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Queen Ellyria just wants her sick triplet sons to live, each ruling over a third of the kingdom as their dying father wished. When she finds herself trapped in a deadly bargain with a Dark Spirit, she recruits a band of young mages to help - but a terrible curse takes over. The Dark Spirit befriends her enemies and seduces her friends, and Ellyria soon finds that famine, pestilence, betrayal and bereavement are all in its arsenal. Can Ellyria unite the elvish and mortal sides of her family and in so doing, save the kingdom?
NIRIN NGAAY is a compilation, a collection, a volume, an Artist Book, a Reader, an artwork, a sprawling, excessive heterogenous space of connections. Published as part of the 22nd Biennale of Sydney (2020), titled NIRIN, A Wiradjuri word meaning 'edge', this book is a space where ideas, themes, research, and experiments arising out of NIRIN find places on pages. Traversing many disciplines and forms, encompassing new and previously published works, complete works as well as excerpts and fragments and responses, each piece may ask for new modes of reading and seeing. Instead of disorienting, we see many lines darting and weaving across these works, beautiful moments of syncing and overlap, affective and abstract resonances, moments of density, as well as pauses to breathe deeply. Read and see and touch at random or with resolve - we hope that you will appreciate the way these works unfold and twist together, creating movements of meaning between them. 'NGAAY' is a Wiradjuri word meaning 'see.' To really see 'edges', might also be to sense and feel and trace them, they come into view with clarity, hover in the periphery, or drift away like memories.
The most exciting contemporary visual arts event in the Asia-Pacific region, the 18th Biennale of Sydney, will take place from 27 June - 16 September 2012. This full-colour catalogue provides a comprehensive overview of the exhibition, its artists and the ideas that inform it.
Publication compiling work by artists Lucas Ihlein and Kim Williams, and collaborators, for the 2020 NIRIN Biennale of Sydney. In 2019, we (Kim Williams and Lucas Ihlein) were invited to take part in the NIRIN 2020 Biennale of Sydney. Artistic director Brook Andrew commissioned us to create a project focused on plastic. Andrew's vision involved artists involved at every level of the festival - from publication design, to food, education, and even transport infrastructure - and with our project, an intervention into the Biennale's environmental impact.Our project emerged slowly, over a few years, beginning well before the start of the public exhibition, and continuing throughout the live time...
Bernie Krause is the world's leading expert in natural sound. Beginning by recording the sound of wheat growing in a Kansas field, he has spent the last 40 years recording ecological soundscapes and the sounds of over 15,000 species. Due to human actions, half of the wild soundscapes he has on tape no longer exist. Krause divides natural sound into three categories. Biophony is the sound made by animals and plants, like the shrimp whose underwater clicks are equivalent to a Boeing 727 taking off. Geophony is natural sound - made by wind, water and rain - which led different tribes to have different musical scales. And anthrophony is human-generated sound, which as it has rapidly increased ha...
"Published on the occasion of the exhibition Move: Choreographing You, Hayward Gallery, London, 13 October 2010-9 January 2011; Haus der Kunst, Munich, 10 February-15 May 2011; Kunstsammlung Nordrhein-Westfalen, Deusseldorf, 16 July-25 September 2011."--T.p. verso.
The book is a catalogue of the fourteenth Biennale of Sydney, which brings together fifty-one artists from thirty-two countries and is distinguished by the number of new projects and new works.
A catalogue of the artists and works in the 22nd Biennale of Sydney (2020), titled NIRIN