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Autobiographical reminiscences of Binode Behari Mukherjee, Indian painter from West Bengal.
Autobiographical reminiscences of Binod Behari Mukherjee, Indian painter; includes his aesthetic philosophy.
Catalog of the centenary retrospective exhibition of Binode Behari Mukherjee, Indian artist curated by Gulam Mohammed Sheikh and R. Siva Kumar; chiefly photographic reproductions of his work.
The 180-full color plates illustrate a wide selection of Mukherjee's work in watercolour, ink, tempera etc in the format of large scrolls, screens from 1921 to 1957, along with a complete catalogue and timeline of his life.
Profiles the life of the Indian director, and discusses the making of each of his films
Study on the selected paintings of Abanindranath Tagore, 1871-1951, Indian painter; includes reproduction of the original paintings.
Album of sixty-six photographs of two contemporary artists, Satyajit Ray, 1921-1992, motion picture director and Binode Behari Mukherjee, 1904-1980, blind painter from West Bengal, India.
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Santiniketan holds a unique position in the cultural history of India, as an embodiment of a concept and ideal which was part of what is largely regarded as a cultural renaissance in the early part of the century. The cultural leaders and artists who committed themselves to Santiniketan felt a need to view all the arts and crafts as a single connected panorama in order to revitalize the roots of their traditions. They wanted to see art as part of daily life, not just in museums, picture galleries or audience halls of the affluent. They also wanted to keep alive the priceless methods and techniques that had contributed to forming the distinct personality of the country s age-old visual tradit...