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While Said focused on the perceptions and stereotypes of the Near East “Oriental” in England, France and the United States, most of these essays study the decentering interplay between “peripheral” areas of the Third World, “semiperipheral” areas (Spain and Portugal since the second part of the seventeenth century), and marginalized social groups of the globe (Chicanos, African Americans, and Filipino Americans). They explore, for example, how China and the Far East in general are imagined and represented in Latin America and the Caribbean, or how ethnic minorities in the United States, such as Chicanos and African Americans, incorporate Filipino characters in their novels or cre...
Paradigm Found brings together papers by renowned researchers from across Europe, Asia and America to discuss a selection of pressing issues in current archaeological theory and method. The book also reviews the effects and potential of various theoretical stances in the context of prehistoric archaeology. The 23 papers provide a discussion of the issues currently re-appearing in the focal point of theoretical debates in archaeology such as the role of the discipline in the present-day society, problems of interpretation in archaeology, approaches to the study of social evolution, as well as current insights into issues in classification and construction of typologies. Taking a fresh, and of...
How do the worlds that state administrators manage become the feelings publics embody? In Administering Affect, Daniel White addresses this question by documenting the rise of a new national figure he calls "Pop-Culture Japan." Emerging in the wake of Japan's dramatic economic decline in the early 1990s, Pop-Culture Japan reflected the hopes of Japanese state bureaucrats and political elites seeking to recover their country's standing on the global stage. White argues that due to growing regional competitiveness and geopolitical tension in East Asia in recent decades, Japan's state bureaucrats increasingly targeted political anxiety as a national problem and built a new national image based ...
Contemporary Japan is in a state of transition, caused by the forces of globalization that are derailing its ailing economy, stalemating the political establishment and generating alternative lifestyles and possibilities of the self. Amongst this nascent change, Japanese society is confronted with new challenges to answer the fundamental question of how to live a good life of meaning, purpose and value. This book, based on extensive fieldwork and original research, considers how specific groups of Japanese people view and strive for the pursuit of happiness. It examines the importance of relationships, family, identity, community and self-fulfilment, amongst other factors. The book demonstrates how the act of balancing social norms and agency is at the root of the growing diversity of experiencing happiness in Japan today.
Marco de reflexión para la comprensión crítica del papel delas nuevas tecnologías.
The only Japanese director to have won the Palme d'Or from Cannes more than once, and second only to Ozu Yasujiro in the number of times he has won the prestigious Kinema Jumpo Best One award, the late Imamura Shohei was one of Japan's leading and most controversial film directors. This book is one of the first to study all of Imamura's major films alongside his television and theatrical documentaries, focusing on his major themes and concerns. By giving shape to Imamura's career, the book positions him as a stylistic innovator as well as an ethnographic investigator into Japanese culture and tradition; the preeminent examiner of the hidden, barely repressed underpinnings of Japanese society.
Tecnologías sociales de la comunicación es un libro que se suma a aquellos que pretenden recuperar el carácter social del estudio de la comunicación y que quieren abandonar de una vez por todas el esquema "emisor – mensaje / canal – receptor”. Se interesa prioritariamente por la naturaleza de las construcciones sociales, simbólicas, tecnológicas e históricas, que permiten atribuir un significado y un sentido a los objetos culturales como son las tecnologías, las ideas, las teorías, los saberes científicos, las creencias, las relaciones, las personas o las identidades. Más que ser el simple contenedor de la información a transmitir, la comunicación es el lenguaje que se comparte y crea realidad y la memoria social es su huella, transgresora o institucionalizada. Como proceso histórico, requiere que estos objetos culturales mencionados sean analizados en su singularidad, en su ubicación en un momento concreto y en el uso que las personas les damos, cosa que podremos hacer si analizamos los soportes materiales, tecnológicos, de dichos objetos.
Hailed by Japanese critics as a milestone in the study of contemporary Japanese media, this book explores the contemporary ‘boom’ in Japanese media representations of the recent past. Recent years have seen the production of an unprecedented number of films, animation, manga, and television programmes representing a deeply nostalgic longing for the Japanese heyday of high economic growth in the 1960s and occasionally the 1970s known in Japan as the Shōwa ‘30s and ‘40s. Hidaka provides a comprehensive account of an under researched contemporary Japanese media phenomenon by exploring why this nostalgia has been sparked at this particular historical juncture and how that period is repr...
In The End of Pax Americana, Naoki Sakai focuses on U.S. hegemony's long history in East Asia and the effects of its decline on contemporary conceptions of internationality. Engaging with themes of nationality in conjunction with internationality, the civilizational construction of differences between East and West, and empire and decolonization, Sakai focuses on the formation of a nationalism of hikikomori, or “reclusive withdrawal”—Japan’s increasingly inward-looking tendency since the late 1990s, named for the phenomenon of the nation’s young people sequestering themselves from public life. Sakai argues that the exhaustion of Pax Americana and the post--World War II international order—under which Taiwan, South Korea, Hong Kong, and China experienced rapid modernization through consumer capitalism and a media revolution—signals neither the “decline of the West” nor the rise of the East, but, rather a dislocation and decentering of European and North American political, economic, diplomatic, and intellectual influence. This decentering is symbolized by the sense of the loss of old colonial empires such as those of Japan, Britain, and the United States.
Contiene las contribuciones al taller de Oñati sobre la cuestión del control internacional de las drogas peligrosas como ejemplo de un régimen global de prohibición.