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'A precious and rare publication ... The moving stories of love, longing and suffering provide valuable new insights into tumultuous times that helped shape South Africa.' – Max du Preez It is nine months this evening since I last saw the light in my own house, when I had to tear myself away from all that is dear to me. And today is also my little son's birthday. Oh, how I long for home. So wrote Michael Muller in 1901 as he gazed at the lights of Cape Town from a ship bound for Bermuda, after months of internment in a British POW camp in Simon's Town. The camps were full, so Boer prisoners were being sent to other parts of the empire. Michael's brothers, Chris and Pieter, were exiled to C...
In 1986, seven young men were shot and killed by police in Gugulethu in Cape Town. The nation was told they were part of a 'terrorist' MK cell plotting an attack on a police unit. An inquest followed, then a dramatic trial in 1987 and a second inquest in 1989 that again exonerated the police. Finally, ten years later, Eugene de Kock's Vlakplaas unit was exposed at the Truth and Reconciliation Commission for having planned and executed the cold-blooded killings. Yet their real agenda remained a mystery. In Hunting the Seven, Beverley Roos-Muller reveals her own decades-long connection to the case and her search for the truth of their deaths that has been shrouded in lies and mystery. Sifting through the evidence, and interviewing many of those involved, Roos-Muller reveals that it was Vlakplaas's only operation in the Western Cape and behind it lay a shocking secret.
This book comprises eight essays that consider the politics and polemics of monuments in Africa in the wake of the #RhodesMustFall movement in 2015. The removal of the Rhodes statue from UCT main campus is the pivot on which the discussion of monuments as heritage in South Africa turns. It raised a number of questions about the implementation of heritage policy and the unequal deployment of memorials in the South African and other postcolonial landscapes. The essays in this volume are written by authors coming from different backgrounds and different disciplines. They address different aspects of this event and its aftermath, offering some intensive critique of existing monuments, analysing the successes of new initiatives, meditating on the visual resonances of all monuments and attempting to map ways of moving forward.
One Friday evening Daniel de Luc, an elusive crime writer with a deep love of poetry, disappears from a Camps Bay apartment while cooking pasta. His wife Paola, desperately worried after days of hearing nothing, is contacted by an eccentric stranger who claims to have known her missing husband under a different name and warns her not to look for him. Paola soon learns that her husband was involved in the shadowy world of the international sex industry, where well-heeled women pay men to become the anonymous fathers of their children. As her neat, controlled existence is turned inside out, Paola struggles to keep a level head and find her own humanity while trying to outwit her enemies and stay alive. The result is a fast-paced thriller that shifts between Cape Town and Paris, blending realism with the fantastic and pitting love against the attraction of sexual adventure.
Growing up in Cape Town as the only child of orthodox Jews who escaped the Holocaust, Jen rebels against the religious beliefs and superstitions her parents impose on her. Her aim in life is simply to have fun. But she quickly finds she can escape neither her heritage nor the consequences of her choices. Jen's life is overshadowed by the dybbuk - the malign force that she believes robs her of what she holds most dear. Her twin daughters, feisty and individual, are every bit as rebellious as she was. Burdened with the shifting sands of their home, the sisters are propelled inexorably towards the breakdown of all they have shared and deeply loved. Beautifully crafted and unpredictable, this captivating novel leaves long echoes, drawing readers into the undergrowth of family, the ambiguities of parental love and the ageless power of superstition, which binds even those who scorn it.
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In the 1990's, South Africa surprised the world with a peaceful, negotiated transition from armed conflict to an inclusive democracy. This was followed by the ground-breaking Truth and Reconciliation Commission, established to confront and work through a troubled past. The search for truth and reconciliation in South Africa, however, is far from completed; the country is in many ways still burdened by unresolved individual and collective traumas. In this book, two academics from the University of Cape Town, one a psychologist and the other a literary scholar, explore the importance of narrative as a way of working through trauma. Although written from within a South African context, the work...
This beautifully written novel, by one of South Africa's most celebrated writers, has an almost hypnotic power that draws the reader into one woman's life. As a post-apartheid novel, This Life considers both the past and future of the Afrikaner people through four generations of one family. In an elegiac narrator's tone, there is also a sense of compulsion in the narrator's attempts to understand the past and achieve reconciliation in the present. This Life is a powerful story partly of suffering and partly of reflection.
'This is a book for Coloured people, by Coloured people, a book of Coloured and colourful stories from varied corners of the South African vista, past, present and future.' What does it mean to be Coloured? Who are Coloured people? Are they San or Khoe, Malay or mixed, and where in South Africa do they fit in? And then the enduring, but also insulting, question: do Coloured people even have a culture? In this book, Tessa Dooms and Lynsey Ebony Chutel challenge the notion that Coloured people do not have a distinct heritage or culture – that they are neither Black nor White enough – and present a different angle to that narrative. They delve into the history of Coloured people as descenda...