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How to Write About Africa
A trailblazing collection of writing from Binyavanga Wainaina's extraordinary life, featuring an introduction from his long-time friend, Chimamanda Ngozi Adichie Binyavanga Wainaina was a seminal author and creative force, remembered as one of the greatest chroniclers of contemporary African life. This ground-breaking collection brings together, for the first time, Binyavanga’s pioneering writing on the African continent including many of his most critically acclaimed pieces, such as the viral satirical sensation How to Write About Africa. Writing fearlessly across a range of topics - from politics to international aid, cultural heritage and redefining sexuality - this is a remarkable illustration of a writer at the height of his power. 'A fierce literary talent' Nesrine Malik, Guardian ‘A provocative satirist . . . his omnivorous brilliance [was] matched by ambition and vision on a continental scale’ New York Times
One Day I Will Write About This Place
Binyavanga Wainaina tumbled through his middle-class Kenyan childhood out of kilter with the world around him.This world came to him as a chaos of loud and colourful sounds: the hair dryers at his mother's beauty parlour, black mamba bicycle bells, mechanics in Nairobi, the music of Michael Jackson - all punctuated by the infectious laughter of his brother and sister. He could fall in with their patterns, but it would take him a while to carve out his own. In this vivid and compelling debut, Wainaina takes us through his school days, his failed attempt to study in South Africa, a moving family reunion in Uganda, and his travels around Kenya.The landscape in front of him always claims his main attention, but he also evokes the shifting political scene that unsettles his views on family, tribe, and nationhood. Throughout, reading is his refuge and his solace. And when, in 2002, a writing prize comes through, the door is opened for him to pursue the career that perhaps had been beckoning all along. Resolutely avoiding stereotype and cliche, Wainaina paints every scene in One Day I Will Write About This Place with a highly distinctive and hugely memorable brush.
Discovering Home
This third edition of stories from the Caine Prize for African Writing includes works by writers from Nigeria, Kenya, Zimbabwe and South Africa, most of whom have never before been published.
Kwani?
Following and keeping close to the great tradition set by its three predecessors, Kwani? 4 presents a wail of new voices in literary concert with the not so new. The now established talents- Binyavanga Wainaina, Muthoni Garland, Doreen Baingana- share these pages with the fast risers: Billy Kahora, Mukoma wa Ngugi and Shalini Gidoomal. And Kwani? 4 has delved deeper into the all those spaces where the Kenyan story lives: the street corners, the neighbourhood pubs, the in-between semi rural places where the clash of cultures- the traditional versus the modern- continues to redefine the social roles of the individual, dismantle patriarchal constructs and still retain the pithy wit and the devi...
Discovering Home
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Kwani? 02
From the critical and commercial success of Kwani? 01 came the next edition, kwani? 02, in 2004. This edition features contemporary literary Kenyan concerns themed on the question of identity. Building on the first issue, kwani? 02 offers all that kwani? 01 did and mirrors the post-millennial angst of young Kenyan writers, poets, cartoonists and photographers. Once again, kwani? featured in the Caine Prize for African writing 2004 when Parselelo Kantaiís Comrade Lemma and the Black Jerusalem Boys Bandwas runner up. Uwem Akpanís An Xmas Feast has since been re-worked and published in the New Yorker magazine ñ the first time an African writer has been featured in that prestigious magazine.
Search Sweet Country
Accra, Ghana, the 1970s. In the streets, marketplaces and crowded houses of this sprawling city, an unforgettable cast of characters live, love and try to get by: an idealistic professor, a beautiful young witch, a wide-eyed student, a corrupt politician, a healer and a man intent on founding his own village. Through their stories, and those of the living, breathing city itself, Kojo Laing's dazzling novel creates a portrait of a place caught between colonialism and freedom, eternity and the present. 'The finest novel written in English ever to come out of the African continent' Binyavanga Wainaina
Beyond the River Yei
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Looking for Transwonderland
A “remarkable chronicle” of a journey back to this West African nation after years of exile (The New York Times Book Review). Noo Saro-Wiwa was brought up in England, but every summer she was dragged back to visit her father in Nigeria—a country she viewed as an annoying parallel universe where she had to relinquish all her creature comforts and sense of individuality. After her father, activist Ken Saro-Wiwa, was killed there, she didn’t return for several years. Then she decided to come to terms with the country her father given his life for. Traveling from the exuberant chaos of Lagos to the calm beauty of the eastern mountains; from the eccentricity of a Nigerian dog show to the ...
Kenyan, Christian, Queer
Popular narratives cite religion as the driving force behind homophobia in Africa, portraying Christianity and LGBT expression as incompatible. Without denying Christianity’s contribution to the stigma, discrimination, and exclusion of same-sex-attracted and gender-variant people on the continent, Adriaan van Klinken presents an alternative narrative, foregrounding the ways in which religion also appears as a critical site of LGBT activism. Taking up the notion of “arts of resistance,” Kenyan, Christian, Queer presents four case studies of grassroots LGBT activism through artistic and creative expressions—including the literary and cultural work of Binyavanga Wainaina, the “Same Lo...
