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Beyond his pivotal place in the history of scientific thought, Charles Darwin's writings and his theory of evolution by natural selection have also had a profound impact on art and culture and continue to do so to this day. The Literary and Cultural Reception of Charles Darwin in Europe is a comprehensive survey of this enduring cultural impact throughout the continent. With chapters written by leading international scholars that explore how literary writers and popular culture responded to Darwin's thought, the book also includes an extensive timeline of his cultural reception in Europe and bibliographies of major translations in each country.
Introduction: Literature and the Political Problem 1. Since 1917: A Brief History Soviet Literature Persistence of the Past Fellow Travelers Proletarians The Stalinists Socialist Realism The Thaw The Sixties and Seventies 2. Mayakovsky and the Left Front of Art The Suicide Note Vladimir Mayakovsky, A Tragedy The Cloud "The Backbone Flute" The Commune and the Left Front The Bedbug and The Bath Mayakovsky as a Monument Poets of Different Camps 3. Prophets of a Brave New World The Machine and England Olesha's Critique of the Reason Envy and Rage 4. The Intellectuals, I Serapions Boris Pilnyak: Biology and History 5. The Intellectuals, II Isaac Babel: Horror in a Minor Key Konstantin Fedin: The ...
Hailed as one of the most significant writers in contemporary Russian literature, Sasha Sokolov (1943-) nevertheless remains one of its most hermetic. Despite a considerable scholarly interest in his work, no comprehensive book-length study has yet been published on Sokolov. With the focus on his three main texts, 'School for Fools', 'Between Dog and Wolf' and 'Palisandriia', this groundbreaking monograph is an exploration of Sokolov's aesthetics in which language is shown to embody reality, rather than express it. In her study Elena Kravchenko invites us to examine how language and art affect our perception of the real that, fading away into its reflections, finds its essence. Elena Kravchenko is an independent researcher, whose doctoral thesis (School of Slavonic and Eastern European Studies, UCL) laid a foundation for this monograph.
The book is organized in Folklore Units. Each Folklore Unit has Context and may have one or more Metacontexts with citations of works of great philosophers or writers; hence, the title of the book is Metafolklore. The book covers the life of immigrants from the USSR in the U.S., remembers life in Russia, and gradually concentrates on the modus operandi of the KGB, FBI, CIA, NYPD, NSA, ECHELON, Foreign Intelligence Surveillance Court, Al, and ISI. It covers frontiers of legal theory of surveillance. What distinguishes this book is the intensely personal account of the events and issues.
Demons in the Consulting Room: Echoes of Genocide, Slavery and Extreme Trauma in Psychoanalytic Practice isthe second of two volumes addressing the overwhelming, often unmetabolizable feelings related to mourning, both on an individual and mass scale. Authors in this volume explore the potency of ghosts, ghostliness and the darker, often grotesque aspects of these phenomena. While ghosts can be spectral presences that we feel protective of, demons haunt in a particularly virulent way, distorting experience, our sense of reality and our character. Bringing together a collection of clinical and theoretical papers, emons in the Consulting Room, reveals how the most extreme types of trauma can c...
Published in 1999 to mark the centenary of Vladimir Nabokov's birth, this volume brings together the work of eleven of the world's foremost Nabokov scholars offering perspectives on the writer and his fiction. Their essays cover a broad range of topics and approaches, from close readings of major texts, including Speak, Memory and Pale Fire, to penetrating discussions of the significant relationship between Nabokov's personal beliefs and experiences and his art. Several of the essays attempt to uncover the artistic principles that underlie the author's literary creations, while others seek to place Nabokov's work in a variety of literary and cultural contexts. Among these essays are a first glimpse at a little-known work, The Tragedy of Mr Morn, as well as a perspective on Nabokov's most famous novel, Lolita. The volume as a whole offers valuable insight into Nabokov scholarship.
The last ten years were decisive for Russia, not only in the political sphere, but also culturally as this period saw the rise and crystallization of Russian postmodernism. The essays, manifestos, and articles gathered here investigate various manifestations of this crucial cultural trend. Exploring Russian fiction, poetry, art, and spirituality, they provide a point of departure and a valuable guide to an area of contemporary literary-cultural studies which is currently insufficiently represented in English-language scholarship. A brief but useful "Who's Who in Russian Postmodernism" as an appendix introduces many authors who have never before appeared in a reference work of this kind and renders this book essential reading for those interested in the latest trends in Russian intellectual life.
Recent decades have been decisive for Russia not only politically but culturally as well. The end of the Cold War has enabled Russia to take part in the global rise and crystallization of postmodernism. This volume investigates the manifestations of this crucial trend in Russian fiction, poetry, art, and spirituality, demonstrating how Russian postmodernism is its own unique entity. It offers a point of departure and valuable guide to an area of contemporary literary-cultural studies insufficiently represented in English-language scholarship. This second edition includes additional essays on the topic and a new introduction examining the most recent developments.
With Shakespeare's Eyes is the first monograph to focus exclusively on the relationship between the Russian poet Alexander Pushkin and Shakespeare. Taking into account contemporary perceptions of Shakespeare in print and on the Russian stage, O'Neil examines all levels of poetic influence of Shakespeare on Pushkin. In addition to untangling the central presence of Shakespeare on Pushkin's historical tragedy 'Boris Godunov'. O'Neil examines Shakepeare's influence in many other works by Pushkin, an influence that ranges from the textual to the conceptual. The Shakespeare plays addressed most closely in this book are 'Othello', 'Measure for Measure', and 'Julius Ceasar', all of which interact in a dynamic way with Pushkin's creative development. This book will help English readers understand better what it means to say Pushkin is 'the Shakespeare of Russia.' Catherine O'Neil is Assistant Professor of Russian at the University of Denver.
Pt. 1. Literatures and sciences -- pt. 2. Disciplinary and theoretical approaches -- pt. 3. Periods and cultures.