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Anything Will Be Easy After This
Bethany Maile had a mythological American West in mind when she returned to Idaho after dropping out of college in Boston, only to find a farm-town-turned-suburb instead of the Wild West wonderland she remembered. Haunted by what she had so completely misremembered, Maile resolved to investigate her attachment to the western myth, however flawed. Deciding to engage in a variety of "western" events, Maile trailed rodeo queens, bid on cattle, fired .22s at the gun range, and searched out wild horses. With lively reportage and a sharp wit, she recounts her efforts to understand how the western myth is outdated yet persistent while ultimately exploring the need for story and the risks inherent to that need. Anything Will Be Easy after This traces Maile's evolution from a girl suckered by a busted-down story to a more knowing woman who discovers a new narrative that enchants without deluding.
What Becomes You
"Being a man, like being a woman, is something you have to learn," Aaron Raz Link remarks. Few would know this better than the coauthor of What Becomes You, who began life as a girl named Sarah and twenty-nine years later began life anew as a gay man. Turning from female to male and from teaching scientist to theatre performer, Link documents the extraordinary medical, social, legal, and personal processes involved in a complete identity change. Hilda Raz, a well-known feminist writer and teacher, observes the process as both an "astonished" parent and as a professor who has studied gender issues. All these perspectives come into play in this collaborative memoir, which travels between women's experience and men's lives, explores the art and science of changing sex, maps uncharted family values, and journeys through a world transformed by surgery, hormones, love, and . . . clown school. Combining personal experience and critical analysis, the book is an unusual--and unusually fascinating--reflection on gender, sex, and the art of living.
Let Me Count the Ways
2023 Vulgar Genius Nonfiction Award 2022 Writer's League of Texas Nonfiction Book Award Growing up in a small town in South Texas in the eighties and nineties, poverty, machismo, and drug addiction were everywhere for Tomás Q. Morín. He was around four or five years old when he first remembers his father cooking heroin, and he recalls many times he and his mother accompanied his father while he was on the hunt for more, Morín in the back seat keeping an eye out for unmarked cop cars, just as his father taught him. It was on one of these drives that, for the first time, he blinked in a way that evolution hadn’t intended. Let Me Count the Ways is the memoir of a journey into obsessive-compulsive disorder, a mechanism to survive a childhood filled with pain, violence, and unpredictability. Morín’s compulsions were a way to hold onto his love for his family in uncertain times until OCD became a prison he struggled for decades to escape. Tender, unflinching, and even funny, this vivid portrait of South Texas life challenges our ideas about fatherhood, drug abuse, and mental illness.
Shift
"A collection of memories throughout Penny Guisinger's life recounting her story of sexuality, love, and marriage"--
Homing
Homing: Instincts of a Rustbelt Feminist traces the creative coming of age of a mill-town feminist. Sherrie Flick, whose childhood spanned the 1970s rise and 1980s collapse of the steel industry, returned to Pittsburgh in the late 1990s, witnessing the region’s before and its after. With essays braiding, unbraiding, and then tangling the story of the author’s father with Andy Warhol, faith, dialect, labor, whiskey, Pittsburgh’s South Side Slopes neighborhood, grief, gardening, the author’s compulsion to travel, and her reluctance to return home, Flick examines how place shaped her experiences of sexism and feminism. She also looks at the changing food and art cultures and the unique geography that has historically kept this weird hilly place isolated from trendy change. Carefully researched, deeply personal, and politically grounded in place and identity, Homing is an explicitly feminist and anti-nostalgic intervention in writing about the Rustbelt.
Knocked Down
A laugh-out-loud memoir about a free-spirited, commitment-phobic Brooklyn girl who, after a whirlwind romance, finds herself living in a rickety farmhouse, pregnant, and faced with five months of doctor-prescribed bed rest because of unusually large fibroids. Aileen Weintraub has been running away from commitment her entire life, hopping from one job and one relationship to the next. When her father suddenly dies, she flees her Jewish Brooklyn community for the wilds of the country, where she unexpectedly falls in love with a man who knows a lot about produce, tractors, and how to take a person down in one jiu-jitsu move. Within months of saying “I do” she’s pregnant, life is on track,...
