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Big Brother 4
This Big Brother expose features: interviews with the contestants; the auditions that whittle the wannabees down to the chosen few; photographs and interviews with the selectors; horoscopes, palm readings and profiles of each housemate; past housemates; and Big Brothers around the world.
Big Brother
Jonathan Bignell presents a wide-ranging analysis of the television phenomenon of the early twenty-first century: Reality TV, exploring its cultural and political meanings, explaining the genesis of the form and its relationship to contemporary television production, and considering how it connects with, and breaks away from, factual and fictional conventions in television. Relationships with surveillance, celebrity and media culture are examined, leading to an appraisal of the directions that television culture is taking in the new century. His highly-readable style is accessible to readers at all levels of Culture and Media studies.
Inside Big Brother
Big Brother 3 features exclusive interviews with the show's 2002 contestants. It answers those niggling questions that crop up as you watch your favourite housemate - what was their most embarrassing moment? When was their first kiss? Interviews with each contestant's nearest and dearest reveal all.
Big Brother International
Modernism and the Architecture of Private Life offers a bold new assessment of the role of the domestic sphere in modernist literature, architecture, and design. Elegantly synthesizing modernist literature with architectural plans, room designs, and decorative art, Victoria Rosner's work explores the collaborations among modern British writers, interior designers, and architects in redefining the form, function, and meaning of middle-class private life. Drawing on a host of previously unexamined archival sources and works by figures such as E. M. Forster, Roger Fry, Oscar Wilde, James McNeill Whistler, and Virginia Woolf, Rosner highlights the participation of modernist literature in the creation of an experimental, embodied, and unstructured private life, which we continue to characterize as "modern."
The 200 Greatest British TV Shows of All Time
Journey through the illustrious history of British television in "The 200 Greatest British TV Shows of All Time." From the timeless humor of "Fawlty Towers" to the groundbreaking mystery of "Sherlock," and from the cultural phenomenon of "Doctor Who" to the gripping drama of "Broadchurch," this book celebrates the finest that British TV has to offer. Each chapter delves into the heart of a beloved show, offering insights into its creation, its impact, and its place in British cultural history. Whether you're a lifelong fan or a newcomer to British TV, this collection is a must-read, offering a rich tapestry of genres, eras, and stories that have captivated audiences around the world. Uncover the stories behind the screen, the characters that became icons, and the episodes that left a mark on the history of television. With 200 chapters, each dedicated to a different show, this guide is the ultimate guide to the shows that have defined British television and continue to inspire new generations of viewers.
Staging the Real
Staging the Real traces the evolution of the various categories of "reality" programs which have come to dominate our screens over the last decade. The book focuses on issues such as the changes in the broadcasting environment which have given rise to such programs, the relationship they have to other popular TV genres and the huge appeal that shows such as Big Brother have for contemporary audiences. The book also seeks to measure the cultural significance of these new formats. Do they reflect a more general cultural malaise or should we measure their popularity more in terms of the changing expectations which modern audiences bring to TV entertainment?
Channel 4
Introduction 1. -- Alex Mahon and Ian Katz - New Brooms Appointed, and the Relocation Decision 2. -- No Escape From Big Brother's Embrace Yet 3. -- Radio Adventure 4. -- The Rise of Fixed Rigs 5. -- Channel 4's Online adventures 2007-2010 6. -- The Andy Duncan Sacking. Luke Johnson over ruled. 7. -- The David Abraham appointment 8. -- After Chucking Out Chintz, and Bidding For Channel Five 9. -- The Challenge as Abraham picks Jay 10. -- Jay Hunt in charge 11. -- Attack The Hunt - Advertising Revolt Foiled 2011-13/14 12. -- Gogglebox and Success, Factual and Onwards 13. -- Paralympics 14. -- Racing 15. -- Data 2010-2017 and how 4oD became All 4 but not all right. 16. -- Drama Hopes Dashed 17. -- Comedy and no Black Mirror 18. -- Film4 19. -- News 20. -- Current Affairs 21. -- Privatisation 22. -- 2016 ? The Great British Bake Off snatch, the Hunt for CEO? 23. -- The Big Move North 24. -- Conclusion.
Inside Reality TV
In the summer of 2010, Ragan Fox was one of twelve people selected to participate in the twelfth season of CBS's reality program Big Brother. Offering a rare, autobiographical, and behind-the-scenes peek behind Big Brother's theatrical curtain, Fox provides a scholarly account of the show's casting procedures, secret soundstage interactions, and viewer involvement, while investigating how the program's producers, fans, and players theatrically render identities of racial and sexual minorities. Using autoethnography, textual analysis, and spectator commentary as research, Inside Reality TV reflects on and critiques how identity is constructed on reality television, and the various ways in which people from historically oppressed groups are depicted in mass media.
Nineteen Eighty-four
'If you want a picture of the future, imagine a boot stamping on a human face--forever.' Nineteen Eighty-Four (1949), George Orwell's final novel, was completed in difficult conditions shortly before his early death. It is one of the most influential and widely-read novels of the post-war period, and has been a huge international bestseller over many decades. Continually in print, it has long been controversial, both in its immediate Cold War context and in later history. It is in some ways a realist novel, but in others is more akin to a work of science fiction, a dystopia or a satire. It also has strong affiliations to Gothic in its plotting, motifs and affective states. Full of horror and terror, it contains prophetic dreams and a central character who thinks of himself as a 'monster', a 'ghost' and 'already dead'. Like Frankenstein and Dracula, it is fascinated by the power of a documentary remnant addressed to an unknown reader.
Reality TV
A collection of essays, which provide a comprehensive picture of how and why the genre of reality television emerged, what it means, how it differs from earlier television programming, and how it engages societies, industries, and individuals.
