You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A strange boy with red hair leads a birthday-girl and her companions on a hunt for the wishing tree which brings them many suprising and magical adventures.
One of America's great novelists, William Faulkner was a writer deeply rooted in the American South. In works such as The Sound and the Fury, As I Lay Dying, Light in August, and Absalom, Absalom! Faulkner drew powerfully on Southern themes, attitudes, and atmosphere to create his own world and place--the mythical Yoknapatawpha County--peopled with quintessential Southerners such as the Compsons, Sartorises, Snopes, and McCaslins. Indeed, to a degree perhaps unmatched by any other major twentieth-century novelist, Faulkner remained at home and explored his own region--the history and culture and people of the South. Now, in William Faulkner and Southern History, one of America's most acclaim...
Martin Kreiswirth challenges the accepted notion that The Sound and the Fury, Faulkner's fourth and possibly finest novel, represented an unprecedented turning point in the writer's literary career, a quantum leap in his imaginative development. He argues that Faulkner's earlier work, both published and unpublished, not only distinctly prefigured techniques, narrative strategies, and creative procedures used in the writing of his fourth novel, but also provided him with materials and methods to which he could return. Viewed in the context of his literary development, the author says, the writing of The Sound and the Fury constituted for Faulkner not so much a mysterious leap as a moment of i...
The first comprehensive collection of contemporary published reactions to the writing of William Faulkner from 1926 to 1962, these articles document the response of reviewers to specific works, and chronicle the development of Faulkner's reputation among the nation's book reviewers. It has often been assumed that a poor reception in the popular review publications contributed to Faulkner's lack of commercial success. The material presented here tends to refute that assumption, clarifying the development of Faulkner's literary career and providing a fuller understanding of the part played by book reviewing in the sales, promotion, and success of American literature.
Bockting has produced a work that focuses on the "people" that Faulkner created in his four major psychological novels: The Sound and the Fury (1929); As I Lay Dying (1920), Light in August (1932), and Absalom, Absalom! (1936). The author writes not about these people, either as literary characters or as human beings, but instead has allowed them to come alive in their own time, through their own texts. Psychostylistics is the innovative approach to the literary character that Bockting employs, bringing together new developments in narrative psychology and psychiatry with literary stylistics and mind-style to provide detailed textual and contextual evidence in support of its observations on personality. Contents: The Literary Character: Between Life and Linguistic Style; Mind-Style in The Sound and the Fury; Multiple Voices in As I Lay Dying; Light in August and the Issues of Unreliability; Absalom, Absalom!: A Novel of Attribution; Character, Personality, and Psychostylistics.
The edition makes available for the first time and in one volume Faulkner's Fox screen writings. With its essays and annotations, it also makes a valuable contribution to recent scholarship across a number of fields, including screenplay studies and film and literature, as well as to the history of Twentieth Century-Fox during Hollywood's golden age.
The annotations in this volume, originally published in 1996, intend to assist the reader of Faulkner’s The Hamlet to understand obscure or difficult words and passages, including literary allusions, dialect, and historical events that Faulkner uses or alludes to. This title will be of great interest to students of literature.
As I Lay Dying; Light in August; The Sound and the Fury; Absalom, Absalom!; "The Bear"; and many others.
When the matriarch of the Bundren family dies, her family must confront the daunting task of transporting her body across the state of Mississippi for burial in her hometown. As they embark on this journey, with the coffin in tow, they face several trials and tribulations that not only complicate their travel but also highlight the innate dysfunction of the family's complex dynamic. This comprehensive volume explores the themes of William Faulkner's As I Lay Dying through the lens of family dysfunction, offering readers a critical look at the intersection between literature and sociology. The book examines Faulkner's life and influences and explores concepts such as the role of maternal influence and sibling rivalry within the novel and within the broader context of society. Chapters also offer a contemporary perspective on family dysfunction through discussion of topics such as the effects of emotional neglect and the role of maternal instincts.
The general argument advanced by the Morrises in this ambitious work revolves around the idea that William Faulkner is deeply critical of the prevailing Southern myth and discourse; furthermore, that his narratives are an attempt to discover and amplify alternative voices within that dominant milieu. Those voices and the stories they tell are most often those of the unprivileged in race, class, and gender--the black, the poor white, the woman, the neurotic, and so forth--who act out the disintegration of Southern culture even as they may be said to hold it together in a communal act of mythmaking. This "reading" thus makes the case (a largely revisionary one) for Faulkner as a fully engaged political writer, a writer embroiled in the process of the subversion and dissolution not only of dominant Southern myth, but of dominant Southern reality as well. Structured in the way Faulkner imagined his entire fictional universe--as a single narrative--Reading Faulkner's incremental design results in a "story" that has much of the drive and force of Faulkner's "story" itself.