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Enduring Loss in Early Modern Germany
This anthology assembles cross-disciplinary perspectives on the experience of and responses to forms of material and spiritual loss in early modern Germany, tracing how individuals and communities registered, coped with, and made sense of such events as war, religious reform, bankruptcy, religious marginalization, the death of spouses and children, and the loss of freedom of movement through a spectrum of activities including writing poetry, keeping diaries, erecting monuments, collecting books, singing, painting, reconfiguring space, repeatedly migrating, and painting, and thereby not only turned loss into gain but self-consciously made history. Emerging from the 2008 interdisiplinary conference of Frühe Neuzeit Interdisziplinär, the essays reveal how loss helped to create identity and gave rise to agency and creativity on the cusp of modernity. Contributors are Rosalind J. Beiler, Claudia Benthien, Jill Bepler, Duane J. Corpis, Alexander J. Fisher, Ulrike Gleixner, Claudia Jarzebowski, Hans Medick, Barbara Lawatsch Melton, Christopher Ocker, Helmut Puff, Thomas Max Safley, Jeffrey Chipps Smith, Lynne Tatlock, Mara Wade, Lee Palmer Wandel, and Bethany Wiggin.
The Body of the Queen
"Inspired by existential thought, but using ethnographic methods, Michael Jackson explores a variety of contemporary topics, including 9/11, episodes from the war in Sierra Leone and its aftermath, the marginalization of indigenous Australians, the application of new technologies, mundane forms of ritualization, the magical use of language, the sociality of violence, the prose of suffering, and the discourse of human rights. Throughout this compelling work, Jackson demonstrates that existentialism, far from being a philosophy of individual being, enables us to explore issues of social existence and coexistence in new ways, and to theorise events as the sites of a dynamic interplay between the finite possibilities of the situations in which human beings find themselves and the capacities they possess for creating viable forms of social life."--BOOK JACKET.
Making Marvels
Featuring more than 150 treasures from several of the world’s most prestigious collections, Making Marvels explores the vital intersection of art, technology, and political power at the courts of early modern Europe. It was there, from the sixteenth through eighteenth centuries, that a remarkable outpouring of creativity and learning gave rise to exquisite objects that were at once beautiful works of art and technological wonders. By amassing vast, glittering collections of these ingeniously crafted objects, princes flaunted their wealth and competed for mastery over the known world. More than mere status symbols, however, many of these marvels ushered in significant advancements that have had a lasting influence on astronomy, engineering, and even international politics. Incisive texts by leading scholars situate these works within the rich, complex symbolism of life at court, where science and splendor were pursued with equal vigor and together contributed to a culture of magnificence.
Taking the Alhambra to St. Petersburg
Ein wenig bekanntes Phänomen innerhalb des sogenannten Maurischen Revivals ist die intensive Auseinandersetzung russischer Architekten mit der ibero-islamischen Architektur, insbesondere mit den mittelalterlichen Nasridenpalästen der Alhambra in Granada. Die materialreiche Studie analysiert orientalisierende Bauwerke und Interieurs des 19. Jahrhunderts in St. Petersburg und zeichnet die Transferwege nach, über die das Formenvokabular der Alhambra von Spanien nach Russland gelangte. Sie bezieht wesentliche Aspekte der russischen Kulturgeschichte und der europäischen Orient-Vorstellungen des 19. Jahrhunderts mit ein und zeigt, dass russische Architekten und die Kaiserliche Akademie der Künste zu den Pionieren des Maurischen Revivals gehörten. Erstmalige Betrachtung der orientalisierenden Architektur St. Petersburgs im gesamteuropäischen Kontext Russische Architekten als Pioniere des Maurischen Revivals
Avant-garde Film
This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the University of Edinburgh. It paves the way for a fresh assessment of avant-garde film and develops its theory as an integral part of a newly defined conception of the avant-garde as a whole, by closing the gap between theoretical approaches towards the avant-garde as defined on the basis of art and literature on the one hand and avant-garde cinema on the other. It gathers contributions by the most esteemed scholars in the field of avant-garde studies relating to the ¿classical¿ avant-garde cinema of the 192...
Culture and Conflict
Cultural differences are often the trigger for conflict – whether politically motivated or arising from dissonant understandings of national culture. But what we regard as distinctive today in our cultural heritage or day-to-day cultural experience is deeply rooted in the rich diversity of the national currents of the nineteenth century. Culture and Conflict: Nation-Building in Denmark and Scandinavia, 1800–1930 explores the many strands of Danish and Scandinavian culture that helped to shape these cultural identities. The sixteen contributions in this volume analyse how competing national agendas influenced the development of political life as well as literature, the visual arts, and mu...
Ways of Knowing
"Knowing" itself is a problematic concept and what was once seen as the clear objective of "knowing," that is to discover "truth" or "reality," has become increasingly less certain. This is even more the case when scholars move from the present to examine epistemology in the past. Two fundamental questions arise: What constituted knowledge in the context of early modern Germany and how was knowledge gathered, assembled, organized, deployed, and interpreted? Ways of Knowing seeks to answer these questions. Taking their cues from a range of interdisciplinary perspectives, including art, German literature, social, political, medical, and religious history, the contributors offer readers a rich ...
Europa Triumphans
A landmark in the study of early modern Europe, this two-volume collection makes available for the first time a selection of the most important texts from court and civic festival books. Festival entertainments were presented to mark such occasions as royal and ducal entries to capital cities, dynastic marriages, the birth and christening of heirs, religious feasts and royal and ducal funerals. Europa Triumphans represents the chronological and trans-European range of the court and civic festival.These festivals are represented not simply as texts, but as events, and are introduced by groups of scholars, each with a specialist knowledge of the political, social and cultural significance of the festival and of the iconography, spectacle, music, dance, voice and gesture in which they were expressed.
Bouchardon
One of the most imaginative and fascinating artists of eighteenth-century France, Edme Bouchardon (1698-1762) was instrumental in the transition from Rococo to Neoclassicism and in the artistic rediscovery of classical antiquity. Much celebrated in his time, Bouchardon created some of the most iconic images of the age of Louis XV. His oeuvre demonstrates a remarkable variety of themes (from copies after the antique to subjects of history and mythology, portraiture, anatomical studies, ornament, fountains and tombs), media (drawings, sculptures, medals, prints), and techniques (chalk, plaster, wax, terracotta, marble, bronze). With five essays by experts on Bouchardon's sculpture and graphic ...
Sculpture Workshops as Space and Concept
This book explores the multifaceted aspects of sculptor’s workshops from the Renaissance to the early nineteenth century. Contributors take a fresh look at the sculptor’s workshop as both a physical and discursive space. By studying some of the most prominent artists’ sculptural practices, the workshop appears as a multifaced, sociable and practical space. The book creates a narrative in which the sculptural workshop appears as a working laboratory where new measuring techniques, new materials and new instruments were tested and became part of the lived experience of the artist and central to the works coming into being. Artists covered include Donatello, Roubilliac, Thorvaldsen, Canova, and Christian Daniel Rauch. The book will be of interest to scholars studying art history, sculpture, artist workshops, and European studies.
