundaries serves as the ideal book for literary lovers and practitioners of the craft.
The Empress of Kisses explores the landscape of the human heart through free and formal verse. The poems chronicle a wide variety of relationships past and present, real and imagined, with family, friends, lovers, pop culture icons, mythological figures, historical events, and with words themselves. The collection features a special focus on the experiences of Generation X, the “forgotten generation.” "This book offers all the pleasures that poetry affords—sonic felicities, skilled wordplay, resonant insights, and unexpected destinations. This is a delightful and memorable book."—Beth Ann Fennelly, final judge, author of Unmentionables November 9th, 1989 For thirty years there is no kiss. Then there is the possibility of a kiss, like a rumble or a half-heard shout— did it come from this side or that side? When the kiss breaks through, we all struggle to register the impossible, how the wall came down, how their lips found each other, every obstacle reduced to rubble around their feet, the bright paint of her lipstick smeared, unintelligible graffiti all over the changed angles of his face.
"May be the best book ever to give for a baby shower."—Tampa Tribune Beth Ann Fennelly, writing to a newly pregnant friend, goes beyond the nuts and bolts or sentimentality of other parenting literature, in letters that range in tone from serious to sisterly, from lighthearted to downright funny. Some answer specific questions; others muse about the identity shift a woman encounters when she enters Mommyland. This book invites all mothers to join the grand circle of giving and receiving advice about children.