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Mobutu Sese Seko, who ruled Zaire (now the Democratic Republic of Congo) from 1965 until 1997, was fond of saying “happy are those who sing and dance,” and his regime energetically promoted the notion of culture as a national resource. During this period Zairian popular dance music (often referred to as la rumba zaïroise) became a sort of musica franca in many parts of sub-Saharan Africa. But how did this privileged form of cultural expression, one primarily known for a sound of sweetness and joy, flourish under one of the continent’s most brutal authoritarian regimes? In Rumba Rules, the first ethnography of popular music in the Democratic Republic of Congo, Bob W. White examines not...
The musical heritage of slavery : from Creolization to "world music" / Denis-Constant Martin My life in the bush of ghosts : "world music" and the commodification of religious experience / Steven Feld A place in the world : globalization, music, and cultural identity in contemporary Vanuatu / Philip Hayward Musicality and environmentalism in the rediscovery of Eldorado : an anthropology of the Raoni-Sting encounter / Rafael Jose? de Menezes Bastos "Beautiful blue" : Rara?muri violin music in a cross-border space / Daniel Noveck World music producers and the cuban frontier / Ariana Hernandez-Reguant Trovador of the Black Atlantic : Laba Sosseh and the Africanization of Afro-Cuban music / Rich...
Bob White is a busy bird with many friends, including Farmer Brown's boy, who tries to protect Bob and his wife when a hunter arrives.
In his fourth book on President George W. Bush and his controversial 'War on Terror,' Bob Woodward takes us behind closed doors, into the hidden rooms of the White House, the Pentagon, the State Department, and US intelligence agencies, where the details of the wars in Iraq and Afghanistan were fiercely debated and eventually determined. Today, the Iraq War is a major source of contention around the world, and may become the defining political, social and moral issue of this brief period in American history. In an attempt to understand the Bush presidency, and its divisive legacy, Woodward examines this conflict at its source: in Washington D.C. This fast-paced, groundbreaking book includes never-before-published information, as Woodward draws upon his vast experience a veteran political journalist to provide a richly detailed and meticulously researched examination of the war in Iraq over the past two years. In The War Within, Woodward expands upon his study of the Bush administration in his previous three books, with his signature authoritative, measured, and deeply human sense of perspective.
Written by an international team of experts, this is the first work of its kind to offer comprehensive coverage of folklore throughout the African continent. Over 300 entries provide in-depth examinations of individual African countries, ethnic groups, religious practices, artistic genres, and numerous other concepts related to folklore. Featuring original field photographs, a comprehensive index, and thorough cross-references, African Folklore: An Encyclopedia is an indispensable resource for any library's folklore or African studies collection. Also includes seven maps.
Bob Woodward's new book draws from hundreds of interviews with key administration figures, their deputies and other firsthand sources. In addition, the book is based on extensive documentation, including internal memos, letters, chronologies and meeting notes. It will focus on national security, especially the wars in Afghanistan and Iraq and the fight against terrorism. Woodward has structured the book to answer the questions: How does Obama govern? How and why does he decide? And how does he balance the numerous pressures of the modern presidency? Obama has learned that he is not commander-in-chief of the economy, and many of his high-profile reforms - such as health care, education and energy - have been turned over to Congress. But the president has realized he has almost total authority as commander-in-chief. Woodward thinks of the book as conceptually titled, The Crucible: Obama at War. Filled with intimate details and verbatim accounts that come from meticulous reporting, this is an unprecedented look at a young president in the 21st Century.
"Why do people die and where do they go when they are dead? How should the dead be buried and mourned in order to ensure that they continue to work for the benefit of the living? How have perceptions and experiences of death and the ends of life changed over the centuries? In My Time of Dying considers these questions from the perspective of African history. In what is the first history of death in Africa, John Parker examines mortuary culture and the ongoing relationship between the living and the dead over a four-hundred year period. Focusing anecdotally on West Africa but with a comparative awareness of comparable practices throughout the continent, Parker highlights how Africans developed the world's most vibrant and recognizable cultures of death"--
How do globalization and internationalization impact music education around the world? By acknowledging different cultural values and priorities, Alexandra Kertz-Welzel's vision challenges the current state of international music education and higher education, which has been dominated by English-language scholarship. Her framework utilizes an interdisciplinary approach and emphasizes the need for developing a pluralistic mode of thinking, while underlining shared foundations and goals. She explores issues of educational transfer, differences in academic discourses worldwide, and the concept of the global mindset to help facilitate much-needed transformations in global music education. This thinking and research, she argues, provides a means for better understanding global transfers of knowledge and ways to avoid culturally and linguistically hegemonic standards. Globalizing Music Education: A Framework is a timely call to action for a more conscious internationalization of music education in which everyone can play a part.
This book draws from a rich history of scholarship about the relations between music and cities, and the global flows between music and urban experience. The contributions in this collection comment on the global city as a nexus of moving people, changing places, and shifting social relations, asking what popular music can tell us about cities, and vice versa. Since the publication of the first Sounds and the City volume, various movements, changes and shifts have amplified debates about globalization. From the waves of people migrating to Europe from the Syrian civil war and other conflict zones, to the 2016 “Brexit” vote to leave the European Union and American presidential election of Donald Trump. These, and other events, appear to have exposed an anti-globalist retreat toward isolationism and a backlash against multiculturalism that has been termed “post-globalization.” Amidst this, what of popular music? Does music offer renewed spaces and avenues for public protest, for collective action and resistance? What can the diverse histories, hybridities, and legacies of popular music tell us about the ever-changing relations of people and cities?
The International Bestseller 'With clarity and compassion, DiAngelo allows us to understand racism as a practice not restricted to "bad people." In doing so, she moves our national discussions forward. This is a necessary book for all people invested in societal change' Claudia Rankine Anger. Fear. Guilt. Denial. Silence. These are the ways in which ordinary white people react when it is pointed out to them that they have done or said something that has - unintentionally - caused racial offence or hurt. After, all, a racist is the worst thing a person can be, right? But these reactions only serve to silence people of colour, who cannot give honest feedback to 'liberal' white people lest they...