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Praying to Portraits
In Praying to Portraits, art historian Adam Jasienski examines the history, meaning, and cultural significance of a crucial image type in the early modern Hispanic world: the sacred portrait. Across early modern Spain and Latin America, people prayed to portraits. They prayed to “true” effigies of saints, to simple portraits that were repainted as devotional objects, and even to images of living sitters depicted as holy figures. Jasienski places these difficult-to-classify image types within their historical context. He shows that rather than being harbingers of secular modernity and autonomous selfhood, portraits were privileged sites for mediating an individual’s relationship to the ...
Virtues of the Indian/Virtudes del indio
This important book is the first complete seventeenth-century treatise on Native Americans to be introduced, annotated, and translated into English. Presented in a parallel text translation, it brings the work of the controversial and powerful Bishop Juan de Palafox to non-Spanish speakers for the first time. A seminal document in the history of colonial Mexico and imperial Spain, Virtues of the Indian tells us as much about the Mexican natives as about the ideas, images, and representations upon which the Spanish Empire in America was built. Taken as a whole, this book will raise questions about the Spanish empire and the governance of New Spain's Indians. Even more significantly, it will complicate the prevailing view of Spanish imperialism and colonial society as one dominated by a unified and coherent ruling elite with common goals. The deeply-informed introduction, biographical essay, and annotations that accompany this vivid translation further explore the thoughts and actions of the dynamic and complex Palafox, contributing to a better knowledge of a key figure in the history of Spanish colonialism in the New World.
Identity, Ritual, and Power in Colonial Puebla
Located between Mexico City and Veracruz, Puebla has been a political hub since its founding as Puebla de los Ángeles in 1531. Frances L. Ramos’s dynamic and meticulously researched study exposes and explains the many (and often surprising) ways that politics and political culture were forged, tested, and demonstrated through public ceremonies in eighteenth-century Puebla, colonial Mexico’s “second city.” With Ramos as a guide, we are not only dazzled by the trappings of power—the silk canopies, brocaded robes, and exploding fireworks—but are also witnesses to the public spectacles through which municipal councilmen consolidated local and imperial rule. By sponsoring a wide vari...
