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Movie Blockbusters
Big-budget, spectacular films designed to appeal to a mass audience: is this what - or all - blockbusters are? Movie Blockbusters brings together writings from key film scholars, including Douglas Gomery, Peter Kramer, Jon Lewis and Steve Neale, to address the work of notable blockbuster auteurs such as Steven Spielberg and James Cameron, discuss key movies such as Star Wars and Titanic, and consider the context in which blockbusters are produced and consumed, including what the rise of the blockbuster says about the Hollywood film industry, how blockbusters are marketed and exhibited, and who goes to see them. The book also considers the movie scene outside Hollywood, discussing blockbusters made in Bollywood, China, South Korea, New Zealand and Argentina
Blockbuster
It's a typical summer Friday night and the smell of popcorn is in the air. Throngs of fans jam into air-conditioned multiplexes to escape for two hours in the dark, blissfully lost in Hollywood's latest glittery confection complete with megawatt celebrities, awesome special effects, and enormous marketing budgets. The world is in love with the blockbuster movie, and these cinematic behemoths have risen to dominate the film industry, breaking box office records every weekend. With the passion and wit of a true movie buff and the insight of an internationally renowned critic, Tom Shone is the first to make sense of this phenomenon by taking readers through the decades that have shaped the mode...
Screening Difference
Did you know that Pocahontas probably never fell in love with John Smith, as the Disney and other film versions of those events pretend? That Godzilla was originally an anti-American and anti-nuclear movie, heavily cut and supplemented with new material? That Zorro was not created by an American author but derived from the much older Mexican struggle for independence? That Anna and the King was largely invented? That the myth of the sexually eager Hula girls is based on misunderstandings by the first explorers? That Black Hawk Down and many other war movies were censored and indirectly subsidized by the Pentagon? Screening Difference takes us on a fascinating voyage through major movie block...
Blockbuster Performances
This book examines performances in the American film industry’s highest-earning and most influential films. Countering decades of discourse and the conventional notion that special effects are the real stars of Hollywood blockbusters, this book finds that the acting performances in these big-budget action movies are actually better, and more genre-appropriate, than reputed. It argues that while blockbusters are often edited for speed, thrills, and simplicity, and performances are sometimes tailored to this style, most major productions feature more scenes of stage-like acting than hyper-kinetic action. Knowing this, producers of the world’s highest-budgeted motion pictures usually cast strong or generically appropriate actors. With chapters offering unique readings of some of cinema’s biggest hits, such as The Dark Knight, Pirates of the Caribbean, Star Wars, Iron Man and The Hunger Games, this unprecedented study sheds new light on the importance of performance in the Hollywood blockbuster.
Epics, Spectacles, and Blockbusters
Considers the history of the American blockbuster-the large-scale, high-cost film-as it evolved from the 1890s to today.
Bigger Than Blockbusters
Whether it's the hum drum existence of Marion Crane and her illicit love affair, the psychotic antics of Norman Bates, the sudden irrational migration of birds, a crop duster swooping down on Roger Thornhill in the middle of nowhere, or Vincent Vega and Mia Wallace's unforgettable dance at Jack Rabbit Slim's - they are all cinematic moments that forever changed the psyche and viewing experience of American audiences. Bigger Than Blockbusters: Movies That Defined America tells the stories behind the most significant and influential films in American culture, movies that have had a profound influence on the literary, cinematic and popular culture of our time. Arranged chronologically, the volu...
Information Blockbusters and Stars - a Study of the Motion Pictures Industry
In the first part of the paper, we explore two alternative explanations for the role of stars in the movie business. The first approach is that informed insiders signal project quality by hiring an expensive star. The second is the quot;rent capturequot; hypothesis, namely, that stars receive their marginal value.The second part of the paper tests these hypotheses on a sample of movies produced in the early 90's. Means tests seems to support the industry notion that stars are associated with higher revenues. However, regression analysis only supports the notion that big budgets bring in more revenues, but not a higher return on investment. Stars do not seem to signal either revenues or return on investment. Revenues are also higher for sequels, for family oriented films, and for films that had more reviews. Return on investment is higher for G and PG rated movies, and is marginally higher for sequels. This set of results supports the quot;rent capturequot; hypothesis.
Creating Blockbusters!
A guide to creating "ever-cool" entertainment. An asset to entertainment executives or anyone aiming to create the next big hit, this book offers guidelines for developing concepts and marketing blockbusters. Whether it is a best-selling novel, a video game, or a high-tech toy, blockbusters play a big part in American society. Despite the prominence of these breakthrough hits, most entertainment ventures do not survive in today's competitive market. This guide identifies the key principles that will ensure lasting success.
Hollywood Blockbusters
Why do 'Jaws', 'Field of Dreams', 'The Big Lebowski', and 'The Godfather' remain strikingly popular in this age of fragmented audiences and ever-faster spin cycles? "Hollywood Blockbusters: The Anthropology of Popular Movies" argues that these films continue to captivate audiences because they play upon underlying tensions and problems in American culture, much like the myths that anthropologists study in non-Western contexts. In making this argument, the authors employ and extend anthropological theories about ritual, kinship, gift giving, power, egalitarianism, literacy, metalinguistics, stereotypes, and the mysteries of the Other. The results - original insights into modern film classics, American culture, and anthropological theory - will appeal to students of Film, Media, Anthropology, Sociology, and Cultural Studies.
Directed by Steven Spielberg
Combining film studies scholarship with the approach taken by many filmmakingmanuals, this is a serious study of the Hollywood blockbuster via the work ofSteven Spielberg.
