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Describe the fate of the Ozeryany Jews (among them Songa's parents), who were ghettoized and killed by the Nazis. After the war Songa settled in the USA.
A notable addition to the literature on the American musical and especially its history, this collection of essays and edited panel discussions is diverse and rich in its scope. Based on the combined efforts of theater and dance specialists, musicologists, librarians and archivists, and professional musical theater practitioners, this volume attempts to cover aspects of the American musical from its 18th-century beginnings to the synthesizing of the contemporary musical as a work of art. In between there are sections on the musical in the 19th century, 20th-century variety and revue formats, the book musical of this century, dance in the musical, and various methods of preserving the musical theater heritage.
An author and subject index to selected and American Anglo-Jewish journals of general and scholarly interests.
Fifty biographies of groundbreaking, outspoken, odds-defying Jewish women serve as inspiration and roadmap for the next generation.
This book is the first comprehensive collection of the letters of Johannes Brahms ever to appear in English. Over 550 are included, virtually all uncut, and there are over a dozen published here for the first time in any language. Although he corresponded throughout his life with some of the great performers, composers, musicologists, writers, scientists, and artists of the day, and although thousands of his letters have survived, English readers have until now had scant opportunity to meet Brahms in person, through his words, and in his own voice. The letters in this volume range from 1848 to just before his death. They include most of Brahm's letters to Robert Schumann, over a hundred letters to Clara Schumann, and the complete Brahms-Wagner correspondence. They are joined by a running commentary to form an absorbing narrative, documented with scholarly care, provided with comprehensive notes, but written for the general music lover--the result is a lively biography. The work is generously illustrated, and contains several detailed appendices and an index.
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Winner • Modern Language Association’s Scaglione Prize for Translation Bawdier than The Canterbury Tales, The Fabliaux is the first major English translation of the most scandalous and irreverent poetry in Western literature. Composed between the twelfth and fourteenth centuries, these virtually unknown erotic and satiric poems lie at the root of the Western comic tradition. Passed down by the anticlerical middle classes of medieval France, The Fabliaux depicts priapic priests, randy wives, and their cuckolded husbands in tales that are shocking even by today’s standards. Chaucer and Boccaccio borrowed heavily from these riotous tales, which were the wit of the common man rebelling against the aristocracy and Church in matters of food, money, and sex. Containing 69 poems with a parallel Old French text, The Fabliaux comes to life in a way that has never been done in nearly eight hundred years.