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It Is The First Modern Novel In Bengali- And, One Might Say, In Indian Literature, For The Modern Movement In Indian Literature Was First Registered In Bengali And Was Later Carried To Other Indian Languages. The Story Is Simple And Centres Round The Problem Of Human Relationship And Tells Of What Happens Behind The Staid Facade Of A Well-To-Do, Middle Class Bengali Home Of The Period, Where A Widowed Mother Lives With Her Only Son On Whom She Dotes. Of All Women Characters Created By Tagore In His Many Novels Binodini Is The Most Real, Convincing And Full-Blooded.
This Painstakingly Researched, Unique Volume, A Definitive Discography Of Indian Music, Is A Tribute Not Only To Indian Music, But Also To An Institution Whose Contribution To Indian Music Has Been Monumental -The Gramophone Company. Without Dustjacket In Good Condition.
Includes songs by Buddhist nuns, testimonies of medieval rebel poets and court historians, and the voices of more than 60 other writers of the 18th and 19th centuries. Among the diverse selections are a rare early essay by an untouchable woman; an account by the first feminist historian; and a selection from the first novel written in English by an Indian woman.
This collection of eleven essays concerns the movement of modernity in East-West literary criicism. Most of the contributions address particular cross-cultural relationships such as W.B. Yeat's interest in the 'noh' play, Ezra Pound's imagism, and the influence of Zen aesthetics on Western poetry. The Western writers discussed range from Americans, including Emerson, Thoreau, Faulkner, Wright, and Snyder, to Europeans, such as Marcel Proust. The Eastern writers include Basho, Tanizaki, Lao Tzu, Wan Wei, Tagore, and Yone Noguchi.
The literature of the new age seeks not to narrate a sequence of events, but to reveal the secrets of the heart. Such is the narrative mode of Chokher Bali’ – Rabindranath Tagore, Preface to Chokher Bali Chokher Bali explores the forbidden emotions unleashed when a beautiful young widow enters the seemingly harmonious world of a newly married couple. This path-breaking novel by Rabindranath Tagore weaves a tangled web of relationships between the pampered and self-centred Mahendra, his innocent, childlike bride Asha, their staunch friend Bihari, and the wily, seductive Binodini, whose arrival transforms the lives of all concerned. Radha Chakravarty’s translation brings the world of Tagore’s fiction to life, in lucid, idiomatic prose.
This is a story of an erotic film maker rohit khanna and his journey to name and fame through his cunning vision, manipulative games, debauchery work, deceitful acts, bloodshed. This is a story of a genuine policeman and his lesbian assistant who are framed in the game of Conspiracy with no way out by political hoodlums.... Story concludes in three parts.
It is the story of the rich Mahendra and his simple, demure, beautiful wife Asha. Their cosy domestic scenario undergoes great upheaval with the introduction of the vivacious Binodini, a young widow who comes to live with them. A compelling portrayal of the complexity of relationship, it is a landmark novel by the Nobel prize-winning author.
In Unveiling Desire, Devaleena Das and Colette Morrow show that the duality of the fallen/saved woman is as prevalent in Eastern culture as it is in the West, specifically in literature and films. Using examples from the Middle to Far East, including Iran, India, Pakistan, Bangladesh, Thailand, Japan, and China, this anthology challenges the fascination with Eastern women as passive, abject, or sexually exotic, but also resists the temptation to then focus on the veil, geisha, sati, or Muslim women’s oppression without exploring Eastern women’s sexuality beyond these contexts. The chapters cover instead mind/body sexual politics, patriarchal cultural constructs, the anatomy of sex and power in relation to myth and culture, denigration of female anatomy, and gender performativity. From Persepolis to Bollywood, and from fairy tales to crime fiction, the contributors to Unveiling Desire show how the struggle for women’s liberation is truly global.
This book explores the ‘folk’ performance genre of Kobigaan, a dialogic song-theatre form in which performers verse-duel, in contemporary West Bengal in India and Bangladesh. Thought to be a nearly extinct form, the book shows how the genre is still prevalent in the region. The author shows how like many other ‘folk’ practices in South and South-East Asia, the content and format of this genre has undergone vital changes thus raising questions of authenticity, patronage and cultural politics. She captures live performances of Kobigaan through ethnographies spread across borders — from village rituals to urban festivals, and from Bengali cinema to television and new media. While unde...
The Book Aims At An Appraisal Of R.N. Tagore S Novels In English Translations. It Highlights His Thematic Concerns And Novelistic Technique. The Book Also Provides A Comprehensive And Authentic Account Of His Literary Genius And His Vision Of The Human Predicament. It Contains A Faithful Profile Of His Age Marked By Profound Convulsions In Individual And Collective Consciousness.This Specific Study Of Tagore S Novels Based On The Themes Of Humanism And Nationalism Has Shown His Position And Achievement In The Domain Of Indian Fiction. The Book Studies Tagore S Art Of Writing Novels For Promotion Of Human Value And National Integration.Making An Attempt To Define And Interpret Humanism And Nationalism, And Their Application As Themes Of Novels By The Great Indo-Anglian Novelists And R.N. Tagore, The Book Provides A Critique Of R.N. Tagore S Nine Novels So Far Translated Into English. It Concludes With A Brief Critique On R.N. Tagore S Final Vision Of Life And Man.