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Writing Jazz
Writing Jazz presents interviews with fourteen distinguished jazz scholars: Whitney Balliett, Bob Blumenthal, Stanley Crouch, Linda Dahl, Maxine Gordon, Farah Jasmine Griffin, John Edward Hasse, Willard Jenkins, Hettie Jones, Robin D. G. Kelley, Laurie Pepper, Tom Piazza, Ricky Riccardi, and A. B. Spellman. This literary jam session explores the many challenges and thrills of writing about jazz in various prose forms, including liner notes, memoirs, biographies, and critical guides. The distinguished writers interviewed in this collection obviously share a passion for jazz, and each has produced a hefty amount of literature that illuminates both the music and its practitioners. A well-known writer on jazz, Sascha Feinstein has explored the relationship of jazz and literature throughout his career, making Writing Jazz an essential contribution to the field of jazz-related literature.
Return of the Revolutionaries
Two hundred and twenty-five years ago a political revolution took place in this country which swept power from the English monarchy and gave it to the people of the New World. Today, a spiritual revolution is underway in which spiritual power and responsibility are passing from institution to individuals. You'll be shocked to learn that the same people are at the heart of both world-changing movements. John Adams, Thomas Paine, Samuel Adams, the justices of the first Supreme Court and numerous other American Revolutionaries have been reincarnated as the political and spiritual leaders of today, including George W. Bush, Bill Clinton, Al Gore, Marianne Williamson, Shirley MacLaine, and others...
In Search of the Black Fantastic
Prior to the 1960s, when African Americans had little access to formal political power, black popular culture was commonly seen as a means of forging community and effecting political change. But as Richard Iton shows, despite the changes politics, black artists have continued to play a significant role in the making of critical social spaces.
An Unsung Cat
An Unsung Cat explores the life and music of jazz saxophonist, Warne Marsh. Safford Chamberlain follows the artist from his start in youth bands like the Hollywood Canteen Kids and The Teen-Agers through his studies under Lennie Tristano, his brilliant playing of the 1950s, his disappearance from public view in the 1960s, his re-emergence in the 1970s, and his belated recognition in the 1980s as one of the finest tenor players of the post-World War II era. Through interviews with the Marsh family and friends, Chamberlain offers an inside view of Marsh's private life, including his struggles with drug abuse. Detailed analysis of outstanding performances complements the personal story, while a...
Girls Don't Like Real Jazz
Girls Don?t Like Real Jazz is the funniest book ever written about jazz and its place of importance in American culture. But, GDLRJ is neither just funny nor just for American jazz fans. It is for anyone concerned that the United States is losing its cultural identity. The declining jazz business in America should be seen as a canary in a coal mine for our nation's overall decline. Jazz is being squeezed out by a modern culture that is turning its back on its own rich history. Through stories and suggestions on how to save jazz from impending doom, jazz writer and social commentator Walter Kolosky argues that the loss of jazz is a foreign policy issue. To let its American roots die away is tantamount to treason in Kolosky?s opinion. That being said, the author believes that if the ship is destined to go down, we may as well have a few laughs with our salt water. The author is hopeful that maybe we can bail fast enough. GDLRJ is a guide book for jazz fans and other socially conscious individuals to use in a battle to help save jazz. Use it wisely.ISBN 0-9761016-0-2
Miles Davis and American Culture
His music provoked discussion of art versus commerce, the relationship of artist to audience, and the definition of jazz itself. Whether the topic is race, fashion, or gender relations, the cultural debate about Davis's life remains a confluence.".
Jazz (Collins Need to Know?)
The story of the development of jazz and the extraordinary jazz legends who changed the face of music.
This Is Our Music
This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis, taking as its example the impact of 1960s free improvisation on the changing status of jazz. By examining the production, presentation, and reception of experimental music by Ornette Coleman, C...
Experiencing Jazz
Experiencing Jazz, Third Edition is an integrated textbook, website, and audio anthology for jazz appreciation and history courses. Through readings, illustrations, timelines, listening guides, and a playlist of tracks and performances, Experiencing Jazz journeys through the history of jazz and places the music within larger cultural and historical contexts. Designed for the jazz novice, this textbook introduces the reader to prominent artists, covers the evolution of styles, and makes stylistic comparisons to current trends and developments. New to the third edition: Richard J. Lawn is joined by new co-author Justin G. Binek Expanded coverage of artists, particularly important vocalists and...
Uprooted Children
Uprooted Children is a study of migrant farm children in Florida and the eastern seaboard. It describes how black, white, and Mexican-American children of migrant families grow up in rural America under conditions of extreme hardship and how they come to terms with the world and themselves. In preparation for this book, Dr. Coles spent years among migrants, drawing his research through interviews and every day life.
