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Bill Marx, son of Harpo Marx, reflects on his life and what it was like to grow up as the son of a Marx brother. Bill studied composition at the Juilliard School and has composed and performed various styles of music. He became Harpo's musical conductor/arranger at age 16.
Written at the height of Stalin's first "five-year plan" for the industrialization of Soviet Russia and the parallel campaign to collectivize Soviet agriculture, Andrei Platonov's The Foundation Pit registers a dissonant mixture of utopian longings and despair. Furthermore, it provides essential background to Platonov's parody of the mainstream Soviet "production" novel, which is widely recognized as one of the masterpieces of twentieth-century Russian prose. In addition to an overview of the work's key themes, it discusses their place within Platonov's oeuvre as a whole, his troubled relations with literary officialdom, the work's ideological and political background, and key critical responses since the work's first publication in the West in 1973.
This book aims to reinvigorate the Marxist project and the role it might play in illuminating the way beyond capitalism. Though political economy and scientific investigation are needed for pure Marxism, Martin’s argument is that the extent to which these elements are needed cannot be determined within the conversations of political economy and other investigations into causal mechanisms. What has not been done, and what this book does, is to argue for the possibility of a rethought Marxism that takes ethics as its core, displacing political economy and "scientific" investigation.
The end of Stalinist Russia, China's change under Deng Xiaoping and the publication of previously unexplored documents of Marx in the MEGA2 opened a new epoch in the analysis of Marx. Marx's Discourse With Hegel is both a product and contribution to this rebirth of Marxism by its reformulation of the relationship between Hegel and Marx
Into the Sound Country is a story of rediscovery--of two North Carolinians returning to seek their roots in the state's eastern provinces. It is an affectionate, impressionistic, and personal portrait of the coastal plain by two natives of the region, writer Bland Simpson and photographer Ann Cary Simpson. Here Bland Simpson tours his old waterfront haunts in Elizabeth City, explores scuppernong vineyards from Hertford to Southport, tramps through Pasquotank swamps and Croatan pine savannas, and visits Roanoke River oyster bars and Core Banks fishing shanties. Ann Simpson's original photographs capture both the broad vistas of the sounds and rivers and the quieter corners of mossy creeks and country churchyards. Her selection of archival illustrations ranges from the informative to the humorous, from a turpentine scraper at work in the 1850s to a pair of little girls playing with a horseshoe crab on a Beaufort porch at the turn of the century. A memorable journey into eastern Carolina's richly varied natural world, Into the Sound Country is for anyone who would spend a while in one of America's most intriguing and underexplored areas.
A central debate among scholars of Marx concerns whether Marxism has a moral content or is totally "amoral"--perhaps either because it embraces a strict economic determinism or because it nihilistically sides with the proletariat without offering any objective justification for that stance. Philosopher Vanessa Christina Wills argues that Marx does articulate an ethical perspective that is present throughout his writings, both the more obviously humanistic and philosophical early writings and his later, economic and more empirically-grounded studies such as Capital. The purposiveness of labor gives rise to a normativity already inherent in the present state of things, one that can guide us in knowing what sort of world we should build and that further, prepares us to build it.
This collection of interviews, all conducted by the author, focuses on the children of Hollywood legends. Each child (and, in one case, grandchild) talks about the joys and difficulties of growing up in the shadow of the Hollywood spotlight. While some were significantly influenced by their famous parents and chose a career in entertainment, others felt no attraction toward the glamour of Tinseltown fame. Among the interviewees are the offspring of such major stars as Errol Flynn, Gary Cooper, Ingrid Bergman, Jimmy Stewart and Rosalind Russell, as well as such prominent supporting players as Jack Elam, Gene Lockhart, Billy Barty and Jesse White. The collection also includes a list of books and/or websites published by the children of the actors featured.
This book offers readers a rare chance to witness a mainstream thinker challenge an outlaw-activist. Avakian and Martin wrestle with big questions that have to do with the state of the world and the possibility for radical change. The scope and relevance of Marxism, and the nature and reach of communist revolution, are at the heart of this rich and lively dialogue. Avakian and Martin probe a wide range of issues: the place of ethics in a transformative revolutionary politics; Kant, Rousseau, and Hegel; Marx and the question of colonialism and Eurocentrism; the Maoist experience in China; sustainable agriculture and the task of overcoming the urban-rural divide; imperialism and lopsided development in the world, and the effects on social structure and revolution; animal rights; secularism and religion; the post-911 agenda of the U.S. ruling class, the political-social-cultural landscape of the U.S., and the prospects for resistance and revolution; Marxism and the question of homosexuality; the challenges confronting radical and communist intellectuals and the possibilities for engaged, creative intellectual work today.
Inspiring and thoroughly researched collection of contemporary Marxist essays that engage the struggle of our times.
Nearly Everything We Think We Know about Greek Tragedy Is Wrong If Greek tragedies are meant to be so tragic, why do they so often end so well? Here starts the story of a long and incredible misunderstanding. Out of the hundreds of tragedies that were performed, only 32 were preserved in full. Who chose them and why? Why are the lost ones never taken into account? This extremely unusual scholarly book tells us an Umberto Eco-like story about the lost tragedies. By arguing that they would have given a radically different picture, William Marx makes us think in completely new ways about one of the major achievements of Western culture. In this very readable, stimulating, lively, and even somet...