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Facing Forward
Contemporary visual culture is inundated with a kaleidoscope of futuristic utopias and dystopias in which the longing for a seamless interface between the virtual and the real, as well as the desire for release from the constrictions of time and space, are recurrent themes. Based on speculative predictions and creative scientific arguments, a pervasive visual rhetoric of acceleration and progression, as well as damnation and destruction, shapes our sense of the future. Contributors to this volume include participants in the Facing Forward Project of 2011-12, which started as a collaboration between the Stedelijk Museum Amsterdam, the Amsterdam School for Cultural Analysis at the University of Amsterdam, De Appel arts centre, W139 - Space for Contemporary Art, and the art magazine Metropolis M.
The Sense of Decadence in Nineteenth-Century France
"It was the best oftimes. It was the worst oftimes. " The famous open ing sentence ofCharles Dickens' Tale oJ Two Cities can serve as a motto to characterize the mixture of optimism and pessimism with which a large number of nineteenth-century intellectuals viewed the con dition of their age. It is nowadays hardly necessary to accentuate the optimistic elements in the nineteenth-century view of history; many recent historians have sharply contrasted the complacency and the great expectations of the past century with the fears and anxieties rampant in our own age. It is often too readily assumed that a hundred years ago all leading thinkers as weil as the educated public were addicted to the ...
The Original Copy
"Published in conjunction with the exhibition The original copy: photography of sculpture, 1839 to today, at the Museum of Modern Art, New York (August 1-November 1, 2010)"--T.p. verso.
Real Life Magazine
Introduction by Thomas Lawson, Susan Morgan.
Freedom in the World
"Freedom House's survey [of freedom] is the most systematic, most comprehensive, and most reliable survey of the individual's status in the world's political systems. Freedom in the World provides an invaluable baseline in assessing the significance of world events." -Robert L. Bartley, Editor of The Wall Street Journal Freedom in the World is an institutional effort by Freedom House to monitor the progress and decline of political rights and civil liberties in 192 nations and 17 related and disputed territories. These year-end reviews of freedom began in 1955, when they were called the Balance Sheet of Freedom and, still later, the Annual Survey of the Progress of Freedom. This program was ...
Analog Days
Tracing the development of the Moog synthesizer from its initial conception to its ascension to stardom in 'Switched-on Bach', this text conveys the consequences of a technology that would provide the soundtrack for a chapter in cultural history.
Photography and Sculpture
Ever since the mid-nineteenth century, when the new medium of photography was pressed into service to illustrate sculpture, photographs of sculptural objects have directed viewers as to what, in the course of ambling around a sculpture, was the single perfect moment to stop and look. What is the photograph’s place in writing the history of sculpture? How has it changed according to culture, generation, criti-cal conviction, and changes in media? Photography and Sculpture: The Art Object in Reproduction studies aspects of these questions from the perspectives of sixteen leading art historians. Their essays consider iconic photographs, archival collections, new and forgotten technologies, and conceptual challenges in photographing three-dimensional forms that have directed changing historical and stylistic attitudes about how we see, write about, and narrate histories of sculpture. Chapters on such varied topics as picturing Conceptual art, manipulating sacred images in India to be non-photographs, and framing Roman art with an iPad illustrate the latent visual and narrative powers and ever-expanding potential of these images of sculpture.
