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Shoeless Joe
The novel that inspired Field of Dreams: “A lyrical, seductive, and altogether winning concoction.” —The New York Times Book Review One of Sports Illustrated’s 100 Greatest Sports Books “If you build it, he will come.” When Ray Kinsella hears these mysterious words spoken in the voice of an Iowa baseball announcer, he is inspired to carve a baseball diamond in his cornfield. It is a tribute to his hero, the legendary Shoeless Joe Jackson, whose reputation was forever tarnished by the scandalous 1919 World Series. What follows is a timeless story that is “not so much about baseball as it is about dreams, magic, life, and what is quintessentially American” (The Philadelphia Inquirer). “A triumph of hope.” —The Boston Globe “A moonlit novel about baseball, dreams, family, the land, and literature.” —Sports Illustrated
Places the Dead Call Home
Places the Dead Call Home begins on a summer night in 1958, as bullets tear through the body of a young man on a lonely Oklahoma highway. Nineteen years later, a soldier lies in the pool of his own blood on an army base in Virginia. Death has made room at home for both of them. Death can always find room for more. Josh Kincaid is happy with life in Phoenix where he manages a bar and sells a few drugs on the side. His serenity is soon shattered, however, by a call from his cousin, Frankie McKnight, who claims to know why Josh's father died many years earlier in the parking lot of a gas station in Oklahoma City. Soon, a reporter named Jeffrey Bonus and his traveling companion, Jeanette Koskos, arrive with questions for Josh about the death of Bonus's father, a highly decorated army colonel. All of these characters converge on Mesa Verde, where Josh and Frankie seek the answer to Jimmy Kincaid's destiny and Bonus hopes to learn the true fate of his father. But others are making plans of their own to ensure that the dead stay where they belong-the places they call home.
The Road from Castlebarnagh
I entered the world in 1945, the middle of the twentieth century, but my family's way of life had not changed substantially for more than a hundred years. The area around our house is still known as Castlebarnagh, which is a small townland near Daingean in northeast County Offaly, in the midlands of Ireland. The Road from Castlebarnagh is Paddy O'Brien's lyrical account of growing up as a budding musician in County Offaly in the 1950s and 1960s. Paddy grew up at a time when the social life of the Irish countryside often took place around the fireplace, where stories were told and music was played. In his book he writes of the many colourful characters who shaped his perception of Irish life and culture. Showing Paddy's flair for storytelling, The Road from Castlebarnagh is the story of how a young musician absorbed his surroundings while developing his own distinctive musical style.
Screening Culture
The lives of Indigenous peoples have long been framed for the outside world by others' cinematic gaze. But during the past thirty years, North America's Indigenous image-makers, particularly in Canada, have used the changing technologies of film, video, television, and computer to present their peoples' histories, identities, and perspectives. This edited collection of essays, conversations, and interviews combines Indigenous and non-Indigenous voices as it sets changing representations of Indigenous people on screen against broader socio-cultural, ideological, and economic considerations.
The Gatecrasher
Fleur Daxeny is beautiful, unscrupulous, and has a large wardrobe of black designer suits. With the help of the obituaries, she gatecrashes the funerals and memorial services of the wealthy, preying on rich and newly vulnerable men. Charming her way into their lives, their beds, and their bank accounts, she takes what she can and moves swiftly on
Leagues of Their Own
"This history and analysis traces the emergence of independent leagues and teams and follows them year by year. It profiles in detail one team from each of the leagues operating in 1999: the Bridgeport (Connecticut) Blue Fish of the Atlantic League, the Kalamazoo (Michigan) Kodiaks of the Frontier League, the Tri-City (Washington) Posse of the Western League, the Ozark (Missouri) Mountain Ducks of the Texas-Louisiana League, and the Duluth-Superior (Minnesota) Dukes of the Northern League West. Also included are profiles of individual players, managers, owners, umpires, and fans."--BOOK JACKET.
Last Child to Come Inside
These are poignant, at times strangely quirky entries into a world filled with sharpness, the sense of imminent danger, and a sensual urge that seems to sweep all danger before it. the border between exterior and interior life is diffuse. One can find oneself in unexpected places. Two little girls in yellow dresses who are never seen again, Jesus and Elvis vacationing in Bermuda, a town after the fair has gone, women showering after a swim, Picasso becoming a red velvet dress: these are just a few of the images conjured in Michelle's first collection. There is also the expressed silence of what is not known, nor brought to light, a darkness that this poet loves and that has often been the reason why she is the last child to come inside.
Communication Matters
Communication has often been understood as a realm of immaterial, insubstantial phenomena—images, messages, thoughts, languages, cultures, and ideologies—mediating our embodied experience of the concrete world. Communication Matters challenges this view, assembling leading scholars in the fields of Communication, Rhetoric, and English to focus on the materiality of communication. Building on the work of materialist theorists such as Gilles Deleuze, Michel Foucault, Friedrich Kittler, and Henri Lefebvre, the essays collected here examine the materiality of discourse itself and the constitutive force of communication in the production of the real. Communication Matters presents original work that rethinks communication as material and situates materialist approaches to communication within the broader "materiality turn" emerging in the humanities and social sciences. This collection will be of interest to researchers and postgraduate students in Media, Communication Studies, and Rhetoric. The book includes images of the digital media installations of Francesca Talenti, Professor, Department of Communication Studies, University of North Carolina at Chapel Hill.
