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Britten
Benjamin Britten was one of the outstanding British composers of the 20th century. He shot to international fame with his operas, performed by his own English Opera Group, and a series of extraordinary instrumental works. His music won a central place in the repertoire and the affection of successive generations of listeners. David Matthews brings to this biography his special insight as a fellow composer, former assistant and life-long friend of Britten to produce a uniquely personal, sensitive and authoritative account.
Rethinking Britten
This book offers a new account of the composer's enduring popularity. 12 essays by a group of leading senior and emerging scholars offer fresh historical and interpretive contexts for all phases of Britten's career.
Benjamin Britten
This work constitutes the largest and most comprehensive research guide ever published about Benjamin Britten. Entries survey the most significant published materials relating to the composer, including bibliographies, catalogs, letters and documents, conference reports, biographies, and studies of Britten's music.
Letters from a Life
Letters by the British composer to his friends, family, and colleagues document his life from school days to the end of World War II.
A Time and a Place
There anchoring, Peter chose from Man to hide, There hang his Head, and view the lazy Tide In its hot slimy Channel slowly glide. . . George Crabbe, eighteenth-century poet, clergyman and surgeon-apothecary, is best known for ‘Peter Grimes’, the tale of a sadistic fisherman that inspired Benjamin Britten’s opera of the same name. The brutal crimes and ‘tortur’d guilt’ of Grimes play out within the bleak, improbably beautiful setting of Aldeburgh. While Crabbe has fallen in and out of fashion, the Suffolk town and its landscape have continued to captivate writers and artists, including Britten, Ronald Blythe, Susan Hill and Maggi Hambling – all drawn to the stark coastline, eerie mudflats and open skies. In A Time and a Place, Frances Gibb engages afresh with Crabbe’s writing – tracing, for the first time, the resonance of this place in his life and work. She delves into his creative struggles, religious faith, romantic loves and opium addiction. Above all, she explores the continual lure – for Crabbe and those who have followed – of the ‘little venal borough’, and the land and sea beyond.
The Cambridge Companion to Benjamin Britten
The Cambridge Companion to Benjamin Britten is a comprehensive guide to the composer's work, aimed both at the non-specialist and music student. It sheds light on both the composer's stylistic and personal development, offering new interpretations of his operatic works and discussing his characteristic working methods. Topics treated here in detail for the first time include Britten's work in the cinema in the 1930s, his lifelong pacifism and his strong interest in the music of the Far East; other chapters include reassessments of his relationship with W. H. Auden and his attitude towards childhood, comprehensive analyses of major works and a concise history of the Aldeburgh Festival. A distinguished team of contributors include some who worked with the composer during his lifetime, as well as leading representatives of the younger generation of Britten scholars on both sides of the Atlantic.
Once In A While
A play about Benjamin Britten and his friendship with WH Auden and Peter Pears Drawn from the life of Benjamin Britten and informed by many personal interviews with the composer's friends including his sister Beth, this play explores the conflict between his association with WH Auden and his partnership with Peter Pears, culminating in the triumphant premiere of Peter Grimes in 1945. Once in a While The Odd Things Happened premiered at the Cottesloe in 1990. Paul Godfrey's work includes Inventing a New Colour (Royal Court, 1988); Once in a While the Odd Thing Happens (Royal National Theatre); A Bucket of Eels (RSC Festival 1994); The Panic (ROH Garden Venture, 1991); and The Modern Husband (Actors Touring Company).
Britten's Century
November 2013 marks the centenary of the birth of Benjamin Britten. Here is an outstanding collection of essays to mark the event.
Benjamin Britten Studies
The shock of exile / Paul Kildea -- Britten, Paul Bunyan, and American-ness / Vicki P. Stroeher -- Collaborating with Corwin, CBS, and the BBC / Jenny Doctor -- An empire built on shingle / Justin Vickers -- Save me from those suffering boys / Byron Adams -- Britten's (and Pears's) Beloved / Louis Niebur -- Notes of unbelonging / Lloyd Whitesell -- Take these tokens that you may feel us near / Colleen Renihan -- Traces of Nō / Kevin Salfen -- Britten and the augmented sixth / Christopher Mark -- Quickenings of the heart / Philip Rupprecht -- Reviving Paul Bunyan / Danielle Ward-Griffin -- Striking a compromise / Thornton Miller -- From Boosey & Hawkes to Faber Music / Nicholas Clark -- The man himself / Lucy Walker -- Epilogue / Vicki P. Stroeher and Justin Vickers
My Brother Benjamin
'People are always asking, 'Aren't you proud of your famous brother?' I was, of course, but often wished he was not so famous so that one could see more of this brother who was such a joy to be with. Janet Baker has written that the air crackled when he walked into the room, and she was right...' The younger of Benjamin Britten's two sisters, Elizabeth ('Beth') Britten first published this loving and revealing portrait of their shared childhood in 1986. She evokes the Lowestoft upbringing of the four Britten siblings, their dentist father Robert, and mother Edith, who keenly encouraged the children's interest in music. She recalls the flat they shared in London while Benjamin studied at the Royal College of Music; and tells of 'The Old Mill at Snape', Britten's home/studio after its renovation by Beth's future father-in-law. Of special interest are Britten's letters to Beth from America, where he and Peter Pears emigrated in 1939 then became ensconced after war broke out.
