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Seductress
In this road map to restoring feminine sexual power, Betsy Prioleau introduces and analyzes the stories and stratagems of history's greatest seductresses. These are the women who ravished the world—from such classic figures as Cleopatra and Mae West to such lesser-known women as the infamous Violet Gordon Woodhouse, who lived in a ménage with four men. Smarts, imagination, courage, and killer charm helped these love maestras claim the men of their choice and keep them fascinated for life. Through an exposé of their secrets, Seductress provides an authoritative, empowering guide to erotic sovereignty.
Swoon: Great Seducers and Why Women Love Them
"Lose yourself: Swoon has wicked fun answering that age-old query: What do women want?"—Chicago Tribune Contrary to popular myth and dogma, the men who consistently beguile women belie the familiar stereotypes: satanic rake, alpha stud, slick player, Mr. Nice, or big-money mogul. As Betsy Prioleau, author of Seductress, points out in this surprising, insightful study, legendary ladies’ men are a different, complex species altogether, often without looks or money. They fit no known template and possess a cache of powerful erotic secrets. With wit and erudition, Prioleau cuts through the cultural lore and reveals who these master lovers really are and the arts they practice to enswoon wome...
Diamonds and Deadlines
Betsy Prioleau’s biography of Gilded Age female tycoon Miriam Leslie is “an appropriately twisty tale of someone trying to outrun her origins. . . . Her story sparkles, as intoxicating as a champagne fountain that somebody else is paying for” (New York Times Book Review). Among the fabled tycoons of the Gilded Age—Carnegie, Rockefeller, Vanderbilt—is a forgotten figure: Mrs. Frank Leslie. For 20 years she ran the country’s largest publishing company, Frank Leslie Publishing, which chronicled postbellum America in dozens of weeklies and monthlies. A pioneer in an all-male industry, she made a fortune and became a national celebrity and tastemaker in the process. But Miriam Leslie ...
Summary of Betsy Prioleau's Diamonds and Deadlines
Please note: This is a companion version & not the original book. Sample Book Insights: #1 The woman who was watching the spectacle was Mrs. Frank Leslie, a journalist and descendent of Myles Standish. She was visiting her childhood home for the first time in nearly forty years. The Dauphine Street mansion seemed bigger than she remembered it. #2 Miriam’s father, Auguste-Firmin, was born into a bizarre colonial culture in Saint-Domingue. He fled to Charleston, South Carolina, with his wife and four children, and opened a tobacco shop on King Street. In Philadelphia, he started a candle factory that failed within five years. #3 The venture in Alabama was a disaster from start to finish. The settlers were not prepared for the challenges of the frontier, and they built rickety sixteen-by-twenty-eight-foot log cabins of poor lumber. They suffered repeated crop failures and epidemics, and life was harsh. #4 Miriam’s birth was a mystery. Her parents, Charles and Caroline, were married in 1820, but they had financial difficulties soon after their marriage. In 1832, Charles took the remaining assets to New Orleans with a large entourage.
Summary of Betsy Prioleau's Seductress
Please note: This is a companion version & not the original book. Sample Book Insights: #1 The seductress is a scarlet inkblot, a Rorschach of our deepest sexual fears and fantasies. She’s the blond bimbette in a string bikini; the stacked vamp in Spandex; the Chanel-suited nymphobitch of Sullivan Cromwell. But we’ve been gulled by chimeras, and we need to demystify and rehabilitate this lost tribe of sexy potentates. #2 The seductress is a modern-day embodiment of the original sex divinity. She is a alpha plus woman with charisma, who combines the steamy sexuality of the prehistorical deity with the numinous shazam we call charisma. #3 The first and most insidious falsehood is that seductresses must be young and beautiful. However, a survey of the tragic love lives of beauty icons and the current singles scene reveals that number ten glamour girls are manless. #4 The myth that old women are not attractive is based on the fact that senior women are rarely portrayed in popular culture as being sexually appealing. However, old women possess some of the most potent erotic weaponry in the book.
The Vanity Fair Diaries: 1983–1992
'Indiscreet, brilliantly observed, frequently hilarious' Evening Standard 'Hang on - it's a wild ride' Meryl Streep It's 1983. A young Englishwoman arrives in Manhattan on a mission. Summoned in the hope that she can save Condé Nast's troubled new flagship Vanity Fair, Tina Brown is plunged into the maelstrom of competitive New York media. She survives the politics and the intrigue by a simple stratagem: succeeding. Here are the inside stories of the scoops and covers that sold millions: the Reagan kiss, the meltdown of Princess Diana's marriage to Prince Charles, the sensational Annie Leibovitz cover of a gloriously pregnant, naked Demi Moore. Written with dash and verve, the diary is also a sharply observed account of New York and London society. In its cinematic pages the drama, comedy and struggle of raising a family and running an 'it' magazine come to life.
The Circle of Eros
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Matricide in Language
The nexus of psychoanalytic, literary, and philosophical approaches in this book focuses on an intertextual reading of Woolf and Kristeva in order to address the enigma of the persistent suppression of women's contributions to culture. In spite of the efforts of feminist theory and history to turn the tide, this process is with us still. "I am the first of a new genus" (Mary Wollstonecraft). "When I looked around, I saw and heard of none like me" (Mary Shelley). "I look everywhere for grandmothers and find none" (Elizabeth Barrett Browning). "Why isn't there a tradition of the mothers?" (Virginia Woolf). "Women have 'no past, no history'" (Simone de Beauvoir). "I look for myself throughout t...
The Charleston Academy of Domestic Pursuits
From the ABCs of cooking to perfect cocktail parties and the proper care of houseguests, this is the ultimate guide to domestic Southern hospitality. Nestled deep in the South is a tiny academy that teaches classes in the most important subject in the world: the domestic arts. The Academy’s unique curriculum includes everything from cocktail-party etiquette to business entertaining, dealing with household guests, and cooking for the holidays. Here, after a little gentle instruction from Deans Pollak and Manigault, interspersed with plenty of humor, students find they are living healthier, having stronger ties to friends and family, and using their houses to branch out in ways they never dreamed possible. Since not everyone can get to their sold-out classes in Charleston, the Deans are now offering this book so happier living can be within everyone’s grasp, not just the select few.
Mama Gena's School of Womanly Arts
Mama Gena’s School of Womanly Arts shows women how celebrating their sensuality can help them achieve their dreams—“think of it as The Power of Positive Thinking as interpreted by Anais Nin” (The New York Times). Relationship expert Regena Thomashauer teaches the lost “womanly arts” of identifying your desires, having fun no matter where you are, knowing sensual pleasure, befriending your inner bitch, flirting (in a way that makes your day, not just his), and more—because making pleasure your priority can actually help you reach your goals. So if you need a refresher course in fun—and you know you do—come to Mama.
