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Represents the diversity and productivity of American drama since 1900. The careers of playwrights whose works achieved notable popularity as well as critical success are presented in some detail. Emphasis is placed on biography and a synthesis of the critical reception of authors' works.
In the decade that followed his emigration to the United States in 1851, Fitz-James O'Brien (1828-1862) produced a steady stream of contributions to American newspapers and magazines. As short story writer, essayist, poet, dramatist, reporter, reviewer, drama critic, and editor he won reputation as one of the ablest young writers in New York City, displaying what one contemporary termed an 'extraordinary' talent. But soon after his early death from complications of a battle wound, the sense of wonder at O'Brien's prolific accomplishments began to dissipate. In 1881 his friend William Winter brought out The Poems and Stories of Fitz-James O'Brien, a one-volume collection that spared him the o...
Contains biographical sketches of authors who wrote or began writing their major works during the period 1820 to 1860. Represented are writers of short stories, juvenile literature, sermons, and popular literature, as well as novelists, poets, essayists, editors, humorists, translators, compilers, journalists, reformers, historians, abolitionists, and scientists.
Here it is - published again after more than sixty years since its last appearance - the first Dada novel by an American, originally published in Paris by Contact Editions in 1926. "The Eater of Darkness" is many things: a science fiction crime novel, a study in surrealist fiction; an experimentation of style, structure, and syntax; and an innovative, avant-garde concoction from an author who wrote years ahead of his time. - back cover
Essays on female British poets writing during the two final decades of the reign of Queen Victoria (1880-1901); the reign of her successor, King Edward VII (1901-1910); and all but the last eight years of the reign of King George V (1910-1936).
Embraces the work of writers working in theatrical traditions ranging from the classic well-made play to the most radical avant-garde pieces. This variety is indicative of the fact that this period is one of the most important in British drama, comparable to the late-Elizabethan/Jacobean and post-Restoration eras in terms of the quantity and quality of new work and surpassing both of them in the sheer variety of theatrical offerings.
Includes South Carolinians Mary Boykin Chesnut and Sarah Moore Grimké.
Designed to introduce the lives and works of those individuals who influenced the development of genre in accepting that "the biographer can create a work of truth and pleasure" by merging scholarship with creativity, thus establishing biography as a literary art.
Kane explores the role of religious identity in Boston in the years 1900-1920, arguing that Catholicism was a central integrating force among different class and ethnic groups. She traces the effect of changing class status on religious identity and solidarity, and she delineates the social and cultural meaning of Catholicism in a city where Yankee Protestant nativism persisted even as its hegemony was in decline.