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"Embark on a medieval odyssey with 'The Travels of Sir John Mandeville.' This captivating work, believed to be a fictional travel narrative written in the 14th century, presents the adventures of an English knight as he journeys through distant lands. As Sir John Mandeville encounters mythical creatures, explores exotic cultures, and narrates fantastical tales, this literary travelogue offers readers a glimpse into the medieval imagination and the curiosity that fueled exploration during that era. Join Sir John Mandeville on this literary voyage where each page unfolds a new marvel, making 'The Travels of Sir John Mandeville' an essential read for those fascinated by medieval literature and the early spirit of exploration."
Slowly losing interest in her sister's book, Alice catches sight of a white rabbit. However, he is not merely a rabbit; he will be the "White Rabbit," a major character in the novel. In this first paragraph, then, we learn about the protagonist, Alice, her age, her temperament, and the setting and the mood of the story. In a dream, Alice has escaped from the dull and boring and prosaic world of adulthood -- a world of dull prose and pictureless experiences; she has entered what seems to be a confusing, but perpetual springtime of physical, if often terrifying, immediacy.
The story of the color black in art, fashion, and culture—from the beginning of history to the twenty-first century Black—favorite color of priests and penitents, artists and ascetics, fashion designers and fascists—has always stood for powerfully opposed ideas: authority and humility, sin and holiness, rebellion and conformity, wealth and poverty, good and bad. In this beautiful and richly illustrated book, the acclaimed author of Blue now tells the fascinating social history of the color black in Europe. In the beginning was black, Michel Pastoureau tells us. The archetypal color of darkness and death, black was associated in the early Christian period with hell and the devil but als...
This book by Carl Barnes presents the first high-quality colour facsimile of a key manuscript of Gothic art and architecture and medieval scientific thought, the 'Portfolio' of Villard de Honnecourt, and gives the first complete codicological and palaeographical analysis of the text. Barnes clearly identifies what is and what is not known about Villard himself and the drawings and text in the manuscript, so removing many of the multiple layers of speculation that have clouded study of the work. The book is completed by an extensive bibliography of studies relating to Villard.
Edition of complex and important early liturgical work.
Présentation de la Bibliothèque nationale de France (les missions, les collections, la politique documentaire et le dépôt légal, les catalogues et les bibliographies, etc.) par un collectif d'auteurs impliqués dans l'organisation et la gestion de cet établissement.