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Cold War Assemblages
This book bridges the gap between the simultaneously unfolding histories of postcoloniality and the forty-five-year ideological and geopolitical rivalry between the U.S. and the U.S.S.R. Not only did the superpowers rely upon the decolonizing world to further imperial agendas, but the postcolony itself was shaped, epistemologically and materially, by Cold War discourses, policies, narratives, and paradigms. Ruptures and appropriated trajectories in the postcolonial world can be attributed to the ways in which the Cold War became the afterlife of European colonialism. Through a speculative assemblage, this book connects the dots, deftly taking the reader from Frantz Fanon to Aaron Swartz, and from assassinations in the Third World to American multiculturalism. Whether the Cold War subverted the dream of decolonization or created a compromised cultural sphere, this book makes those rich palimpsests visible.
Decolonize Museums
Behold the sleazy logic of museums: plunder dressed up as charity, conservation, and care.
Kaveena
This dark and suspenseful novel tells the story of a fictitious West African country caught in the grip of civil war. The dispassionate and deadpan narrator, Asante Kroma, is a former head of Secret Services and finds himself living with the corpse of the dictator, a man who once ruled his nation with an iron fist. Through a series of flashbacks and letters penned by the dictator, N'Zo Nikiema, readers discover the role of the French shadow leader, Pierre Castaneda, whose ongoing ambition to exploit the natural resources of the country knows no limits. As these powerful men use others as pawns in a violent real-life chess match, it is the murder of six-year-old Kaveena and her mother's quest for vengeance that brings about a surprise reckoning.
Literary Sudans
This anthology of literatures from Sudan and South Sudan will one day be appreciated as essential to our understanding of these people's rich history. The carefully selected array of texts offers a rare glimpse into contemporary fiction writings by mixed of established and new Sudanese talents. The translation is lucid and poetic, and kept with the spirit of the original texts. The introductory text by the Sudanese literary giant Taban Lo Liyong, and the afterword by the editor Bhakti Shringarpure, provided the much-needed context for appreciating such innovative works.
The Actual True Story of Ahmed and Zarga
An epic story of a Bedouin family’s survival and legacy amid their changing world in the unforgiving Sahara Desert. Ahmed is a camel herder, as his father was before him and as his young son Abdullahi will be after him. The days of Ahmed and the other families in their nomadic freeg are ruled by the rhythms of changing seasons, the needs of his beloved camel herd, and the rich legends and stories that link his life to centuries of tradition. But Ahmed’s world is threatened—by the French colonizers just beyond the horizon, the urbanization of the modern world, and a drought more deadly than any his people have known. At first, Ahmed attempts to ignore these forces by concentrating on the ancient routines of herding life. But these routines are broken when a precious camel named Zarga goes missing. Saddling his trusted Laamesh, praying at the appointed hours, and singing the songs of his fathers for strength, Ahmed sets off to recover Zarga on a perilous journey that will bring him face to face with the best and the worst of humanity and test every facet of his Bedouin desert survival skills.
Shades of Black
None
Imagine Africa
Through a collage of poems, essays, fiction, conversations, and visual art, Imagine Africa: Volume Three brings together some of the most essential writers, artists, and thinkers of contemporary Africa. Including powerful photographs in color by Zanele Muholi, stills from the films of Jean-Pierre Bekolo, and works of fiction and poetry from nine languages, Imagine Africa: Volume Three offers a glimpse into a kaleidoscopic and vibrant continent. The series is published by Island Position, the literary imprint of the Pirogue Collective - the cultural expression of Senegal's Gorée Institute, which aims to celebrate the diverse voices and imaginations of the continent of Africa and its diaspora...
The Routledge Handbook of Translation and Activism
The Routledge Handbook of Translation and Activism provides an accessible, diverse and ground-breaking overview of literary, cultural, and political translation across a range of activist contexts. As the first extended collection to offer perspectives on translation and activism from a global perspective, this handbook includes case studies and histories of oppressed and marginalised people from over twenty different languages. The contributions will make visible the role of translation in promoting and enabling social change, in promoting equality, in fighting discrimination, in supporting human rights, and in challenging autocracy and injustice across the Middle East, Africa, Latin America, East Asia, the US and Europe. With a substantial introduction, thirty-one chapters, and an extensive bibliography, this Handbook is an indispensable resource for all activists, translators, students and researchers of translation and activism within translation and interpreting studies.
The Book of Not
As Zimbabwe emerges into independence, Tambudzai Sigauke embarks on her second year at the Young Ladies' College of the Sacred Heart. Determined to excel, Tambu exhausts herself with her efforts to climb to the top of the school's honour rolls. The further she pushes herself, however, the farther she feels from any reward; and the roots of colonialism threaten to trip her at every step. The sequel to Nervous Conditions is as moving, darkly witty, and riveting as its predecessor.
Insurgent Feminisms
Insurgent Feminisms: Women Write War brings together ten years of writing published on Warscapes magazine through the lens of gender. Since its founding in November 2011, Warscapes has urged an immersive reflection on war not as nationalist exercise but as an affective, traumatic and inevitable burden upon the victim, the witness, the artist and the ethicist. In this collection, insurgency emerges in the raw and meticulous language of witnessing, and in the desire to render the space of conflict in radically different ways. There are no paeans to courageous soldiers here, nor pat nationalist rhetoric, nor bravado about saving lives. These perspectives on war come out of regions and positions...
