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A fascinating history of the Renaissance told through the lives of people from all levels of society. Like every era, the Renaissance brims with stories. Fascinating, scandalous, and at times seemingly unbelievable stories from the notable lives of wily politicians, eccentric scientists, fiery rebels, and stolid reactionaries, as well as an acrobat, an actress, a poetic prostitute, a star comedian, and at least one very fretful mother are revealed. Some names are famous—Da Vinci, Luther, Medici, and Machiavelli—others are less well known, though no less remarkable. New in paperback, Lives of the Renaissance is an engaging, witty, and wonderfully illustrated compendium of one hundred notable men and women throughout Italy, Germany, France, Iberia, Scandinavia, Russia, and eastern Europe, who shaped and experienced one of the most creative and inventive periods in human civilization. Lives of the Renaissance reminds us that history is more than dates and abstract concepts: it is also the compilation of countless individual lives and stories.
This intriguing book highlights and illustrates nearly 100 notable lives from between 1400 and 1600. Through these very readable short biographies, patterns in the history and art of the Renaissance become clear. Some names are famous - Leonardo, Luther, Lorenzo de Medici and Machiavelli - but others will be new to many readers: artists, philosophers, politicians, scientists, rebels and reactionaries, as well as an acrobat, an actress and even a star comedian. 'This attractive volume can be and should be on the shelves of anyone interested in the history and culture of the Renaissance' - The Historical Association
We have long thought of the Renaissance as a luminous era that marked a decisive break with the past, but the idea of the Renaissance as a distinct period arose only during the nineteenth century. Though the view of the Middle Ages as a dark age of unreason has softened somewhat, we still locate the advent of modern rationality in the Italian thought and culture of the fifteenth and sixteenth centuries. Jacques Le Goff pleads for a strikingly different view. In this, his last book, he argues persuasively that many of the innovations we associate with the Renaissance have medieval roots, and that many of the most deplorable aspects of medieval society continued to flourish during the Renaissa...
How to Make Memories into Memoirs, Ideas into Essays, and Life into Literature From drawing a map of a remembered neighborhood to signing a form releasing yourself to take risks in your work, Roorbach offers innovative techniques that will trigger ideas for all writers. Writing Life Stories is a classic text that appears on countless creative nonfiction and composition syllabi the world over. This updated 10th anniversary edition gives you the same friendly instruction and stimulating exercises along with updated information on current memoir writing trends, ethics, internet research, and even marketing ideas. You'll discover how to turn your untold life stories into vivid personal essays and riveting memoirs by learning to open up memory, access emotions, shape scenes from experience, develop characters, and research supporting details. This guide will teach you to see your life more clearly and show you why real stories are often the best ones.
Napoleons Plunder chronicles one of the most spectacular art appropriation campaigns in history and, in doing so, sheds new light on the complex origins of what was once called the Musée Napoléon, now known as the Louvre. In 1796, four years after the founding of the First French Republic and only two days after his marriage to Josephine de Beauharnais, Napoleon Bonaparte left Paris to take command of his first campaign in Italy, aged only twenty-six. One year later, Napoleons army was in Venice and his commissioners were determining which great Renaissance artworks to bring back to France. Among the paintings the French chose was The Wedding Feast at Cana by Paolo Veronese, a vast masterp...
La Dolce Vita University, 2nd Edition (LDVU2) is the perfect sampler for anyone curious about (or already in amore with) Italy and its remarkably rich cultural gifts, both past and present. This fully revised second edition includes 125 pages of new material (more than 60 new mini-essays and 40 new illustrations) to expand on the delights in the first edition. True to its lighthearted name, La Dolce Vita “U” is all about pleasurable learning, or what we prefer to call “edu-tainment.” Its dozens of entertaining yet authoritative mini-essays on a wide assortment of intriguing topics encourage random dipping at the reader’s pleasure. Even the most erudite Italophile will discover fun ...
This book is the author’s second published by Xlibris, the first being Defending Rome: The Masters of the Soldiers, published in 2011. It explores the consequences of two battles fought in 1453 – the fall of Constantinople to the Ottoman Turks in May and the French victory over the English two months later at Castillon in the last battle of the Hundred Years War. The book considers the impact of these events on a diverse range of topics, including military outcomes, strategic consequences, economic developments, and cultural and religious implications. It concludes by assessing the significance of these two battles in influencing the transition of Europe from the medieval to the modern age.
"The tourist Venice is Venice," Mary McCarthy once observed—a sentiment very much in line with what most of the fourteen million tourists who visit the city each year experience, but at the same time a painful reality for the 65,000 Venetians who actually live there. Venice is viewed from a new perspective in this engaging book, which offers a heady, one-city tour of tourism itself. Conducting readers from the beginnings of Venetian tourism in the late Middle Ages to its emergence as a form of mass entertainment in our time, the authors explore what happens when today's "industrial tourism" collides with an ancient and ever-more-fragile culture. Giving equal consideration to those who tour Venice and those who live there, their book affords rare insight into just what it is that the touring and the toured see, experience, and elicit from each other.
This book presents case studies of collectors, patrons, and agents whose activities redefined collecting and the art market during a period when the status of the artist, rise of connoisseurship, and patterns of consumption established new models for collecting and display.