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Awarded the J. I. Stanley Prize of the School of American Research.
This volume, SGIoT 2020, constitutes the refereed proceedings of the 4th EAI International Conference on Smart Grid and Internet of Things, SGIoT 2020, held in TaiChung, Taiwan, in December 2020. The IoT-driven smart grid is currently a hot area of research boosted by the global need to improve electricity access, economic growth of emerging countries, and the worldwide power plant capacity additions. The 40 papers presented were reviewed and selected from 159 submissions and present broad range of topics in wireless sensor, vehicular ad hoc networks, security, blockchain, and deep learning.
The poets of the Northern Song dynasty (960-1126) were writing after what was then and still is acknowledged to be the Golden Age of Chinese poetry, the Tang dynasty (618-907). This study examines how these Song poets responded to their uncomfortable proximity to such impressive predecessors and reveals how their response shaped their literary art. The author's focus is on the poetic theory and practice of the poet Huang Tingjian (1045-1105). This first full-length study in English of one of the most difficult and complex poets of the classical Chinese tradition aims to provide the background for understanding better why Huang was so greatly admired, especially by the outstanding literati of his age, and why later scholars claim Huang is the characteristic Northern Song poet. The author concludes by considering how Huang's literary project resembles, but ultimately differs from, Western literary theories of influence and intertextuality.
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This book brings together papers presented at the 2017 International Conference on Communications, Signal Processing, and Systems (ICCSP 2017), which was held on July 14–17, 2017 in Harbin, China. Presenting the latest developments and discussing the interactions and links between these multidisciplinary fields, the book spans topics ranging from communications, signal processing and systems. It is aimed at undergraduate and graduate electrical engineering, computer science and mathematics students, researchers and engineers from academia and industry as well as government employees.
The aim of this book is to stimulate debate by offering a critique of discourse about African music. Who writes about African music, how, and why? What assumptions and prejudices influence the presentation of ethnographic data? Even the term "African music" suggests there is an agreed-upon meaning, but African music signifies differently to different people. This book also poses the question then, "What is African music?" Agawu offers a new and provocative look at the history of African music scholarship that will resonate with students of ethnomusicology and post-colonial studies. He offers an alternative "Afro-centric" means of understanding African music, and in doing so, illuminates a different mode of creativity beyond the usual provenance of Western criticism. This book will undoubtedly inspire heated debate--and new thinking--among musicologists, cultural theorists, and post-colonial thinkers. Also includes 15 musical examples.