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"Alex Christopher Williams explores the relationship between historical, contemporary and personal experiences around issues of race, passing, and masculinity in America. He focuses on male archetypes using folklore, legends, and icons as references to draw similarities between the past and present. As a white passing mixed race man, Williams' photographic practice centers on the liminal space between race/ethnicity and identity using a more documentary style while also attempting to actively subvert common tropes and traditions of the practice." -- Provided by publisher
The first photographic history of black people in the British Isles by a distinguished academic.
Presenting the one and only Mr Paul Keating – at his straight-shooting, scumbag-calling, merciless best. Paul lets rip – on John Howard: “The little desiccated coconut is under pressure and he is attacking anything he can get his hands on.” On Peter Costello: “The thing about poor old Costello is he is all tip and no iceberg.” On John Hewson: “[His performance] is like being flogged with a warm lettuce.” On Andrew Peacock: “...what we have here is an intellectual rust bucket.” On Wilson Tuckey: “...you stupid foul-mouthed grub.” On Tony Abbott: “If Tony Abbott ends up the prime minister of Australia, you’ve got to say, God help us.” And that’s just a taste.
Paul Canovilles story is one of extreme racist bigotry, shattering career-ending injury, a decline into drug abuse, battles against cancer, family tragedy and a determination to beat the odds. Canoville was Chelsea's first black first-team player, making his debut in 1982. But as he warmed up on the touchline, his own supporters began chanting 'We don't want the nigger!' The racist bile continued whenever he played, but within a year he had won over the terraces with his explosive pace and skill. Canoville fell out with the Chelsea board and moved to Reading in 1986, where injury suddenly ended his career at the age of 24. This started a downward spiral including the death of his baby in his arms, two bouts of life-threatening lymph cancer, drug abuse and homelessness. But Canoville fought back. In this explosive and shocking story, Paul finally explains why, despite everything, he is more positive than ever and has remained a fervent Chelsea fan all his life. This is a story of hope - eventually - overcoming adversity.
An account of the location of black intellectuals in the modern world following the end of racial slavery. The lives and writings of key African Americans such as Martin Delany, W.E.B. Dubois, Frederick Douglas and Richard Wright are examined in the light of their experiences in Europe and Africa.
This classic book is a powerful indictment of contemporary attitudes to race. By accusing British intellectuals and politicians on both sides of the political divide of refusing to take race seriously, Paul Gilroy caused immediate uproar when this book was first published in 1987. A brilliant and explosive exploration of racial discourses, There Ain’t No Black in the Union Jack provided a powerful new direction for race relations in Britain. Still dynamite today and as relevant as ever, this Routledge Classics edition includes a new introduction by the author.
Black is Beautiful identifies and explores the most significant philosophical issues that emerge from the aesthetic dimensions of black life, providing a long-overdue synthesis and the first extended philosophical treatment of this crucial subject. The first extended philosophical treatment of an important subject that has been almost entirely neglected by philosophical aesthetics and philosophy of art Takes an important step in assembling black aesthetics as an object of philosophical study Unites two areas of scholarship for the first time – philosophical aesthetics and black cultural theory, dissolving the dilemma of either studying philosophy, or studying black expressive culture Brings a wide range of fields into conversation with one another– from visual culture studies and art history to analytic philosophy to musicology – producing mutually illuminating approaches that challenge some of the basic suppositions of each Well-balanced, up-to-date, and beautifully written as well as inventive and insightful Winner of The American Society of Aesthetics Outstanding Monograph Prize 2017
The biography of a black operatic soprano who died too soon
Finalist for the 2018 National Council on Crime & Delinquency’s Media for a Just Society Awards Nominated for the 49th NAACP Image Award for Outstanding Literary Work (Nonfiction) A 2017 Washington Post Notable Book A Kirkus Best Book of 2017 “Butler has hit his stride. This is a meditation, a sonnet, a legal brief, a poetry slam and a dissertation that represents the full bloom of his early thesis: The justice system does not work for blacks, particularly black men.” —The Washington Post “The most readable and provocative account of the consequences of the war on drugs since Michelle Alexander’s The New Jim Crow . . . .” —The New York Times Book Review “Powerful . . . deep...
Albert Johanneson became one of the first high-profile black players in football when he joined Leeds United in 1961. Over the next nine years he became a favourite at Elland Road, although he endured racism both on and off the pitch. 'The Black Flash' recalls Johanneson's career and his struggle to deal with life after football.