The Sound of Undoing
A memoir in essays, The Sound of Undoing deconstructs the way sound has overwhelmingly shaped Paige Towers's life. Each essay focuses on a different sound, some perceptible--like the sound of a loon call or gunshot--and others abstract--like the sound of awakening. Given a hypersensitivity to noise from which she has both suffered and benefited since childhood, Towers uses these sounds as a starting point for making sense of past events. She reflects on the estrangement of a beloved sister, sexual abuse and assault, and the link between mental illness and noise in her family, as well as nature, religion, violence, and other themes. Experimental in form and provocative in content, The Sound of Undoing also makes use of research on silence, nature and noise pollution, listening, sound art, autonomous sensory meridian response, and the acoustic environment in general. By exploring memories and feelings triggered by certain noises, this lyrical meditation untangles a life infused with meaning through sound. Paige Towers is a freelance writer. Her work has appeared in Hobart, Washington Post, The Guardian, Harvard Review, McSweeney's, and many other publications.
Shadow Migration
With her feet firmly rooted on the plains of Nebraska, Suzanne Ohlmann launches the reader into flight over miles and decades of migration: from an apple-pie childhood in America’s Fourth of July City to the dirt floors of a cowshed in rural India, we zigzag across time and geography to see the world through Ohlmann’s eyes and to discover with her the pain she’d been avoiding through her boomerang travels away from her native home. Through incarnations as a musician, arts manager, and registered nurse, Ohlmann finally lands in Texas, buys a house, and gets a dog. But her house is haunted, and so is she. In the dark solitude of Ohlmann’s basement the vision of a dead child presents her with a harrowing choice: she can go home to Nebraska and seek the truth of her biological past, or, like the boy, surrender to the depths of her own darkness. With honesty, compassion, and a sense of humor, Ohlmann recounts her tenacious search into the shadows of her life.
If This Were Fiction
If This Were Fiction is a love story--for Jill Christman's long-ago fiancé, who died young in a car accident; for her children; for her husband, Mark; and ultimately, for herself. In this collection, Christman takes on the wide range of situations and landscapes she encountered on her journey from wild child through wounded teen to mother, teacher, writer, and wife. In these pages there are fatal accidents and miraculous births; a grief pilgrimage that takes Christman to jungles, volcanoes, and caves in Central America; and meditations on everything from sexual trauma and the more benign accidents of childhood to gun violence, indoor cycling, unlikely romance, and even a ghost or two. Playing like a lively mixtape in both subject and style, If This Were Fiction focuses an open-hearted, frequently funny, clear-eyed feminist lens on Christman's first fifty years and sends out a message of love, power, and hope.
To Hell with It
Dante published his ambitious and unusual poem, Divine Comedy, more than seven hundred years ago. In the ensuing centuries countless retellings, innumerable adaptations, tens of thousands of fiery sermons from Catholic bishops and Baptist preachers, all those New Yorker cartoons, and masterpieces of European art have afforded Dante's fictional apparition of hell unending attention and credibility. Dinty W. Moore did not buy in. Moore started questioning religion at a young age, quizzing the nuns in his Catholic school, and has been questioning it ever since. Yet after years of Catholic school, religious guilt, and persistent cultural conditioning, Moore still can't shake the feelings of inadequacy, and asks: What would the world be like if eternal damnation was not hanging constantly over our sheepish heads? Why do we persist in believing a myth that merely makes us miserable? In To Hell with It, Moore reflects on and pokes fun at the over-seriousness of religion in various texts, combining narratives of his everyday life, reflections on his childhood, and religion's influence on contemporary culture and society.
