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"Culture and the arts played a central role in the ideology and propaganda of National Socialism from the early years of the movement until the last months of the Third Reich in 1945 ... This volume's essays explore these and other aspects of the arts and cultural life under National Socialism ..."--Cover.
In 2005, Austria celebrated the sixtieth anniversary of its liberation from the Nazi regime and the fiftieth anniversary of the State Treaty that ended the occupation and returned full sovereignty to the country. This volume of Contemporary Austrian Studies covers foreign policy in the twentieth century. It offers an up-to-date status report of Austria's foreign policy trajectories and diplomatic options. Eva Nowotny, the current Austrian ambassador to the United States, introduces the volume with an analysis of the art and practice of Austrian diplomacy in historical perspective. Ambassador Wolfgang Petritsch analyzes recent Balkans diplomacy as an EU emissary in the Bosnian and Kosovo cris...
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This book reveals how Gothic choir screens, through both their architecture and sculpture, were vital vehicles of communication and shapers of community within the Christian church.
The pictorial turn in the humanities and social sciences has foregrounded the political power of images and the extent to which historical, political, social, and cultural processes and practices are shaped visually. Political iconographies are taken to interpret norms of actions, support ideological formations, and enhance moral concepts. Visual rhetorics are understood as active players in the construction and contestation of the political realm and public space. The twenty-one articles by scholars from Europe and the United States explore the political function and cultural impact of images from the perspectives of Art History, American Studies, Visual Culture Studies, History, and Politi...
The National Socialist arts policy denounced Otto Dix (1891–1969) and his verist oeuvre for "endangering public morality" and "adversely affecting the fighting spirit of the German people." Dix reacted by becoming a painter who oscillated in motifs and style between conservatism and critical commentary, and sought recognition despite being defamed. This forced, radical artistic transformation also led to "concealed," in part subversive or contradictory iconographies, to which this book is dedicated. The painter’s art is analyzed against the backdrop of developments in the arts policy in Germany and the Weimar Republic until into the postwar period; all genres—landscapes, portraits, and (Christian) figurative pictures—are examined.
In the 1920s Germany was in the grip of social and political turmoil: its citizens were disillusioned by defeat in World War I, the failure of revolution, the disintegration of their social system, and inflation of rampant proportions. Curiously, as this important book shows, these years of upheaval were also a time of creative ferment and innovative accomplishment in literature, theater, film, and art. Glitter and Doom is the first publication to focus exclusively on portraits dating from the short-lived Weimar Republic. It features forty paintings and sixty drawings by key artists, including Otto Dix, Max Beckmann, and George Grosz. Their works epitomize Neue Sachlichkeit (New Objectivity)...
Cardiac Arrest is the definitive and most comprehensive reference in advanced life support and resuscitation medicine. This new edition brings the reader completely up-to-date with developments in the field, focusing on practical issues of decision making, clinical management and prevention, as well as providing clear explanations of the science informing the practice. The coverage includes information on the latest pharmacotherapeutic options, the latest chest compression techniques and airway management protocols, all backed by clearly explained, evidence-based scientific research. The content is consistent with the latest guidelines for practice in this area, as detailed by the major international governing organisations. This volume is essential reading for all those working in the hospital environments of emergency medicine, critical care, cardiology and anesthesia, as well as those providing care in the pre-hospital setting, including paramedics and other staff from the emergency services.
Gold, jewels, art, land, culture and more - all man has ever had to offer has been up for grabs. All pretense of goodness and morality is dropped the moment a quick bit of 'Loot' is to be had. Whether for the risk, the rush, greed or just desperate necessity, the magnetic pull for ill-gotten plunder is just too strong. What is 'Loot' but the art of swindle, plunder and graft? Rare treasures and exquisite goods are wasted just as fast as pilfered, then lost, or hidden in secret, squirreled away, some never to be found again. Where could all this hidden 'Loot' be? Fortunately, modern man has been afforded the time and resources to ponder enticing mysteries such as these. Rather than carve out a ravaging path of 'Loot' and plunder, most of us challenge convention by peaceably seeking after the truth bound in these legends. Perhaps, in the process, we will even turn up a hidden trove for ourselves.
German Post-Expressionism is the first study to reconstruct historically the evolution of Die neue Sachlichkeit, the slogan coined as a designation for the Post-Expressionist figural art that developed throughout Germany following the failed revolution of 1919. Rather than starting with the moment this Post-Expressionist movement was christened with a slogan (1923), Crockett investigates the sources and precepts of Post-Expressionism beginning with the anti-Expressionist stance of Dada in 1918 and the loss of faith in Expressionism on the part of some of its chief supporters during 1919-20.