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The Boundaries of Their Dwelling
Moving between the American South and Mexico, these stories explore how immigrant and native characters are shaped by absent family and geography. A Chilanga teen wins a trip to Miami to film a reality show about family while pining for the American brother she’s never met. A Louisiana carpenter tends to his drug-addicted son while rebuilding his house after a slew of hurricanes. A New Orleans ne’er-do-well opens a Catholic-themed bar in the wake of his devout mother’s death. A village girl from Chiapas baptizes her infant on a trek toward the U.S. border. In the collection’s second half, we follow a Veracruzan-born drifter, Manuel, and his estranged American son, Tommy. Over decades...
You Never Get It Back
The linked stories in Cara Blue Adams’s precise and observant collection offer elegantly constructed glimpses of the life of Kate, a young woman from rural New England, moving between her childhood in the countryside of Vermont and her twenties and thirties in the northeast, southwest, and South in pursuit of a vocation, first as a research scientist and later as a writer. Place is a palpable presence: Boston in winter, Maine in summer, Virginia’s lush hillsides, the open New Mexico sky. Along the way, we meet Kate’s difficult bohemian mother and younger sister, her privileged college roommate, and the various men Kate dates as she struggles to define what she wants from the world on her own terms. Wryly funny and shot through with surprising flashes of anger, these smart, dreamy, searching stories show us a young woman grappling with social class, gender, ambition, violence, and the distance between longing and having.
The Man in the Banana Trees
The stories in The Man in the Banana Trees take place in the past, present, and future—from the American Gulf South to the orbit around Jupiter. We meet teachers and students, ghosts and aliens. An ice cream consultant in the year 2036 predicts a devastating flavor trend and a disgruntled New England waiter investigates a mysterious tanker crash. Although wildly varied in setting, length, and genre, a thread of the fantastic unites these stories, as characters struggle to understand that thing lurking at the edge of their perception: something sinister, or maybe—miraculous.
Chariton Review 36.2
Chariton Review Fall 2013
No Use Pretending
The characters in these stories have been forced into conditions of life that they find unbearable, and the stories chart their often tragically misguided attempts to relieve their suffering via connections with other people or through the pursuit of addictive attachments (to opiates in one story, to sleep in another). This collection encompasses diverse genres, from ecologically informed realism to a Kafkaesque fairy tale, from fabulist “weird fiction” to an episode from The Odyssey that becomes a meditation on what distinguishes human beings from animals. These stories invite the reader to reconsider moral and ideological certainties, to take a fresh look at such issues as fracking and drone warfare. In one story, a petroleum engineer discovers that one of his wastewater wells may be causing earthquakes, and in another the pilot of an Air Force drone seeks to reconcile his conflicting roles as protector and executioner, husband and soldier. The scientist and the serviceman are both presented with problems that have no easy or obvious solutions, situations that force them to confront the messy, compromising complexity of being human.
The Woods
The Woods explores the lives of people in a small Vermont college town and its surrounding areas—a place at the edge of the bucolic, where the land begins to shift into something untamed. In the tradition of Elizabeth Strout’s Olive Kitteridge and Sherwood Anderson’s Winesburg, Ohio, these stories follow people who carry private griefs but search for contentment. As they try to make sense of their worlds, grappling with problems—worried about their careers, their marriages, their children, their ambitions—they also sift through the happiness they have, and often find deep solace in the landscape. What do we find in the woods? An uplifting of spirit or a quieting of sorrow. A sense ...
Stories No One Hopes Are about Them
At once playfully dark and slyly hopeful, Stories No One Hopes Are about Them explores convergences of power, privilege, and place. Big things happen in this collection. But it's also a collection of small intimacies: misremembered names, chipped teeth, and private rituals; unexpected alliances and barely touched knees beneath uniform skirts; minutiae of the natural world; incidents that quietly, achingly, and delightfully transgress the familiar.
Everything Flirts
At the heart of the stories in Everything Flirts are some of life's trickiest questions: Why is it so hard to make the first move on a date? How do we find the person we will love? If you finally find a person to love, how do you convince them to love you back? With a mixture of humor and reverence, Sharon Wahl hijacks classic works of philosophy and turns their focus to love. The sublime and the ridiculous come together to playfully examine why love just might be a topic too hard for philosophers to explain.
He Who Shall Remain Shameless
Salvation lies in the Internet. Will the ghosts of the long-dead—and newly passed—take their place on social media, allowing them to remain in contact with the world? Can these ghosts be convinced to do the unthinkable? One man searches the world, driven by a compulsion: to convince the dead to release their secrets. Clouding his way: The Meritocrat, an arrogant otherworldly being whose goal is to reign supreme as the sole determiner of who is remembered and who is forgotten, who dies only once and who dies a second and final, fatal time. Will the Meritocrat triumph, or will our hero find a way to bring the lost souls back from the dead using the Internet? Filled with fictional interactions involving real historic characters (among them Harriet Quimby, Christine Chubbuck, Leo Ryan and Arthur Conley), He Who Shall Remain Shameless is a paranormal adventure novel that combines ghost hunting, drama and comedy to reclaim the lost tales of the dead.
Defensible Spaces
Linked short stories set in the modern West probe the human desire for independence and profound connection amid a world increasingly on fire. The residents of Clayton, Colorado, must learn to live with what has burned and what threatens to ignite. In Defensible Spaces, a bus driver confronts a rush of memories when an old flame climbs aboard; a trailer park resident attempts to save her home; a reclusive fire mitigation worker fuels public outrage. Throughout ten linked short stories, townspeople work through relationships with alcoholism, history, and each other, negotiating where and when to create their own defensible spaces that might, but will not always, keep them protected. For fans of literary linked story collections such as Elizabeth Strout's Olive Kitteridge or Fidelity by Wendell Berry, Defensible Spaces is a nuanced and generous debut collection with the former mining town of Clayton, Colorado, at its heart.
