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Psychosocial and Cultural Perspectives on the War in Ukraine
This innovative and important book explores how war imprints on culture and the psychosocial effects of war on individuals and societies, based on the first few months after the outbreak of war in Ukraine in 2022. The book approaches the conflict in Ukraine through the prism of creative and artistic material alongside scholarly analysis to highlight the multiplicity of subjective experiences. Essays are complemented by material from the ‘war diaries’, which comprise day diaries, dream diaries, artistic and poetic material composed by students and academics in February and March 2022. With chapters focusing on fear, ruptures and resistance, the book examines different aspects of subjectiv...
Performing Memory
Through a post-1968 perspective on the past 50 years, Performing Memory brings together case studies on new developments in the relationship between politics and visual representation—including the histories of dance, theatre, political performance and cinema—and investigates how they relate to the interlinked concepts of visuality, corporeality and mobility. Using a collective transdisciplinary attitude from within historical disciplines, and looking across to artistic fields, this volume demonstrates that memory is not merely a recollection of experience but an interactive process, in which the body, mobile and constrained, is both a point of departure and reference.
Beau Monde on Empires Edge
Cover -- Copyright page -- Contents -- List of Illustrations -- Acknowledgments -- Note to the Reader on Transliteration -- Abbreviations -- Introduction: The Beau Monde on the Borderlands -- 1 The Russian Imperial Southwest: Theatre in the Age of Modernism and Pogroms -- 2 The Literary Fair: Mikhail Bulgakov and Mykola Kulish -- 3 Comedy Soviet and Ukrainian? Il'f-Petrov and Ostap Vyshnia -- 4 The Official Artist: Solomon Mikhoels and Les' Kurbas -- 5 The Arts Official: Andrii Khvylia, Vsevolod Balyts'kyi, and the Kremlin -- 6 The Soviet Beau Monde: The Gulag and Kremlin Cabaret -- Notes -- Selected Bibliography -- Index
No Heavenly Bodies
The compelling and little-known history of satellite communications that reveals the Soviet and Eastern European roles in the development of its infrastructure. Taking its title from Hannah Arendt’s description of artificial earth satellites, No Heavenly Bodies explores the history of the first two decades of satellite communications. Christine E. Evans and Lars Lundgren trace how satellite communications infrastructure was imagined, negotiated, and built across the Earth’s surface, including across the Iron Curtain. While the United States’ and European countries’ roles in satellite communications are well documented, Evans and Lundgren delve deep into the role the Soviet Union and ...
Invisible University for Ukraine
The Laurence and Lynne Brown Democracy Medal, awarded by the McCourtney Institute for Democracy at Penn State University, recognizes outstanding individuals, groups, and organizations that produce innovations to further democracy in the United States or around the world. Invisible University for Ukraine (IUFU) is an initiative of Central European University that began in Spring 2022, only months after Russia's full-scale invasion of Ukraine. Since that time, nearly 1,000 Ukrainian students have taken online and on-site courses taught by hundreds of faculty from across Europe and beyond. The program's objective is to help sustain intellectual growth in the midst of incredible hardships, with coursework designed to mitigate the effects of the war on students' academic development and provide a framework to push back against autocracy. This volume recognizes the initiative of IUFU's organizers and its students, describes their work to sustain democracy, and outlines their innovative educational model developed in the face of ongoing war. For this important work, they are the recipients of the 2024 Brown Democracy Medal from the McCourtney Institute for Democracy.
Journal of Soviet and Post-Soviet Politics and Society
Special Sections: Russian Foreign Policy Towards the “Near Abroad” and Russia's Annexiation of Crimea II This special section deals with Russia’s post-Maidan foreign policy towards the so-called “near abroad,” or the former Soviet states. This is an important and timely topic, as Russia’s policy perspectives have changed dramatically since 2013/2014, as have those of its neighbors. The Kremlin today is paradoxically following an aggressive “realist” agenda that seeks to clearly delineate its sphere of influence in Europe and Eurasia while simultaneously attempting to promote “soft-power” and a historical-civilizational justification for its recent actions in Ukraine (and elsewhere). The result is an often perplexing amalgam of policy positions that are difficult to disentangle. The contributors to this special issue are all regional specialists based either in Europe or the United States.
Urban Hacking
Urban spaces became battlefields, signifiers have been invaded, new structures have been established: Netculture replaced counterculture in most parts and also focused on the everchanging environments of the modern city. Important questions have been brought up to date and reasked, taking current positions and discourses into account. The major question still remains, namely how to create culturally based resistance under the influence of capitalistic pressure and conservative politics. This collection of essays and contributions attempts to address this question and its implications for different scientific and artistic fields.
Lemberg
None
Contemporary Ukraine on the Cultural Map of Europe
The concept of a 'return to Europe' has been integral to the movement for Ukrainian national rebirth since the nineteenth century. While the goal of a more fully reformed politics remains elusive, numerous expressions of Ukrainian culture continue to develop in the European spirit. This wide-ranging book explores Ukraine's European cultural connection, especially as it has been reestablished since the country achieved independence in 1991. The contributors discusses many aspects of Ukraine's contemporary culture - history, politics, and religion in Part I; literary culture in Part II; and language, popular culture, and the arts in Part III. What emerges is a fascinating picture of a young country grappling with its divided past and its colonial heritage, yet asserting its voice and preferences amid the diverse and at times conflicting realities of the contemporary political scene. Europe becomes a powerful point of reference, a measure against which the situation in post-independence Ukraine is gouged and debated. This framework allows for a better understanding of the complexities deeply ingrained in the social fabric of Ukrainian society.
Borderland
FULLY UPDATED 'A fascinating and often violent odyssey, spanning more than 1,000 years of conflict and culture' INDEPENDENT Flat, fertile, and fatally tempting to invaders, for centuries Ukraine was fought over by more powerful neighbours. Though its modern national movement dates back to the early nineteenth century, it did not win real independence until 1991, with the collapse of the Soviet Union. Since then, Ukrainians have proved themselves one of the world's most remarkable nations. In 2014 mass demonstrations forced out a corrupt pro-Russian president. Russia responded by invading, first seizing Crimea and the eastern Donbass, and then in February 2022 marching on Kyiv. With Western help, Ukraine is fighting back. But in what form it will emerge from the war - the bloodiest in Europe since 1945 - remains to be seen. For this fourth edition of her classic history, Anna Reid returns to the scene. Talking to refugees, politicians and victims of widespread Russian war crimes, she adds a new chapter to the complex biography of a country on the frontline of the conflict between democracy and dictatorship.
