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Il Romanzo di Babele
Perché i romanzi “parlano” più lingue, invece che un’unica lingua? Che sfide impone il multilinguismo letterario alla traduzione e all’idea di una letteratura nazionale? Lo straniamento linguistico, sebbene a volte censurato o dimenticato, ha sempre fatto parte della storia letteraria, e oggi più che mai in una dimensione di cosiddetta “World Literature”. Molti scrittori dall’antichità fino al Novecento si sono non solo auto-tradotti, ma hanno reinventato, alternato e mescolato le proprie lingue madri, spinti dall’esilio, dalla discriminazione, dalle guerre, o anche solo dal viaggio intellettuale, attraversando i continenti, con esempi come quelli di Joyce o Nabokov, i qu...
The Oxford Critical and Cultural History of Modernist Magazines
A study of the role of 'little magazines' and their contribution to the making of artistic modernism and the avant-garde across Europe, this volume is a major scholarly achievement of immense value to those interested in material culture of the 20th century.
Esotericism and Deviance
The concept of deviance has been central to the academic study of (Western) esotericism since its inception. This book, being the proceedings of the 6th Biennial Conference of the European Society for the Study of Western Esotericism (ESSWE), explores the relationship between esotericism and various forms of deviance (as concept, category, and practice) from antiquity until late modernity. The volume is the first to combine incisive conceptual explorations of the concept of deviance and how it informs and challenges the study of esotericism alongside a wide range of empirically grounded case discussions.
Tradition as the Future of Innovation
What is the meaning of the word “tradition”? Are there live traditions today? Does tradition clash with innovation? Is it possible to love the proper tradition and look to innovation at the same time? This study brings together a number of insightful contributions that focus on the complexity of the relationship between tradition and innovation and on the forces that could emerge from it, if tradition is seen to represent the cornerstone for future. The volume is subdivided into four sections: I. Tradition: an historical background; II. Tradition and innovation: which future?; III. Law and tradition; and IV. Tradition: a theological point of view. Contributors: Enrico Berti, Nicoletta Scotti, Anthony Lisska, Elisa Grimi, Riccardo Pozzo, Rémi Brague, John O'Callaghan, Angelo Campodonico, Giovanni Turco, Salvatore Amato, Stamatios Tzitzis, Peter Casarella, John Milbank.
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Mathematical Models for Suspension Bridges
This work provides a detailed and up-to-the-minute survey of the various stability problems that can affect suspension bridges. In order to deduce some experimental data and rules on the behavior of suspension bridges, a number of historical events are first described, in the course of which several questions concerning their stability naturally arise. The book then surveys conventional mathematical models for suspension bridges and suggests new nonlinear alternatives, which can potentially supply answers to some stability questions. New explanations are also provided, based on the nonlinear structural behavior of bridges. All the models and responses presented in the book employ the theory of differential equations and dynamical systems in the broader sense, demonstrating that methods from nonlinear analysis can allow us to determine the thresholds of instability.
The Art of Executing Well
In Renaissance Italy a good execution was both public and peaceful—at least in the eyes of authorities. In a feature unique to Italy, the people who prepared a condemned man or woman spiritually and psychologically for execution were not priests or friars, but laymen. This volume includes some of the songs, stories, poems, and images that they used, together with first-person accounts and ballads describing particular executions. Leading scholars expand on these accounts explaining aspects of the theater, psychology, and politics of execution. The main text is a manual, translated in English for the first time, on how to comfort a man in his last hours before beheading or hanging. It becam...
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Cavaliere, imprenditore, cantante, presidente (di Mediaset, del Milan e del Consiglio), politico, attore, intrattenitore, amato, odiato, idolatrato, mito, male assoluto, anticomunista viscerale, craxiano, comunicatore, fondatore, vecchia gloria, inventore del centrodestra, indagato, condannato, prescritto, perseguitato dalla magistratura, barzellettiere, gaffeur, uomo più ricco d’Italia, editore. Berlusconi è stato tutto. La sua vita è stata più grande di qualsiasi opera di finzione possibile. Questa è la sua storia. E Filippo Ceccarelli è l’unico che poteva raccontarla. La più straordinaria storia di potere degli ultimi settant’anni.
