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At Home in the World
The compelling story of a beautiful and versatile South Indian dance form
Bharata Natyam Adavus
This book, elucidates the basic steps called Adavus of Bharata Natyam in the traditional Pandanallur style, as taught by the revered Gurus Sri Meenakshi Sundaram Pillai and Sri Muthukumara Pillai, to Sri T.K Narayan and Smt. Jayalakshmi Narayan, parents of the author. It is an honest attempt to explain the various steps with unerring and accurate execution technique. The book offers a visual representation of the Adavus with the help of stick diagrams in a sequential manner so that the beginners and practitioners can understand the finer points of each movement. The author has developed simple schematics to show the various moves, such as jump, stretch, turn, hit etc. The author endeavours to illustrate Adavus in a precise manner in this book. Classification and categorization of each step is the salient feature of this work. Gayathri Keshavan makes a humble effort to pass on the knowledge of this ancient and sacred art to the present and future generations of Bharata Natyam dancers.
Bharata Natyam
Bharata Natyam is currently one of the most popular styles of classical dance in India. It is also well known world-wide. Certain components of this dance have historical associations with religious ritual in the temples of south India. In the course of its transition from performance in temples and courts to the concert stage, the making of modern Bharata Natyam has passed from the purview of traditional/hereditary families, and dancers into the hands of the educated elite. What changes have been brought about in presentation and style as a result of this transition? Although current dancers and teachers make claims for the antiquity of their art, and the authenticity of the tradition, what...
Parata Nāṭṭiyam
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Bharata Natyam
Bharata Natyam is currently one of the most popular styles of classical dance in India. It is also well known world-wide. Certain components of this dance have historical associations with religious ritual in the temples of south India. In the course of its transition from performance in temples and courts to the concert stage, the making of modern Bharata Natyam has passed from the purview of traditional/hereditary families, and dancers into the hands of the educated elite. What changes have been brought about in presentation and style as a result of this transition? Although current dancers and teachers make claims for the antiquity of their art, and the authenticity of the tradition, what...
Dancing Bodies of Devotion
Dancing Bodies of Devotion: Fluid Gestures in Bharata Natyam examines how Bharata Natyam, a traditionally Hindu storytelling dance form, moves across religious boundaries through both incorporating choreography on Buddhist, Christian, Muslim, and Jain themes and the pluralistic identities of participants. Dancers traverse religious boundaries by reformulating an aesthetic foundation based on performative rather than solely textual understandings of rasa, conventionally defined as a formula for how to physically craft emotion on stage. Through the ethnographic case studies of this volume, dancers of Bharata Natyam innovatively demonstrate how the rasa of devotion (bhakti rasa), surprisingly a...
Roles and Rituals for Hindu Women
The considerable interest currently being expressed in women and religion has thrown down an important challenge; the need to see women not merely as the passive victims of an oppressive ideology but also perhaps primarily as the active agents of their own positive constructs. This book therefore aims to fill a notable gap in the literature. Twelve contributors study the role of women in Hindu religion by examining textual studies of the part played by women in a variety of religion rituals, both past and present, by exploring the socio-religious context of their various communites; and by using specialist material to draw on cross-cultural conclusions.
Bharatanatyam
Ancient Indian dances originated either in worship or are ascribed to the gods themselves. Bharatanatyam was born in the temples. Today it is one of the most sought-after forms among students and aficionados of Indian classical dance. Over the last two centuries Bharatanatyam has evolved from a highly codified style to one with maximum freedom to innovate. The dance s journey from the temple to the proscenium is the subject of this book.
Bharata Natyam
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Teaching Dance as Art in Education
Brenda McCutchen provides an integrated approach to dance education, using four cornerstones: dancing and performing, creating and composing, historical and cultural inquiry and analysing and critiquing. She also illustrates the main developmental aspects of dance.
