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Explores the vital links between social order and cosmology by examining the concept of foedus in Roman religion and literature.
How did Roman writers use the metaphor of the body politic to respond to the downfall of the Republic? In this book, Julia Mebane begins with the Catilinarian Conspiracy in 63 BCE, when Cicero and Catiline proposed two rival models of statesmanship on the senate floor: the civic healer and the head of state. Over the next century, these two paradigms of authority were used to confront the establishment of sole rule in the Roman world. Tracing their Imperial afterlives allows us to see how Romans came to terms with autocracy without ever naming it as such. In identifying metaphor as an important avenue of political thought, the book makes a significant contribution to the history of ideas. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Public speech was a key aspect of politics in Republican Rome, yet the partial nature of the available evidence means that our understanding of its workings is dominated by one man: Cicero. This volume explores the oratory of the Roman Republic as practiced by individuals other than Cicero, focusing on the surviving fragments of such oratory.
Explores how constitutional orders engage with and are shaped by their exteriors.
Rhetoric was fundamental to education and to cultural aspiration in the Greek and Roman worlds. It was one of the key aspects of antiquity that slipped under the line between the ancient world and Christianity erected by the early Church in late antiquity. Ancient rhetorical theory is obsessed with examples and discussions drawn from visual material. This book mines this rich seam of theoretical analysis from within Roman culture to present an internalist model for some aspects of how the Romans understood, made and appreciated their art. The understanding of public monuments like the Arch of Titus or Trajan's Column or of imperial statuary, domestic wall painting, funerary altars and sarcophagi, as well as of intimate items like children's dolls, is greatly enriched by being placed in relevant rhetorical contexts created by the Roman world.
Amidst a culture otherwise obsessed with beauty, the Greek theater provided a unique space for Athenians to play with ugliness—to try these anti-ideals on for size. Such imaginative play was considered dangerous by some, such as Plato, who feared its corrupting influence; others, including Aristotle, saw the theater’s provocation and release of emotions as educational and even therapeutic. Sophocles’ and Euripides’ fifth-century audiences could not help but directly confront the ugliness of their drama, but as cultural memory of embodied productions faded, an abstracted contrast emerged between beautiful tragedy and ugly comedy—a pernicious aesthetic polarization that persists to t...
The uses and effects of repetition, imitation, and appropriation in Latin epic poetry.
Walking through Elysium traces Vergil's influence on literary representations of underworlds, souls, afterlives, prophecies, journeys, and spaces, from sacred and profane to wild and civilized.
thersites is an international open access journal for innovative transdisciplinary classical studies edited by Annemarie Ambühl, Filippo Carlà-Uhink, Christian Rollinger and Christine Walde. thersites expands classical reception studies by publishing original scholarship free of charge and by reflecting on Greco-Roman antiquity as present phenomenon and diachronic culture that is part of today’s transcultural and highly diverse world. Antiquity, in our understanding, does not merely belong to the past, but is always experienced and engaged in the present. thersites contributes to the critical review on methods, theories, approaches and subjects in classical scholarship, which currently s...
Augustan Poetry and the Roman Republic focuses on the works of the major Augustan poets, Vergil, Horace, Propertius, and Ovid, and explores the under-studied aspect of their poetry, namely the way in which they constructed and investigated images of the Roman Republic and the Roman past.