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Sameena is a teenager, going through the trials and tribulations of medical college, enjoying it for the most part. Some of her course mates experiment with drugs, while others tap their strength to carry on. A series of brutal attacks on girls on campus hits too close for comfort. On a dark and stormy night, she collides with a strong and handsome army officer, Jai. They run into each other again on a flight and the connection between them is reinforced. They realize they have found 'the one' in each other. Army life is exciting for Sameena, she experiences it after she hears about it from Jai. She learns how to wield a surgical knife and use firearms with equal ease and skill. There is heartbreak as Jai meets with a fatal accident just before they marry. Sameena lives with his memories sustaining her. When she travels to the exotic land of Egypt, she meets a man who saves her life. Will she get over her loss and move on, or will the love she has for Jai result in..............
Bollywood movies have been long known for their colorful song-and-dance numbers and knack for combining drama, comedy, action-adventure, and music. But when India entered the global marketplace in the early 1990s, its film industry transformed radically. Production and distribution of films became regulated, advertising and marketing created a largely middle-class audience, and films began to fit into genres like science fiction and horror. In this bold study of what she names New Bollywood, Sangita Gopal contends that the key to understanding these changes is to analyze films’ evolving treatment of romantic relationships. Gopalargues that the form of the conjugal duo in movies reflects ot...
This book looks at migration through the lens of the Partition of India in 1947. The Partition uprooted millions of people from their homelands. This volume examines the initial difficulties faced by the refugees in settling down in their adopted land. It analyses the state’s efforts in facilitating the movement of refugees, the processes it initiated to resettle them after Partition, and the extent to which it was successful. This book also investigates the links between socio-political developments in contemporary India, Pakistan, and Bangladesh as a result of the Partition. Drawing on archival sources, oral histories and literary representations, the contributing authors discuss and analyse the experiences of the migrated population. Part of the Migrations in South Asia series, this book will be an important read for scholars and researchers of migration studies, refugee studies, Partition studies, Indian history, Indian politics, and South Asian studies.
The 1970s was a pivotal decade in the Indian social, cultural, political and economic landscape: the global oil crisis, wars with China and Pakistan in the previous decade, the Bangladesh war of 1971, labour and food shortages, widespread political corruption, and the declaration of the state of Emergency. Amidst this backdrop Indian cinema in both its popular and art/parallel film forms flourished. This exciting new collection brings together original research from across the arts and humanities disciplines that examine the legacies of the 1970s in India’s cinemas, offering an invaluable insight into this important period. The authors argue that the historical processes underway in the 1970s are important even today, and can be deciphered in the aural and visual medium of Indian cinema. The book explores two central themes: first, the popular cinema’s role in helping to construct the decade’s public culture; and second, the powerful and under-studied archive of the decade as present in India’s popular cinemas. This book is based on a special issue of South Asian Popular Culture.
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Indian film industry is the largest in the world. It releases 1000 plus movies annually. Most films are made in South Indian languages (viz., Telugu, Tamil and Malayalam). Nevertheless, Hindi films take the largest box office share. India has 12,000 plus cinema halls and this industry churns out 1000 plus films a year. This book gives a brief history of the world's most exciting industrial enterprise. It gives the details, facts and vital sets of data of Indian cinema with amazing finesse. Its simple style and low cost enable all reader genres to read it. Renu Saran has penned this book for the lovers of Indian cinema. She has given many good books to our valued readers. She has worked very hard to collect data and analyze information sets. That is why this book has become one of the best in its genre.
A definitive, comprehensive and engrossing chronicle of one of the greatest dynasties of the world – the Mughal – from its founder Babur to Bahadur Shah Zafar, the last of the clan. The magnificent Mughal legacy – the world-famous Taj Mahal being the most prominent among countless other examples – is an inexhaustible source of inspiration to historians, writers, moviemakers, artists and ordinary mortals alike. Mughal history abounds with all the ingredients of classical drama: ambition and frustration, hope and despair, grandeur and decline, love and hate, and loyalty and betrayal. In other words: it is great to read and offers ample food for thought on the human condition. Much more...
The 1977 blockbuster Amar Akbar Anthony about the heroics of three Bombay brothers separated in childhood became a classic of Hindi cinema and a touchstone of Indian popular culture. Beyond its comedy and camp is a potent vision of social harmony, but one that invites critique, as the authors show.
Traces the development of Indian cinema from the 1920s to the mid-1990s, before Bollywood erupted onto the world stage. Bombay before Bollywood offers a fresh, alternative look at the history of Indian cinema. Avoiding the conventional focus on Indias social and mythological films, Rosie Thomas examines the subaltern genres of the magic and fighting filmsthe fantasy, costume, and stunt films popular in the decades before and immediately after independence. She explores the influence of this other cinema on the big-budget masala films of the 1970s and 1980s, before Bollywood erupted onto the world stage in the mid-1990s. Thomas focuses on key moments in this hidden history, in...
This guidebook introduces the architecture of the Indian subcontinent including Bangladesh in great detal, revealing a great architectural culture that is richly different from that in Japan, Europe, and America. It gives the armchair traveler a visual feast with a large number of photographs, which will transport the reader to the site without having to actually travel to these magnificent but far-flung monuments. Indian architecture through the ages is included, from ancient times to the present day, along with Islamic architecture and Colonial style architecture during the British rule. Important buildings are illustrated with many photographs of the exteriors and interiors.