Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Axel
In the 1930s, Finnish poet Bo Carpelan found mention of his great-uncle Axel in a biography of the composer Jean Sibelius. This friendship is the genesis of Carpelan's fictional diary of Axel's dual obsession with music and with a man who, unlike him, had enough confidence in his creativity to compose his own. In Carpelan's novel, set during Finland's struggle to escape Russian domination, young Axel's life is full of melancholic introspection communicated only to his diary. The short entries describe his adolescent antagonism toward healthier and more joyous peers, and his embarrassment at his futile attempts to coax beauty from his violin. His unrelenting disappointment and self-effacement give way after meeting his hero Sibelius, as Axel's search for meaning and an aesthetic ideal becomes forever linked to the unfolding of the composer's musical genius.
Urwind
Urwind comprises fifty-three letters from Daniel Urwind, an aging bookseller, to his wife, who has left him for an indeterminate spell of greater freedom and study in the United States. The wife's absence haunts the letters, which are often tales of Daniel's daily rituals. Yet Daniel's narration of such mundanities--changing the bookshop window dressing, or housekeeping--approaches magical realism; memories of his wife, fantasies, bad dreams, monologues, and dialogues with the living and the dead coalesce in a complex layering of experience, past and present. Urwind is a construct worthy of Bachelard's Poetics of Space, and a painful chronicle of the ending of a love.
Bow Island
None
Urwind
In Urwind, on the face of it a simple tale of a Helsinki antiquarian bookseller whose wife has abandoned him, there is a complex layering of experience, past and present. The telling is more a matter of inner than outer events - intimate, rapt. In the ur-vind', or primordial attic, are stored not only relics from the story-teller's past, but also memories of the neighbours, friends and relations who inhabited the apartment house in which he was brought up. The ur-vind' is also the cosmic wind, blowing from beyond the reassuring walls of houses and apartments. And it is the story-teller's name Daniel Urwind, in whom is focused a wealth of literary and artistic allusions and antecedents that include the Merz-Bau of Kurt Schwitters, the paintings of Cezanne and the fiction of Kafka.
Bo Carpelan
None
New Music of the Nordic Countries
New Music of the Nordic Countries describes the music of Denmark, Finland, Iceland, Norway and Sweden composed during the latter half of the twentieth century. Along with providing biographical material on most of the living Nordic composers, the book discusses in detail the major trends in Scandinavian contemporary music as well as many of the recent musical works. The 800-page volume is edited by John D. White, a former Scholar to Iceland and a Fellow of the American-Scandinavian Foundation. White is the author of Part III, New Music in Iceland and has enlisted five other distinguished Nordic musical scholars to write the remaining sections of the book. Bound together philosophically, geographically, and to a significant extent ethnically, the five Nordic countries hold a unique place in today's world. They are populated by talented, creative achievers, and each nation possesses its own special qualities. This is certainly true in its music, yet little of Nordic tone art of the late twentieth century is widely known outside of Northern Europe. Thus, this comprehensive volume will serve a valuable purpose in disseminating knowledge about this important body of music literature.
The Dedalus Book of Finnish Fantasy
The latest volume in the Dedalus European fantasy series, this anthology of short stories includes a wide range of texts covering the period from nineteenth century until today. The richness and diversity of the stories reflects the long tradition of fantasy in Finnish literature, ranging from the classics to experimental literature, from satire to horror. This is the first collection of Finnish short stories of its kind and almost all are translated into English for the first time.
Bow Island
Summary: An eleven-year-old boy learns a great deal about human relationships during a summer spent on an island in the Baltic Sea.
A History of Finland's Literature
The literature of Finland is bilingual, with lively and extensive traditions in both Finnish and Swedish. This history covers both literary traditions in detail. The volume?s first section, on Finnish-language literature, consists of a series of connected chapters by leading authorities within the field. It opens with a consideration of the folk literature in Finnish that flourished during the Middle Ages and then examines the more recent history of Finnish-language literature, with special emphasis placed on writings from the nineteenth and twentieth centuries. The second part of the book provides an examination of Finland?s Swedish-language literature from the late fifteenth century through the early nineteenth century. Subsequent chapters trace developments in Finland?s Swedish-language literature during the nineteenth and twentieth centuries. A survey of children?s literature?from both the Finnish- and Swedish-language traditions?concludes this exceptionally thorough volume.
The Embodied Image
The Embodied Image The Embodied Image: Imagination and Imagery in Architecture Juhani Pallasmaa All artistic and architectural effects are evoked, mediated and experienced through poeticised images. These images are embodied and lived experiences that take place in ‘the flesh of the world’, becoming part of us, at the same time that we unconsciously project aspects of ourselves on to a conceived space, object or event. Artistic images have a life and reality of their own and they develop through unexpected associations rather than rational and causal logic. Images are usually thought of as retinal pictures but profound poetic images are multi-sensory and they address us in an embodied an...
