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Drawing on his extensive experience of poetry workshops and courses, Peter Sansom shows would-be poets how to write better, how to write authentically, and how to say genuinely what is to be said. He illustrates his book with many useful examples, covering the areas of writing techniques and procedures and drafting.
Bloodaxe's "house" anthology was first published to mark the press's tenth anniversary in 1988. This was a 320-page anthology. A revised, second edition appeared in 1993, with the same ISBN, expanded to 384 pages.With its bold, uncompromising "stable" of new and established British, Irish, American and European writers, Bloodaxe has revolutionised poetry publishing in Britain. Bloodaxe poets can't be labelled. They are all different, and they include some of the major writers of our time: Irina Ratushinskaya, Miroslav Holub, Tony Harrison, Denise Levertov, R.S. Thomas, Kamau Brathwaite, Marin Sorescu and Tomas Tranströmer. But if you want a definition of 'poetry with an edge', the poems in...
Welsh is the oldest surviving Celtic language, and the most flourishing. For around fifteen centuries Welsh poets have expressed an intense awareness of what it is like to be human in this part of the world in poems of extraordinary range and depth. And despite the global tendency towards homogenisation, Welsh poets have fought back, drawing inspiration from both the traditional and the contemporary to forge a new and rainbow-like modernism. This wide-ranging anthology of 20th-century Welsh-language poetry in English translation - by far the most comprehensive of its kind - will be a revelation for most readers. It will dispel the romantic images of Welsh poets as bards or druids and blow aw...
Jo Clement's first collection confronts Romantic impressions of British Gypsy ethnicity and lyrically lays them to rest. Her poems consider notions of otherness, trespass, and craft. Compelled by a brutal Gypsy, Roma, and Traveller diasporic legacy, Outlandish tenderly praises the poem-as-protest and illuminates a hidden and threatened culture.
'Earth Shattering' lines up a chorus of over 200 poems addressing environmental destruction.
This second collection from one of Britain's most innovative poets is an exploration of identity in the face of loss. At its heart is a series of poems about the desolation of miscarriage. Chrissy Williams' first collection Bear (Bloodaxe) was one of The Telegraph's 50 Best Books of the Year in 2017.
Large selections - with essays on their work - by eleven poets: Sylvia Plath, Stevie Smith, Kathleen Raine, Fleur Adcock, Anne Stevenson, Elizabeth Jennings, Denise Levertov, Elaine Feinstein, Jenny Joseph, Ruth Fainlight and Jeni Couzyn. GCE set text.
"Bloodaxe Poetry Introductions" is a new kind of anthology aimed at the general reader as well as the poetry lover. Compiled by "Staying Alive" editor Neil Astley, each book in the series covers four leading contemporary poets in depth, with substantial selections covering the whole range of each writer's poetry, as well as intriguing and illuminating background material, including profiles, interviews, essays and commentary by the poets. This "Introduction" brings together four of Europe's major modern poets whose highly imaginative poetry addresses the human condition in surprisingly different ways. Whether by wit or mischief, insight or intuition, they show our world in a completely new light.