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In 'Bleak House', Dickens satirizes the English legal system with the story of one family's ruin as a result of a dispute over the distribution of the family estate.
Bleak House opens in the twilight of foggy London, where fog grips the city most densely in the Court of Chancery. The obscure case of Jarndyce and Jarndyce, in which an inheritance is gradually devoured by legal costs, the romance of Esther Summerson and the secrets of her origin, the sleuthing of Detective Inspector Bucket and the fate of Jo the crossing-sweeper, these are some of the lives Dickens invokes to portray London society, rich and poor, as no other novelist has done.
Supposing "Bleak House" is an extended meditation on what many consider to be Dickens’s and nineteenth-century England’s greatest work of narrative fiction. Focusing on the novel’s retrospective narrator, whom he identifies as Esther Woodcourt in order to distinguish her from her younger, unmarried self, John Jordan offers provocative new readings of the novel’s narrative structure, its illustrations, its multiple and indeterminate endings, the role of its famous detective, Inspector Bucket, its many ghosts, and its relation to key events in Dickens’s life during the years 1850 to 1853. Jordan draws on insights from narratology and psychoanalysis in order to explore multiple dimens...
The English equity court of the nineteenth century is satirized in Dicken's tale about the suit of Jarndyce vs. Jarndyce.
"The classic book has always read again and again.""What is the classic book?""""Why is the classic book?""READ READ READ.. then you'll know it's excellence."
The short stories, poems, and photographs featured in the Spring 2011 edition of Tacenda Literary Magazine contribute another layer to our understanding of the multifaceted world of crime and punishment. By offering unique and contemplative insights into the justice system, the works featured here both educate and illuminate the public on the dark corners of our society that we ignore at our peril.
A Chancery judge once had the kindness to inform me, as one of a company of some hundred and fifty men and women not labouring under any suspicions of lunacy, that the Court of Chancery, though the shining subject of much popular prejudice (at which point I thought the judge's eye had a cast in my direction), was almost immaculate. There had been, he admitted, a trivial blemish or so in its rate of progress, but this was exaggerated and had been entirely owing to the "parsimony of the public," which guilty public, it appeared, had been until lately bent in the most determined manner on by no means enlarging the number of Chancery judges appointed?I believe by Richard the Second, but any other king will do as well. This seemed to me too profound a joke to be inserted in the body of this book or I should have restored it to Conversation Kenge or to Mr. Vholes, with one or other of whom I think it must have originated. In such mouths I might have coupled it with an apt quotation from one of Shakespeare's sonnets: "My nature is subdued To what it works in, like the dyer's hand: Pity me, then, and wish I were renewed!"
CLASSIC FICTION. This is a new title in "Young Reading Series Three", part of the Usborne Young Reading Programme, which is aimed at children whose reading ability and confidence allows them to tackle longer and more complex stories. Based on the novel by Charles Dickens, "Bleak House" is a suspenseful tale of secrets, lies and money. It features beautifully produced hardback with ribbon marker to encourage pride in book ownership. Ages 7+.
This vivid book is an inquiry into the stagnation between the development of architectural practice and the progress in urban modernization. It is about islands as territories of resistance. It is about dense places where multitudes dwell in perennial contestations with the city on every front. It is about the histories, tactics and spaces of everyday survival within the hegemonic sway of global capital and unstoppable development. It is preoccupied with making visible the culture of resistance and architecture's entanglement with it. It is about urban resilience. It is about Hong Kong, where uncertainty is status quo.This interdisciplinary volume explores real and invented places and identi...
The story of Tom-All-Alone's takes place in the 'space between' two masterpieces of mid-Victorian fiction: Bleak House and The Woman in White - overlapping with them, and re-imagining them for a contemporary reader, with a modern understanding of the grimmer realities of Victorian society. Charles Maddox, dismissed from the police force, is working as a private detective and can only hope to follow in his uncle's formidable footsteps as an eminent thief-taker. On a cold and bright Autumn morning, a policeman calls on Charles at his lodgings with information that may be related to a case he is working on. He goes to a ruined cemetery to find a shallow grave containing the remains of four babi...